Terror Tracks - Music, Sound and Horror Cinema - Philip Hayward

Terror Tracks - Music, Sound and Horror Cinema - Philip Hayward

Terror in the Outback: Wolf Creek and Australian Horror Cinema

Terror Tracks - Music, Sound and Horror Cinema - Philip Hayward

Philip Hayward [+-]
Southern Cross Univeristy
View Website
Philip Hayward has taught film and popular music studies in Australia and the United Kingdom and is Professor and Deputy Pro Vice Chancellor (Research) at Southern Cross University, Australia. His previous books include Off The Planet: Music, Sound and Science Fiction Cinema (2004) and he is a performer in an avant garde chainsaw quartet performing work written by composer Michael Hannan.
Harry Minassian [+-]
Macquarie University
Harry Minassian is a multi-instrumentalist, composer and arranger with a degree in Creative Arts from Macquarie University, Sydney. His recent projects include event management for Ara Gevorgian’s 2006 Sydney concert.

Description

Although Horror had a low profile in Australian cinema – and, indeed, Australian popular culture in general – during most of the twentieth century. The film Wolf Creek was an exception and one of its many significances is that it has broken through to the mainstream and managed to produce a local inflection of the genre with international appeal. This chapter examines the authorial intentions behind the film’s design, direction and soundtrack composition and the manner in which the final film text combines, develops – and/or deviates from – these.

Notify A Colleague

Citation

Hayward, Philip ; Minassian, Harry. Terror in the Outback: Wolf Creek and Australian Horror Cinema. Terror Tracks - Music, Sound and Horror Cinema. Equinox eBooks Publishing, United Kingdom. p. 238 - 248 Jul 2009. ISBN 9781845532024. https://www.equinoxpub.com/home/view-chapter/?id=19135. Date accessed: 21 Nov 2024 doi: 10.1558/equinox.19135. Jul 2009

Dublin Core Metadata