9. Nine Recommendations for Growing Creative Writing Programs
Investigative Creative Writing - Teaching and Practice - Mark Spitzer
Mark Spitzer [+ ]
University of Central Arkansas
Mark Spitzer is Associate Professor of Creative Writing in the Department of Film, Theatre, and Creative Writing at the University of Central Arkansas. He is the author of 18 books, ranging from memoirs to novels to literary translations and collections of poetry. He is the editor of the award-winning Toad Suck Review (toadsuckreview.org), a professor of creative writing, an authority on the notorious gar fish (See River Monsters, alligator gar episode), and the world expert on the poetry of Jean Genet. Other recent titles include the poetry collection, Inflammatosis: Polemic Poetry, Incendiary Prose, and Other Extremes of Love and War (Six Gallery Press, 2018); the young adult and children’s literature title, The Crabby Old Gar (Subversive Muse Press, 2018); the novel, Viva Arletty! Our Lady of the Egrets (Six Gallery Press, 2017); the nonfiction work, Beautifully Grotesque Fish of the American West (University of Nebraska Press, 2017); the literary translation The Genet Translations: Poetry and Posthumous Plays (Polemic Press, 2015), and the memoir, After the Octopus (Black Mountain Press, 2014).
Description
The title of this chapter is self-explanatory, and this chapter gets right to the heart of the matter. Commonsense givens like funding, the currency of literary journals, and building a culture of reading are offered before getting into more complex considerations like faculty needing to really want to grow creative writing programs and creating a brand that stands out from the rest. Some surprise ideas are offered as well.