Sounding Funny - Sound and Comedy Cinema - Mark Evans

Sounding Funny - Sound and Comedy Cinema - Mark Evans

Parody, Self-Parody and Genre-Parody: Music in The Magnificent Seven and ¡Three Amigos!

Sounding Funny - Sound and Comedy Cinema - Mark Evans

Erik Heine [+-]
Oklahoma City University
Erik Heine is Professor of Music at the Wanda L. Bass School of Music at Oklahoma City University. He has presented and published on music in films as diverse as ¡Three Amigos!, The Magnificent Seven, Grigori Kozintsev's adaptations of Hamlet and King Lear, Signs, Fearless, and The Truman Show. He currently teaches Music Theory and Aural Skills and courses in Classical Era Form and Music Since 1900. In his spare time, he is an avid runner.

Description

The chapter investigates how composer Elmer Bernstein took elements from his famous score for The Magnificent Seven and reused and reworked them into his score for the Western comedy ¡Three Amigos! Although much of his music is “straight,” Bernstein did compose cues intended to be humorous, in order to highlight the absurdity of the on-screen image. He also reworked a love theme cue from The Magnificent Seven into something entirely different in ¡Three Amigos!, again emphasizing the absurdity of the on-screen image. Composer Randy Newman contributed songs to the film as well. When the Amigos sing and dance, it demonstrates that they are entertainers, not gunfighters, and Bernstein’s score propels them to fulfill their movie roles in real life.

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Citation

Heine, Erik . Parody, Self-Parody and Genre-Parody: Music in The Magnificent Seven and ¡Three Amigos!. Sounding Funny - Sound and Comedy Cinema. Equinox eBooks Publishing, United Kingdom. p. 51-73 Jan 2016. ISBN 9781845536749. https://www.equinoxpub.com/home/view-chapter/?id=24489. Date accessed: 21 Nov 2024 doi: 10.1558/equinox.24489. Jan 2016

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