What is the general significance of the main topic or argument of this paper?
What important questions does this paper address and answer?
Is an effort made to relate the findings or conclusions of this paper to broader issues and concerns in our field of study?
Please address the following questions (if appropriate) in your review and let us know how you rate the author's work -- excellent, good, fair, or poor -- in each instance.
Potential significance for the field
Attention to the relevant literature
Research design and data analysis
Logic of the argument
Quality of the writing
Demonstrated relevance for the field
In Step 4 (above),when sending comments for the author to read, please do not include any specific suggestions about publication. There are separate areas for you to enter comments intended for the author to read and for the journal editors to read.
After you have entered your comments (Step 4) and uploaded any additional material (Step 5), please select your recommendation from the drop down menu above (Step 6). If you recommend acceptance, please indicate as clearly as possible in your comments to the editors why this paper deserves publication.
Along with you review please indicate whether you wish to be identified as the source of your comments? Please also let us know if we may include your name in a list of reviewers to be published annually?" ["rtDefineTerms"]=> string(1) "0" ["doiSuffixPattern"]=> string(5) "%j.%a" ["allowRegReader"]=> string(1) "1" ["fastTrackFee"]=> string(0) "" ["doiPrefix"]=> string(7) "10.1558" ["publicationFormatNumber"]=> string(1) "1" ["restrictOnlyPdf"]=> string(1) "0" ["metaDiscipline"]=> string(1) "1" ["promoBookId"]=> string(3) "410" ["initialNumber"]=> string(1) "1" ["rateReviewerOnQuality"]=> string(1) "0" ["copySubmissionAckSpecified"]=> string(1) "1" ["supportPhone"]=> string(19) "+44 (0)114 221-0285" ["purchaseArticleFeeEnabled"]=> string(1) "1" ["navItems"]=> string(303) "a:2:{i:0;a:4:{s:4:"name";s:9:"All Music";s:9:"isLiteral";s:1:"1";s:3:"url";s:45:"http://www.equinoxpub.com/home/popular-music/";s:10:"isAbsolute";s:1:"1";}i:1;a:4:{s:4:"name";s:8:"Register";s:9:"isLiteral";s:1:"1";s:3:"url";s:43:"http://www.equinoxpub.com/PMH/user/register";s:10:"isAbsolute";s:1:"1";}}" ["boardEnabled"]=> string(1) "1" ["showGalleyLinks"]=> string(1) "1" ["authorSelfArchivePolicy"]=> string(0) "" ["disableUserReg"]=> string(1) "0" ["promoCode"]=> string(7) "Music12" ["
Equinox Publishing Ltd., Office 415, The Workstation, 15 Paternoster Row, Sheffield S1 2BX, United Kingdom "]=> string(151) "
Equinox Publishing Ltd., Office 415, The Workstation, 15 Paternoster Row, Sheffield S1 2BX, United Kingdom" ["rtAuthorBio"]=> string(1) "1" ["homeHeaderTitle"]=> string(21) "Popular Music History" ["metaCitations"]=> string(1) "1" ["nextIssueDespatchDate"]=> string(0) "" ["metaTypeExamples"]=> string(61) "(E.g., Historical Inquiry; Survey Article; Interview; Report)" ["useProofreaders"]=> string(1) "1" ["contactEmail"]=> string(28) "[email protected]" ["enableDelayedOpenAccess"]=> string(1) "0" ["copyrightNoticeAgree"]=> string(1) "1" ["numAnnouncementsHomepage"]=> string(1) "5" ["rtCaptureCite"]=> string(1) "1" ["onlineIssn"]=> string(9) "1743-1646" ["numDaysBeforeSubmitReminder"]=> string(1) "5" ["rtEmailOthers"]=> string(1) "0" ["paymentMethodPluginName"]=> string(6) "Paypal" ["rtSharingLogoBackground"]=> string(0) "" ["subscriptionExpiryPartial"]=> string(1) "1" ["competingInterestGuidelines"]=> string(941) "Equinox upholds the standards for peer review promulgated by the Committee on Publication Ethics. Reviewers may wish to consult the Committee's code of conduct which may be downloaded from their site here. In particular, please inform the journal editor of any potentially conflicting or competing interests (which may, for example, be personal, financial, intellectual, professional, political or religious). Do not accept a request to review an article if you suspect that you may work at the same institution as any of the authors (or will be joining that institution or are applying for a job there) or if you suspect that you are or have been recent (e.g. within the past 3 years) mentors, mentees, close collaborators or joint grant holders or suspect that you have a close personal relationship with any of the authors. If in doubt, please discuss with the editor." ["mailingAddress"]=> string(137) "Equinox Publishing Ltd, Office 415, The Workstation 15 Paternoster Row Sheffield S1 2BX United Kingdom (not for editorial correspondence)" ["metaType"]=> string(1) "1" ["metaCoverage"]=> string(1) "1" ["fastTrackFeeEnabled"]=> string(1) "0" ["statisticsSectionIds"]=> string(19) "a:1:{i:0;s:2:"96";}" ["onlineIsbn"]=> string(0) "" ["statRegisteredReaders"]=> string(1) "0" ["authorGuidelines"]=> string(884) "
For online submissions, please navigate to our new website via the following link.
https://journal.equinoxpub.com/PMH/about/submissions
" ["numWeeksPerReview"]=> string(2) "12" ["rtSharingLogo"]=> string(0) "" } ["currentIssue"]=> array(21) { ["issueId"]=> int(2885) ["journal"]=> array(18) { ["journalId"]=> int(18) ["title"]=> string(21) "Popular Music History" ["path"]=> string(3) "PMH" ["initials"]=> string(4) "pomh" ["onlineIssn"]=> string(9) "1743-1646" ["printIssn"]=> string(9) "1740-7133" ["articlePurchaseFee"]=> float(18) ["description"]=> string(4500) "
Editors
Catherine Strong, RMIT University
Shane Homan, Monash University
Associate Editor
Robert Strachan, Institute of Popular Music
Resources/Reviews Editor
Sarah Raine, Edinburgh Napier University
Please contact Sarah Raine via email for details pertaining to prospective books for review:
[email protected]
SoundCheck Editor
Peter Doyle, Macquarie University
ADVANCE ACCESS TO FORTHCOMING ARTICLES
LATEST ISSUES PUBLISHED
New SoundCheck section
Submissions are invited for SoundCheck, the essay section of PMH journal. Contributions (3000 to 5000 words) will be subject to peer review, and will accord with established conventions of research rigour. The section seeks to encourage and foster freer stylistic approaches to research/writing.
Popular Music History publishes original historical and historiographical research that draws on the wide range of disciplines and intellectual trajectories that have contributed to the establishment of popular music studies as a recognized academic enterprise.
Articles that challenge established orthodoxies in popular music studies, examine the formation and dissolution of canons, interrogate histories of genres, focus on forms of popular music that have existed below the "historical radar," and engage in archaeologies of popular music history, are particularly welcome.
The philosophy of Popular Music History is to encourage research that is empirically grounded. However, the journal's historical orientation is not intended to be exclusive. Articles that concentrate on historical and historiographical issues that draw on music analysis, incorporate cultural theory, or engage in the ‘history of the present’, are also appropriate.
In addition to the reviews section, a distinctive feature of Popular Music History is its section on Resources. Resources re-publishes articles of historical importance that have become difficult to find or unjustifiably obscure, report on archives, museums and scholarly collections of particular importance to writing popular music history, and serve as a forum for the discussion of issues of special interest to popular music histories.
Abstracting and Indexing Services
- Bibliography of Humanities and Social Sciences Literature, K.G. Saur Verlag
- EBSCO's Academic Search Premier & Religion and Philosophy Collection
- RILM Abstracts of Music Literature
- The Music Index
- European Reference Index (ERIH Plus)
Publication: April, August and December
ISSN: 1740-7133 (Print)
ISSN: 1743-1646 (Online)
" ["additionalHomeContent"]=> string(150) "" ["publicationFrequency"]=> string(13) "3 issues/year" ["pubFreqPolicy"]=> NULL ["readership"]=> NULL ["startPublicationDate"]=> string(4) "2004" ["copyrightInformation"]=> NULL ["thumbnailFilename"]=> string(46) "journalThumbnailImage-20150410181651_en_US.jpg" ["metadata"]=> array(0) { } ["currentIssue"]=> NULL ["subjects"]=> array(1) { [0]=> array(6) { ["subjectId"]=> int(4) ["name"]=> string(13) "Popular Music" ["url"]=> NULL ["books"]=> array(0) { } ["journals"]=> array(0) { } ["series"]=> array(0) { } } } } ["volume"]=> int(13) ["number"]=> string(1) "3" ["year"]=> int(2020) ["issueTitle"]=> string(0) "" ["current"]=> bool(true) ["datePublished"]=> int(1617235200000) ["sections"]=> NULL ["url"]=> string(46) "https://www.equinoxpub.com/PMH/issue/view/2885" ["tocUrl"]=> string(46) "https://www.equinoxpub.com/PMH/issue/view/2885" ["publicId"]=> string(4) "2885" ["coverFilename"]=> NULL ["showCoverPage"]=> bool(false) ["description"]=> string(0) "" ["book"]=> bool(false) ["title"]=> string(19) "Vol 13 No. 3 (2020)" ["fullDescription"]=> string(19) "Vol 13 No. 3 (2020)" ["titleNoSpace"]=> string(16) "Vol_13_No_3_2020" ["issue"]=> bool(true) ["id"]=> int(2885) } ["subjects"]=> array(1) { [0]=> array(6) { ["subjectId"]=> int(4) ["name"]=> string(13) "Popular Music" ["url"]=> NULL ["books"]=> array(0) { } ["journals"]=> array(0) { } ["series"]=> array(0) { } } } } } -->
Abstracting and Indexing
Bibliography of Humanities and Social Sciences Literature, K.G. Saur Verlag
EBSCO's Academic Search Premier &
Religion and Philosophy Collection
RILM Abstracts of Music Literature
The Music Index
European Reference Index (ERIH Plus)
Editors
Catherine Strong [+ ]
RMIT University
Resources/Review Editor
Sarah Raine [+ ]
University College Dublin
SoundCheck Editor
Peter Doyle [+ ]
Macquarie University
About the Journal
Popular Music History publishes original historical and historiographical research that draws on the wide range of disciplines and intellectual trajectories that have contributed to the establishment of popular music studies as a recognized academic enterprise.Articles that challenge established orthodoxies in popular music studies, examine the formation and dissolution of canons, interrogate histories of genres, focus on forms of popular music that have existed below the "historical radar," and engage in archaeologies of popular music history, are particularly welcome.
The philosophy of Popular Music History is to encourage research that is empirically grounded. However, the journal's historical orientation is not intended to be exclusive. Articles that concentrate on historical and historiographical issues that draw on music analysis, incorporate cultural theory, or engage in the ‘history of the present’, are also appropriate.
In addition to the reviews section, a distinctive feature of Popular Music History is its section on Resources. Resources re-publishes articles of historical importance that have become difficult to find or unjustifiably obscure, report on archives, museums and scholarly collections of particular importance to writing popular music history, and serve as a forum for the discussion of issues of special interest to popular music histories.