Marine Ventures - Archaeological Perspectives on Human-Sea Relations - Hein B. Bjerck

Marine Ventures - Archaeological Perspectives on Human-Sea Relations - Hein B. Bjerck

21. Marine Ventures in Stone Age Rock Art of Fennoscandia

Marine Ventures - Archaeological Perspectives on Human-Sea Relations - Hein B. Bjerck

Jan Magne Gjerde [+-]
Norwegian Institute for Cultural Heritage Research
Jan Magne Gjerde is Researcher in Archaeology at the High North Department in Tromsø at NIKU (Norwegian Institute for Cultural Heritage Research). Gjerde has a PhD in Stone Age rock art of Fennoscandia with extensive fieldwork in Finland, Norway, NW-Russia and Sweden. Gjerde has in the last years published several papers on Fennoscandian Stone Age rock art. He also led the large-scale Stone Age excavations at Tønsnes, Northern Norway in 2011 and 2012. Gjerde is currently working on the project “Stone Age Demographics: Multi-scale exploration of population variation and dynamics” (2017-2021) funded by the Norwegian Research Council.

Description

In rock art research there has been/still is a general assumption and interpretation that the boats depicted in rock art are not real boats but cosmological depictions of boats. This paper will look into the marine ventures in Stone Age rock art where the boat depictions are reconsidered as part of both a real and a cosmological world. Indirect evidence of an advanced marine technology is the settlement pattern on the numerous islands along the Norwegian coast. The boat was a vital conveyance connected to hunting and fishing. Added to this, they were important for journeys in these seascapes. The oldest boat depictions date to the Late Mesolithic. The Stone Age boat scenes include driving and hunting of reindeer, halibut fishing, seal hunting and whale hunting. Whereas boats may represent cosmological journeys, this paper will focus more on the actual activities depicted in the rock art as representations of real events in the past. Among recent hunter-gatherers, there is often no clear-cut separation between the real and the imaginary in the ethnographic record. It is thus argued that Stone Age rock art compositions are intertwined representations depicting and denoting both real and cosmological boats.

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Citation

Gjerde, Jan Magne. 21. Marine Ventures in Stone Age Rock Art of Fennoscandia. Marine Ventures - Archaeological Perspectives on Human-Sea Relations. Equinox eBooks Publishing, United Kingdom. p. 337-354 Nov 2016. ISBN 9781781791363. https://www.equinoxpub.com/home/view-chapter/?id=24558. Date accessed: 21 Nov 2024 doi: 10.1558/equinox.24558. Nov 2016

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