From “Ghost” and Cover Bands, to Pop Parody and Tributes
Send in the Clones - A Cultural Study of the Tribute Band - Georgina Gregory
Georgina Gregory [+ ]
University of Central Lancashire
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Description
In order to situate the contemporary pop homage in the context of related examples of revivalism and curatorship, this chapter explores musical tribute in a historical trajectory. Before going on to discuss the factors surrounding the emergence of the modern tribute act, I will look at one of the key forerunners explaining how, in the absence of their leaders, “ghost” bands, helped to keep alive the repertoire and identity of big bands. This will be followed by an evaluation of the role played by cover bands in offering music lovers live versions of chart music of the 1960s – during an era when the international tour was an infrequent event, their role as transatlantic ambassadors is explored. Consideration is also given to pop parody and impersonation – entertainment models which helped to popularize the theme of recycling identities, thereby paving the way for the fully fledged tribute acts we are all familiar with.