Community Archaeology in Israel/Palestine - Raz Kletter

Community Archaeology in Israel/Palestine - Raz Kletter

Community Archaeology and the Har Michia Rock Art Park in the Negev/al-Naqab

Community Archaeology in Israel/Palestine - Raz Kletter

Joshua Schmidt [+-]
University of Haifa
Joshua Schmidt is a culture anthropologist having received his doctorate from the Department of Sociology and Anthropology at Ben-Gurion University of the Negev, Israel. Currently a research affiliate in the Zinman Institute of Archaeology at the University of Haifa, Israel, his diverse ethnographic-based projects focus on an intersecting range of transdisciplinary topics that currently include the sociology of tourism, heritage and conservation management, the preservation of ancient rock art, bolstering business sector disaster preparation and response, ethno-linguistics, socio-economic development and the politics of empowerment among peripheral communities, Negev Bedouin marginality, heritage horticulture and the intergenerational geographies of Negev viticulture.
Liora Kolska Horwitz [+-]
The Hebrew University of Jerusalem
Liora Kolska Horwitz is a prehistorian and archaeozoologist affiliated with the National Natural History Collections of the Hebrew University of Jerusalem. Her research focuses on the cultural and biological interface between humans and their natural environment, with a special focus on animals. She has published extensively in international journals, conference proceedings and book chapters, in addition to editing monographs and special issues of journals. She is a member of the Negev Rock Art Center, co-editor of the Israel Journal of Prehistory, and participant in numerous field projects in Israel and South Africa, including co-directing the Wonderwerk Cave project (South Africa).

Description

Our paper unpacks the multivocality of approaches taken in the decade-long endeavor to establish a petroglyph rock art park at Har Michia in the highland region of the Negev/Naqab desert. The open-air park has minimal infrastructure, providing free access for the public to engage with clusters of rock engravings containing motifs that are typical to the region. Initiated as a community archaeology venture, the undertaking was spearheaded by the Negev Rock Art Center, a provisional group comprising both local Jewish and Naqab Bedouin stakeholders who together secured institutional backing. Their joint goal was to highlight rock art as a heritage resource for research, education, and the development of regional eco-tourism. However, tensions ensued. During this period the central government announced plans to resettle resident Bedouin communities and concentrate them in a single fixed, semi-urban setting. Consequently, the Bedouin faction distanced itself from the project as they apparently associated it with the broader attempts to curtail their sovereignty of movement and ability to settlement in the Negev. Currently, the park is operating and serves as a tourist site, but unfortunately fails to function as a bridge between local communities who aim to preserve a mutually cherished heritage.

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Citation

Schmidt, Joshua ; Horwitz, Liora Kolska. Community Archaeology and the Har Michia Rock Art Park in the Negev/al-Naqab. Community Archaeology in Israel/Palestine. Equinox eBooks Publishing, United Kingdom. p. 180-221 Aug 2024. ISBN 9781800504820. https://www.equinoxpub.com/home/view-chapter/?id=44989. Date accessed: 21 Nov 2024 doi: 10.1558/equinox.44989. Aug 2024

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