Unveiling Sufism - From Manhattan to Mecca - William Rory Dickson
Synthesizers and Saints: Sufism in the Medieval Era
Unveiling Sufism - From Manhattan to Mecca - William Rory Dickson
Meena Sharify-Funk [+]
Wilfrid Laurier University
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William Rory Dickson [+]
University of Winnipeg
Description
Moving deeper into history, in Chapter Five, we consider those Sufis who integrated Islamic law, theology and philosophy with the aesthetics and practices of Sufism to forge a holistic paradigm in the medieval era. It was between the 11th and 13th centuries that Sufism crystalized as a comprehensive worldview, one that would define Islam for centuries to follow, shaping the culture of Muslim societies and empires. The great synthesizers of Sufi thought, figures such as Muhyi al-Din Ibn al-‘Arabi (d. 1240) and Abu Hamid al-Ghazali (d. 1111), played paramount roles in drawing the outlines of classical Sufism. Some Sufi scholars like al-Ghazali worked within government instutions, seeking to reconcile Sufism with both Islamic jurisprudence and the political powers of his day. Philosophically, Ibn al-‘Arabi articulated a metaphysics of oneness alongside a conception of human perfectibility, leading to a cosmology of unity and sainthood. Socially, Sufism was institutionalized during this period as a series of religious orders, four of which will be explored in this chapter (the Shadhili, Qadiri, Naqshbandi, and Chishti orders), each representing a different cultural region within Islamic civilization. With Sufism’s institutionalization in a system of orders, Sufi practices became more codified, with each order developing its own particular forms of devotion, meditation, and contemplation. We see during this time the development of a sound mysticism, as Sufi devotion was integrated with musical traditions, and Sufi chanting coordinated with breath and body, producing spiritual practices of song, dance, and ecstasy.