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Journal Package Information

 

Please send books for review to:
Catherine Strong
School of Media and Communication
RMIT University
GPO Box 2476, Melbourne, VIC, 3001
Australia

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Along with you review please indicate whether you wish to be identified as the source of your comments? Please also let us know if we may include your name in a list of reviewers to be published annually?
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For online submissions, please navigate to our new website via the following link.

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Executive Editor
Mark Evans, University of Technology Sydney, Australia

Co-editors
Shelley Brunt, RMIT University, Australia
Oli Wilson, Massey University, Wellington, New Zealand

Review Editor
Ian Rogers, RMIT University, Australia

Please send books for review to:
Ian Rogers
School of Media and Communication
RMIT University
GPO Box 2476, Melbourne, VIC, 3001
Australia

Perfect Beat first appeared in July 1992 and has been published by Equinox since 2009.

The journal's name derived from Afrika Bambaata and the Soul Sonic Force's 12-inch, 1983 single Looking for the Perfect Beat. The journal's association with the popular cultural quest and mixed, eclectic references of the song are reflected in the articles that have appeared so far which have often concerned themselves with 'world beat' and/or 'world music' and the marketing of non-western musics in the western market and the analysis of local music production. As befits a journal originating in Australia, the journal remains focused on the popular music of the 'Pacific rim' and includes historical and contemporary studies with contributions invited from popular music studies, musicology, cultural studies and ethnomusicological perspectives.

A common theme in many of the articles published has been the development of new styles of popular music by indigenous peoples and their relationships (beneficial and/or problematic) with the technologies and institutions of the 20th Century media and music industries.The principal contribution of indigenous musicians and cultural activists to the journal has been through their collaboration as interviewees and/or co-authors of individual studies. The editors of the journal have endeavoured to maintain a continuing relationship with musicians, communities and cultural groups who have been the subject of study - distributing copies of the publication to interested individuals and bodies, and publishing research updates on previous material (often at the invitation/instigation of the subjects of the preceding research).

Indexing and Abstracting

H-Index 2015: 1

CiteScore 2018: 0.04

SRJ 2018: 0.101

SNIP 2018: 0.061

 

 

 

Publication January and July
ISSN: 1038-2909 (print) 
ISSN: 1836-0343 (online) 

Editorial Address

 Please send all queries to: Shelley Brunt, School of Media and Communication, RMIT University, GPO Box 2476, Melbourne, VIC, 3001, Australia.

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Journal Package Information

 

Please send books for review to:
Catherine Strong
School of Media and Communication
RMIT University
GPO Box 2476, Melbourne, VIC, 3001
Australia

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Abstracting and Indexing

SJR: 0.103

Scopus Abstract and Citation Database
International Index to Music Periodicals
The Music Index
RILM Abstracts of Music Literature
European Reference Index (ERIH Plus)

Co-editors

Shelley Brunt [+-]
RMIT University
Email
Shelley Brunt is a Senior Lecturer in Music and Media at RMIT University, Australia. Her research interests are in the field of ethnomusicology, with a focus on popular music in Japan, and forthcoming publications include the co-edited (with Geoff Stahl) Made in Australia and New Zealand: Studies in Popular Music (Routledge, 2017).
Oli Wilson [+-]
Massey University
Email
Oli Wilson is a Senior Lecturer in the School of Music and Creative Media Production at Massey University, Wellington. His main area of research is music in Oceania, and he specializes in the recording industry and popular music cultures in Papua New Guinea.

Review Editor

Ian Rogers
RMIT University
Email

About the Journal

Perfect Beat first appeared in July 1992 and has been published by Equinox since 2009.

The journal's name derived from Afrika Bambaata and the Soul Sonic Force's 12-inch, 1983 single Looking for the Perfect Beat. The journal's association with the popular cultural quest and mixed, eclectic references of the song are reflected in the articles that have appeared so far which have often concerned themselves with 'world beat' and/or 'world music' and the marketing of non-western musics in the western market and the analysis of local music production. As befits a journal originating in Australia, the journal remains focussed on the popular music of the 'Pacific rim' and includes historical and contemporary studies with contributions invited from popular music studies, musicology, cultural studies and ethnomusicological perspectives.

A common theme in many of the articles published has been the development of new styles of popular music by indigenous peoples and their relationships (beneficial and/or problematic) with the technologies and institutions of the 20th Century media and music industries.The principal contribution of indigenous musicians and cultural activists to the journal has been through their collaboration as interviewees and/or co-authors of individual studies. The editors of the journal have endeavoured to maintain a continuing relationship with musicians, communities and cultural groups who have been the subject of study - distributing copies of the publication to interested individuals and bodies, and publishing research updates on previous material (often at the invitation/instigation of the subjects of the preceding research).