Rod Davies is a lecturer at the Sir Zelman Cowen School of Music, Monash University. He is the co-ordinator of popular voice, lectures in songwriting and is a currently researching vocal performance as part of PhD candidature (Monash University).

" ["affiliation"]=> string(51) "Monash University Sir Zelman Cowen School of Music" ["username"]=> string(9) "roddavies" ["url"]=> string(46) "http://profiles.arts.monash.edu.au/rod-davies/" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(10) "Davies Rod" ["fullname"]=> string(10) "Rod Davies" ["authorSummary"]=> string(100) "Rod Davies ([email protected] - roddavies) 'Monash University Sir Zelman Cowen School of Music'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [14]=> array(4) { ["id"]=> int(5132) ["user"]=> array(15) { ["userId"]=> int(117884) ["salutation"]=> string(0) "" ["firstname"]=> string(5) "Vicky" ["middlename"]=> string(0) "" ["surname"]=> string(9) "Armstrong" ["gender"]=> NULL ["email"]=> string(33) "[email protected]" ["bio"]=> string(76) "Vicky Armstrong is Senior Lecturer in Sociology at the University of Surrey." ["affiliation"]=> string(20) "University of Surrey" ["username"]=> string(10) "varmstrong" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(15) "Armstrong Vicky" ["fullname"]=> string(15) "Vicky Armstrong" ["authorSummary"]=> string(87) "Vicky Armstrong ([email protected] - varmstrong) 'University of Surrey'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [15]=> array(4) { ["id"]=> int(5133) ["user"]=> array(15) { ["userId"]=> int(117885) ["salutation"]=> string(0) "" ["firstname"]=> string(15) "Helen Elizabeth" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Davies" ["gender"]=> NULL ["email"]=> string(19) "[email protected]" ["bio"]=> string(664) "Helen Elizabeth Davies is Subject Leader of Popular Music Studies at the Liverpool Institute for Performing Arts, UK. Her key research interests are popular music and gender, popular music visuals, music education, music in everyday life and ethnographic research. She has published research into musicians in vocational popular music higher education and graduates working in the music industry, focusing on gender related experiences and issues. Since 2019, she has carried out research with the organization UK Music on diversity in the UK music industry workforce for their biennial diversity report. She is currently writing a book on popular music visuals." ["affiliation"]=> string(43) "The Liverpool Institute for Performing Arts" ["username"]=> string(8) "hedavies" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(22) "Davies Helen Elizabeth" ["fullname"]=> string(22) "Helen Elizabeth Davies" ["authorSummary"]=> string(101) "Helen Elizabeth Davies ([email protected] - hedavies) 'The Liverpool Institute for Performing Arts'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [16]=> array(4) { ["id"]=> int(5134) ["user"]=> array(15) { ["userId"]=> int(117886) ["salutation"]=> string(0) "" ["firstname"]=> string(3) "Joe" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Sferra" ["gender"]=> NULL ["email"]=> string(18) "[email protected]" ["bio"]=> string(703) "Joe Sferra is a composer, performer, and theorist who advocates for a broad musical curiosity as an essential trait of a modern musician, and he embodies this in his teaching and creative work. As a clarinettist, he is featured on both abstract electronic improvisation with the ACCAD Sonic Arts Ensemble for Ravello Records and American Roots music with The Deep Roots Ensemble for 4Tay Records. His compositions entertain with popular gestures while revealing a love for the harmonic and formal ideas of modernist concert music, and have been featured in performances in the USA, Canada, and Spain. He has served on the faculties of Earlham, Vassar, SUNY-Potsdam, and the Cleveland Institute of Music." ["affiliation"]=> string(22) "composer and performer" ["username"]=> string(7) "jsferra" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(10) "Sferra Joe" ["fullname"]=> string(10) "Joe Sferra" ["authorSummary"]=> string(66) "Joe Sferra ([email protected] - jsferra) 'composer and performer'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [17]=> array(4) { ["id"]=> int(5135) ["user"]=> array(15) { ["userId"]=> int(117887) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Taylor" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Ackley" ["gender"]=> NULL ["email"]=> string(27) "[email protected]" ["bio"]=> string(720) "Taylor Ackley: A scholar, composer and performer of American Roots music, Taylor Ackley’s work explores and understands American folk and popular music through historical research, composition, analysis, performance, and ethnography. His integrated intellectual and creative practice builds upon lived experiences of poverty among the rural working-class to provide a foundational knowledge for studying, creating, and teaching music. He holds a master’s degree and a PhD in Composition as well as a master’s degree in Ethnomusicology from Stony Brook University and is currently an Assistant Professor of Music at Brandeis University. He directs the Deep Roots Ensemble and has three commercially released albums." ["affiliation"]=> string(19) "Brandeis University" ["username"]=> string(7) "tackley" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(13) "Ackley Taylor" ["fullname"]=> string(13) "Taylor Ackley" ["authorSummary"]=> string(75) "Taylor Ackley ([email protected] - tackley) 'Brandeis University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [18]=> array(4) { ["id"]=> int(5136) ["user"]=> array(15) { ["userId"]=> int(117888) ["salutation"]=> string(0) "" ["firstname"]=> string(3) "Ian" ["middlename"]=> string(0) "" ["surname"]=> string(9) "Stevenson" ["gender"]=> NULL ["email"]=> string(24) "[email protected]" ["bio"]=> string(369) "Ian Stevenson is a specialist in the field of audible design with over thirty years of experience as an audio engineer, producer, artist, and educator. He is currently senior lecturer in music and sound design at the University of Technology Sydney. His current research is in the areas of sound design, sound studies, soundscape analysis, and music and sound pedagogy." ["affiliation"]=> string(31) "University of Technology Sydney" ["username"]=> string(10) "istevenson" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(13) "Stevenson Ian" ["fullname"]=> string(13) "Ian Stevenson" ["authorSummary"]=> string(87) "Ian Stevenson ([email protected] - istevenson) 'University of Technology Sydney'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [19]=> array(4) { ["id"]=> int(5137) ["user"]=> array(15) { ["userId"]=> int(117889) ["salutation"]=> string(0) "" ["firstname"]=> string(7) "Gerhard" ["middlename"]=> string(0) "" ["surname"]=> string(4) "Roux" ["gender"]=> NULL ["email"]=> string(20) "[email protected]" ["bio"]=> string(0) "" ["affiliation"]=> string(23) "Stellenbosch University" ["username"]=> string(5) "groux" ["url"]=> string(0) "" ["country"]=> string(12) "South Africa" ["lastNameFirstname"]=> string(12) "Roux Gerhard" ["fullname"]=> string(12) "Gerhard Roux" ["authorSummary"]=> string(69) "Gerhard Roux ([email protected] - groux) 'Stellenbosch University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [20]=> array(4) { ["id"]=> int(5138) ["user"]=> array(15) { ["userId"]=> int(117890) ["salutation"]=> string(0) "" ["firstname"]=> string(3) "Ben" ["middlename"]=> string(0) "" ["surname"]=> string(7) "Toscher" ["gender"]=> NULL ["email"]=> string(24) "[email protected]" ["bio"]=> string(0) "" ["affiliation"]=> string(46) "Norwegian University of Science and Technology" ["username"]=> string(8) "btoscher" ["url"]=> string(0) "" ["country"]=> string(2) "NO" ["lastNameFirstname"]=> string(11) "Toscher Ben" ["fullname"]=> string(11) "Ben Toscher" ["authorSummary"]=> string(98) "Ben Toscher ([email protected] - btoscher) 'Norwegian University of Science and Technology'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [21]=> array(4) { ["id"]=> int(5139) ["user"]=> array(15) { ["userId"]=> int(117891) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Martin" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Lücke" ["gender"]=> NULL ["email"]=> string(22) "[email protected]" ["bio"]=> string(543) "Martin Lücke is Professor of Music Management at the Macromedia University of Applied Sciences in Berlin. He is the Local Head of the Faculty of Culture, Media, and Psychology there. Lücke studied musicology, history and political science at Ruhr University Bochum and initially worked in the cultural sector. His current research focusses on topics such as popular music, progressive rock, crowdfunding, and educational research. His most recent publication in German is the "Dictionary of Music Professions (Lexikon der Musikberufe)”." ["affiliation"]=> string(49) "Macromedia University of Applied Sciences, Berlin" ["username"]=> string(6) "mlucke" ["url"]=> string(0) "" ["country"]=> string(2) "DE" ["lastNameFirstname"]=> string(13) "Lücke Martin" ["fullname"]=> string(13) "Martin Lücke" ["authorSummary"]=> string(99) "Martin Lücke ([email protected] - mlucke) 'Macromedia University of Applied Sciences, Berlin'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [22]=> array(4) { ["id"]=> int(5140) ["user"]=> array(15) { ["userId"]=> int(92871) ["salutation"]=> string(0) "" ["firstname"]=> string(4) "Mark" ["middlename"]=> string(0) "" ["surname"]=> string(7) "Thorley" ["gender"]=> NULL ["email"]=> string(21) "[email protected]" ["bio"]=> string(340) "Dr Mark Thorley’s research centres on the creative industries, with particular emphasis on the role of technology. This work draws upon his background as a classically-trained musician, technologist and entrepreneur. His is a past Director of the Music Producers’ Guild in the UK, and a Senior Fellow of the Higher Education Academy." ["affiliation"]=> string(19) "Coventry University" ["username"]=> string(8) "mthorley" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(12) "Thorley Mark" ["fullname"]=> string(12) "Mark Thorley" ["authorSummary"]=> string(69) "Mark Thorley ([email protected] - mthorley) 'Coventry University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [23]=> array(4) { ["id"]=> int(5141) ["user"]=> array(15) { ["userId"]=> int(117893) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Louise" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Godwin" ["gender"]=> NULL ["email"]=> string(25) "[email protected]" ["bio"]=> string(125) "Louise Godwin is currently working as coordinator/researcher with emerging charity Agrigento, Cellist/Researcher, Australia " ["affiliation"]=> string(18) "Cellist/Researcher" ["username"]=> string(7) "lgodwin" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(13) "Godwin Louise" ["fullname"]=> string(13) "Louise Godwin" ["authorSummary"]=> string(72) "Louise Godwin ([email protected] - lgodwin) 'Cellist/Researcher'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [24]=> array(4) { ["id"]=> int(5155) ["user"]=> array(15) { ["userId"]=> int(116755) ["salutation"]=> string(2) "Mr" ["firstname"]=> string(4) "Sean" ["middlename"]=> string(0) "" ["surname"]=> string(5) "Foran" ["gender"]=> NULL ["email"]=> string(17) "[email protected]" ["bio"]=> string(707) "Sean Foran is a Brisbane based composer, pianist, and improvising musician. An ARIA nominated artist he has received the prestigious Brisbane City Council’s Lord Mayors Emerging Artist Fellowship, AMC/APRA Award for Excellence in Jazz, APRA Professional Development Award for Jazz and the QLD Music Award multiple times. His research investigates improvisation with technology, contemporary music career strategies and jazz industry practices. He is currently performing with acclaimed improvising trio ‘Trichotomy’, is Course Director for Audio and Music SAE Creative Media Institute, co-director of the publishing company ‘Prepared Sounds’ and associate artist of the Australian Music Centre. " ["affiliation"]=> string(21) "composer and musician" ["username"]=> string(4) "sean" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(10) "Foran Sean" ["fullname"]=> string(10) "Sean Foran" ["authorSummary"]=> string(61) "Sean Foran ([email protected] - sean) 'composer and musician'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [25]=> array(4) { ["id"]=> int(5156) ["user"]=> array(15) { ["userId"]=> int(119055) ["salutation"]=> string(0) "" ["firstname"]=> string(7) "Vincent" ["middlename"]=> string(0) "" ["surname"]=> string(5) "Perry" ["gender"]=> NULL ["email"]=> string(18) "[email protected]" ["bio"]=> string(492) "Vincent Perry is a Darwin-based drummer, record producer and avid collector of vintage instruments and recording gear. Vincent draws his musical inspiration from the house bands of the 1960s recording industry, especially Phil Spector’s Wrecking Crew and Motown’s Funk Brothers. He is currently a percussionist for the Darwin Symphony Orchestra, drummer for the Hot and Cold Big Band, and a lecturer at Charles Darwin University, where he delivers higher education and VET music units. " ["affiliation"]=> string(25) "Charles Darwin University" ["username"]=> string(6) "vperry" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(13) "Perry Vincent" ["fullname"]=> string(13) "Vincent Perry" ["authorSummary"]=> string(71) "Vincent Perry ([email protected] - vperry) 'Charles Darwin University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [26]=> array(4) { ["id"]=> int(5157) ["user"]=> array(15) { ["userId"]=> int(119056) ["salutation"]=> string(0) "" ["firstname"]=> string(4) "Jade" ["middlename"]=> string(0) "" ["surname"]=> string(7) "O'Regan" ["gender"]=> NULL ["email"]=> string(25) "[email protected]" ["bio"]=> string(589) "Jade O’Regan is a Lecturer in Contemporary Music Practice at the Sydney Conservatorium of Music (University of Sydney). She is the co-author of "Hooks in Popular Music" (2022) with Dr Tim Byron, which combines pop musicology and music psychology to understand pop music in an interdisciplinary way. Her research interests include the musical analysis of pop music, genres, songwriting, and creativity. She is an experienced music communicator who has been featured as a speaker at SxSW, Splendour in the Grass, on ABC News, and Triple J. She is also a performing musician and songwriter." 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In 2017 he won the APRA Art Music Award for Jazz work of the Year, and he is a regularly commissioned composer, pianist and improvisor. He gained a Master of Music (composition) from the Sydney Conservatorium of Music and holds a Bachelor of Music (Jazz Performance) from WAAPA, and is currently completing the Ph.D. His Future research interests are hybridity and multi-disciplined approaches, technology within jazz, and assimilating techniques of Modernism within jazz." 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She is also the founder of Muzikboxx, a music education app for both music teachers and students. Her current research is in the areas of gamified learning, self-regulated learning, immersive sound, and technology and the law. " ["affiliation"]=> string(84) "University of Technology, Sydney, Macquarie University, and the University of Sydney" ["username"]=> string(10) "mrouvellas" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(16) "Rouvellas Monica" ["fullname"]=> string(16) "Monica Rouvellas" ["authorSummary"]=> string(144) "Monica Rouvellas ([email protected] - mrouvellas) 'University of Technology, Sydney, Macquarie University, and the University of Sydney'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [29]=> array(4) { ["id"]=> int(6534) ["user"]=> array(15) { ["userId"]=> int(148940) ["salutation"]=> string(0) "" ["firstname"]=> string(4) "Jeff" ["middlename"]=> string(0) "" ["surname"]=> string(8) "Crabtree" ["gender"]=> NULL ["email"]=> string(27) "[email protected]" ["bio"]=> string(491) "Jeff Crabtree is a speaker, performer, songwriter, and music producer with 100 composition and production credits. He co-authored Living with a Creative Mind, a handbook for nurturing creativity and well-being. He is the founder and director of Zebra Collective, a microlearning platform. Jeff is currently a sessional academic at the University of Technology, Sydney and JMC Academy. His doctoral research revealed the extent of workplace and sexual harassment in the music industry." 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He has published over 60 peer reviewed book chapters and journal articles, in tier one journals such as Creative Industries, International Journal of Cultural Policy, Studies in Higher Education, and the British Journal of Music Education. Professor Daniel has been twice winner of the JCU Vice Chancellor’s citation for teaching excellence (2004, 2006), as well as an Australian Learning and Teaching Council citation (2006). In 2018 and 2020 he was awarded the Graduate Research School "Supervisory Panel of the Year" award with his colleagues." 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Originally trained as a percussionist, Walzer maintains an active career as a composer, performer, and audio production specialist. Walzer’s research and writings on music technology and the creative industries appear in Leonardo Music Journal, Journal of Music, Technology & Education, Creative Industries Journal, Music Educators Journal, and in numerous edited collections. He is the co-editor of Audio Education: Theory, Culture, and Practice (w/ Mariana Lopez), and the author of Leadership in Music Technology Education: Philosophy, Praxis, and Pedagogy, both on Focal Press." 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He is the co-editor of Audio Education: Theory, Culture, and Practice (w/ Mariana Lopez), and the author of Leadership in Music Technology Education: Philosophy, Praxis, and Pedagogy, both on Focal Press." 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As the music industry and related fields adapt to changing business models, student interest in training for a career in the entertainment sector continues to rise. Though the expansion of global degree offerings in the creative industries expands each year, a “state of the field” on educational and pedagogical issues in the music business and the creative industries has yet to be created.

Creative arts research encompasses a broad range of sectors in the music and entertainment industries; among these subfields include performance, technology, entrepreneurship, marketing, and social justice. Globally, formal training for such pathways happens most often in higher education. The Handbook provides a practical and engaging resource for faculty, staff, administrators, graduate students, and industry members working on the “front lines” in teaching and learning. It presents a wide range of global perspectives from academics, BIPOC voices, and ECRs from the United States, the UK, Europe, Australia, and Canada.

Another factor that affects HE stakeholders is the absence of a versatile resource on the teaching and learning issues in music business and related fields. While The Handbook avoids overly prescriptive models of teaching and learning, the volume includes topical research through case studies, ethnographies, and a thorough cross-section of qualitative and quantitative methods. Such a resource may be germane particularly to educators transitioning from industry to faculty appointments in HE. Authors are encouraged to draw from their expertise and use narrative analysis to support their perspectives.

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Rod Davies is a lecturer at the Sir Zelman Cowen School of Music, Monash University. He is the co-ordinator of popular voice, lectures in songwriting and is a currently researching vocal performance as part of PhD candidature (Monash University).

" ["affiliation"]=> string(51) "Monash University Sir Zelman Cowen School of Music" ["username"]=> string(9) "roddavies" ["url"]=> string(46) "http://profiles.arts.monash.edu.au/rod-davies/" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(10) "Davies Rod" ["fullname"]=> string(10) "Rod Davies" ["authorSummary"]=> string(100) "Rod Davies ([email protected] - roddavies) 'Monash University Sir Zelman Cowen School of Music'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [14]=> array(4) { ["id"]=> int(5132) ["user"]=> array(15) { ["userId"]=> int(117884) ["salutation"]=> string(0) "" ["firstname"]=> string(5) "Vicky" ["middlename"]=> string(0) "" ["surname"]=> string(9) "Armstrong" ["gender"]=> NULL ["email"]=> string(33) "[email protected]" ["bio"]=> string(76) "Vicky Armstrong is Senior Lecturer in Sociology at the University of Surrey." ["affiliation"]=> string(20) "University of Surrey" ["username"]=> string(10) "varmstrong" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(15) "Armstrong Vicky" ["fullname"]=> string(15) "Vicky Armstrong" ["authorSummary"]=> string(87) "Vicky Armstrong ([email protected] - varmstrong) 'University of Surrey'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [15]=> array(4) { ["id"]=> int(5133) ["user"]=> array(15) { ["userId"]=> int(117885) ["salutation"]=> string(0) "" ["firstname"]=> string(15) "Helen Elizabeth" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Davies" ["gender"]=> NULL ["email"]=> string(19) "[email protected]" ["bio"]=> string(664) "Helen Elizabeth Davies is Subject Leader of Popular Music Studies at the Liverpool Institute for Performing Arts, UK. Her key research interests are popular music and gender, popular music visuals, music education, music in everyday life and ethnographic research. She has published research into musicians in vocational popular music higher education and graduates working in the music industry, focusing on gender related experiences and issues. Since 2019, she has carried out research with the organization UK Music on diversity in the UK music industry workforce for their biennial diversity report. She is currently writing a book on popular music visuals." ["affiliation"]=> string(43) "The Liverpool Institute for Performing Arts" ["username"]=> string(8) "hedavies" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(22) "Davies Helen Elizabeth" ["fullname"]=> string(22) "Helen Elizabeth Davies" ["authorSummary"]=> string(101) "Helen Elizabeth Davies ([email protected] - hedavies) 'The Liverpool Institute for Performing Arts'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [16]=> array(4) { ["id"]=> int(5134) ["user"]=> array(15) { ["userId"]=> int(117886) ["salutation"]=> string(0) "" ["firstname"]=> string(3) "Joe" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Sferra" ["gender"]=> NULL ["email"]=> string(18) "[email protected]" ["bio"]=> string(703) "Joe Sferra is a composer, performer, and theorist who advocates for a broad musical curiosity as an essential trait of a modern musician, and he embodies this in his teaching and creative work. 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["affiliation"]=> string(22) "composer and performer" ["username"]=> string(7) "jsferra" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(10) "Sferra Joe" ["fullname"]=> string(10) "Joe Sferra" ["authorSummary"]=> string(66) "Joe Sferra ([email protected] - jsferra) 'composer and performer'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [17]=> array(4) { ["id"]=> int(5135) ["user"]=> array(15) { ["userId"]=> int(117887) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Taylor" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Ackley" ["gender"]=> NULL ["email"]=> string(27) "[email protected]" ["bio"]=> string(720) "Taylor Ackley: A scholar, composer and performer of American Roots music, Taylor Ackley’s work explores and understands American folk and popular music through historical research, composition, analysis, performance, and ethnography. His integrated intellectual and creative practice builds upon lived experiences of poverty among the rural working-class to provide a foundational knowledge for studying, creating, and teaching music. He holds a master’s degree and a PhD in Composition as well as a master’s degree in Ethnomusicology from Stony Brook University and is currently an Assistant Professor of Music at Brandeis University. He directs the Deep Roots Ensemble and has three commercially released albums." ["affiliation"]=> string(19) "Brandeis University" ["username"]=> string(7) "tackley" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(13) "Ackley Taylor" ["fullname"]=> string(13) "Taylor Ackley" ["authorSummary"]=> string(75) "Taylor Ackley ([email protected] - tackley) 'Brandeis University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [18]=> array(4) { ["id"]=> int(5136) ["user"]=> array(15) { ["userId"]=> int(117888) ["salutation"]=> string(0) "" ["firstname"]=> string(3) "Ian" ["middlename"]=> string(0) "" ["surname"]=> string(9) "Stevenson" ["gender"]=> NULL ["email"]=> string(24) "[email protected]" ["bio"]=> string(369) "Ian Stevenson is a specialist in the field of audible design with over thirty years of experience as an audio engineer, producer, artist, and educator. He is currently senior lecturer in music and sound design at the University of Technology Sydney. His current research is in the areas of sound design, sound studies, soundscape analysis, and music and sound pedagogy." ["affiliation"]=> string(31) "University of Technology Sydney" ["username"]=> string(10) "istevenson" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(13) "Stevenson Ian" ["fullname"]=> string(13) "Ian Stevenson" ["authorSummary"]=> string(87) "Ian Stevenson ([email protected] - istevenson) 'University of Technology Sydney'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [19]=> array(4) { ["id"]=> int(5137) ["user"]=> array(15) { ["userId"]=> int(117889) ["salutation"]=> string(0) "" ["firstname"]=> string(7) "Gerhard" ["middlename"]=> string(0) "" ["surname"]=> string(4) "Roux" ["gender"]=> NULL ["email"]=> string(20) "[email protected]" ["bio"]=> string(0) "" ["affiliation"]=> string(23) "Stellenbosch University" ["username"]=> string(5) "groux" ["url"]=> string(0) "" ["country"]=> string(12) "South Africa" ["lastNameFirstname"]=> string(12) "Roux Gerhard" ["fullname"]=> string(12) "Gerhard Roux" ["authorSummary"]=> string(69) "Gerhard Roux ([email protected] - groux) 'Stellenbosch University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [20]=> array(4) { ["id"]=> int(5138) ["user"]=> array(15) { ["userId"]=> int(117890) ["salutation"]=> string(0) "" ["firstname"]=> string(3) "Ben" ["middlename"]=> string(0) "" ["surname"]=> string(7) "Toscher" ["gender"]=> NULL ["email"]=> string(24) "[email protected]" ["bio"]=> string(0) "" ["affiliation"]=> string(46) "Norwegian University of Science and Technology" ["username"]=> string(8) "btoscher" ["url"]=> string(0) "" ["country"]=> string(2) "NO" ["lastNameFirstname"]=> string(11) "Toscher Ben" ["fullname"]=> string(11) "Ben Toscher" ["authorSummary"]=> string(98) "Ben Toscher ([email protected] - btoscher) 'Norwegian University of Science and Technology'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [21]=> array(4) { ["id"]=> int(5139) ["user"]=> array(15) { ["userId"]=> int(117891) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Martin" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Lücke" ["gender"]=> NULL ["email"]=> string(22) "[email protected]" ["bio"]=> string(543) "Martin Lücke is Professor of Music Management at the Macromedia University of Applied Sciences in Berlin. 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["affiliation"]=> string(49) "Macromedia University of Applied Sciences, Berlin" ["username"]=> string(6) "mlucke" ["url"]=> string(0) "" ["country"]=> string(2) "DE" ["lastNameFirstname"]=> string(13) "Lücke Martin" ["fullname"]=> string(13) "Martin Lücke" ["authorSummary"]=> string(99) "Martin Lücke ([email protected] - mlucke) 'Macromedia University of Applied Sciences, Berlin'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [22]=> array(4) { ["id"]=> int(5140) ["user"]=> array(15) { ["userId"]=> int(92871) ["salutation"]=> string(0) "" ["firstname"]=> string(4) "Mark" ["middlename"]=> string(0) "" ["surname"]=> string(7) "Thorley" ["gender"]=> NULL ["email"]=> string(21) "[email protected]" ["bio"]=> string(340) "Dr Mark Thorley’s research centres on the creative industries, with particular emphasis on the role of technology. This work draws upon his background as a classically-trained musician, technologist and entrepreneur. His is a past Director of the Music Producers’ Guild in the UK, and a Senior Fellow of the Higher Education Academy." ["affiliation"]=> string(19) "Coventry University" ["username"]=> string(8) "mthorley" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(12) "Thorley Mark" ["fullname"]=> string(12) "Mark Thorley" ["authorSummary"]=> string(69) "Mark Thorley ([email protected] - mthorley) 'Coventry University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [23]=> array(4) { ["id"]=> int(5141) ["user"]=> array(15) { ["userId"]=> int(117893) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Louise" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Godwin" ["gender"]=> NULL ["email"]=> string(25) "[email protected]" ["bio"]=> string(125) "Louise Godwin is currently working as coordinator/researcher with emerging charity Agrigento, Cellist/Researcher, Australia " ["affiliation"]=> string(18) "Cellist/Researcher" ["username"]=> string(7) "lgodwin" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(13) "Godwin Louise" ["fullname"]=> string(13) "Louise Godwin" ["authorSummary"]=> string(72) "Louise Godwin ([email protected] - lgodwin) 'Cellist/Researcher'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [24]=> array(4) { ["id"]=> int(5155) ["user"]=> array(15) { ["userId"]=> int(116755) ["salutation"]=> string(2) "Mr" ["firstname"]=> string(4) "Sean" ["middlename"]=> string(0) "" ["surname"]=> string(5) "Foran" ["gender"]=> NULL ["email"]=> string(17) "[email protected]" ["bio"]=> string(707) "Sean Foran is a Brisbane based composer, pianist, and improvising musician. 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" ["affiliation"]=> string(21) "composer and musician" ["username"]=> string(4) "sean" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(10) "Foran Sean" ["fullname"]=> string(10) "Sean Foran" ["authorSummary"]=> string(61) "Sean Foran ([email protected] - sean) 'composer and musician'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [25]=> array(4) { ["id"]=> int(5156) ["user"]=> array(15) { ["userId"]=> int(119055) ["salutation"]=> string(0) "" ["firstname"]=> string(7) "Vincent" ["middlename"]=> string(0) "" ["surname"]=> string(5) "Perry" ["gender"]=> NULL ["email"]=> string(18) "[email protected]" ["bio"]=> string(492) "Vincent Perry is a Darwin-based drummer, record producer and avid collector of vintage instruments and recording gear. Vincent draws his musical inspiration from the house bands of the 1960s recording industry, especially Phil Spector’s Wrecking Crew and Motown’s Funk Brothers. He is currently a percussionist for the Darwin Symphony Orchestra, drummer for the Hot and Cold Big Band, and a lecturer at Charles Darwin University, where he delivers higher education and VET music units. " ["affiliation"]=> string(25) "Charles Darwin University" ["username"]=> string(6) "vperry" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(13) "Perry Vincent" ["fullname"]=> string(13) "Vincent Perry" ["authorSummary"]=> string(71) "Vincent Perry ([email protected] - vperry) 'Charles Darwin University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [26]=> array(4) { ["id"]=> int(5157) ["user"]=> array(15) { ["userId"]=> int(119056) ["salutation"]=> string(0) "" ["firstname"]=> string(4) "Jade" ["middlename"]=> string(0) "" ["surname"]=> string(7) "O'Regan" ["gender"]=> NULL ["email"]=> string(25) "[email protected]" ["bio"]=> string(589) "Jade O’Regan is a Lecturer in Contemporary Music Practice at the Sydney Conservatorium of Music (University of Sydney). She is the co-author of "Hooks in Popular Music" (2022) with Dr Tim Byron, which combines pop musicology and music psychology to understand pop music in an interdisciplinary way. 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She is also the founder of Muzikboxx, a music education app for both music teachers and students. Her current research is in the areas of gamified learning, self-regulated learning, immersive sound, and technology and the law. " ["affiliation"]=> string(84) "University of Technology, Sydney, Macquarie University, and the University of Sydney" ["username"]=> string(10) "mrouvellas" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(16) "Rouvellas Monica" ["fullname"]=> string(16) "Monica Rouvellas" ["authorSummary"]=> string(144) "Monica Rouvellas ([email protected] - mrouvellas) 'University of Technology, Sydney, Macquarie University, and the University of Sydney'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [29]=> array(4) { ["id"]=> int(6534) ["user"]=> array(15) { ["userId"]=> int(148940) ["salutation"]=> string(0) "" ["firstname"]=> string(4) "Jeff" ["middlename"]=> string(0) "" ["surname"]=> string(8) "Crabtree" ["gender"]=> NULL ["email"]=> string(27) "[email protected]" ["bio"]=> string(491) "Jeff Crabtree is a speaker, performer, songwriter, and music producer with 100 composition and production credits. 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He has published over 60 peer reviewed book chapters and journal articles, in tier one journals such as Creative Industries, International Journal of Cultural Policy, Studies in Higher Education, and the British Journal of Music Education. Professor Daniel has been twice winner of the JCU Vice Chancellor’s citation for teaching excellence (2004, 2006), as well as an Australian Learning and Teaching Council citation (2006). In 2018 and 2020 he was awarded the Graduate Research School "Supervisory Panel of the Year" award with his colleagues." 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After a synopsis of how Music Business Education has evolved in Germany, Lücke generates empirical data by examining curricula, accreditation standards, program length, and qualitative analysis of teaching and learning across the sector. Lücke concludes with future directions of Music Business Education in Germany and implications for educators working in similar departments in other countries. " ["publishedDate"]=> int(1722470400000) ["issueVolume"]=> NULL ["issueNumber"]=> NULL ["pages"]=> NULL ["startPage"]=> NULL ["endPage"]=> NULL ["doi"]=> string(21) "10.1558/equinox.45316" ["price"]=> NULL ["accessStatus"]=> string(28) "ARTICLE_ACCESS_ISSUE_DEFAULT" ["allAuthors"]=> array(1) { [0]=> array(14) { ["authorId"]=> int(57046) ["fullname"]=> string(13) "Martin Lücke" ["firstname"]=> string(6) "Martin" ["middlename"]=> NULL ["surname"]=> string(6) "Lücke" ["bio"]=> string(543) "Martin Lücke is Professor of Music Management at the Macromedia University of Applied Sciences in Berlin. He is the Local Head of the Faculty of Culture, Media, and Psychology there. Lücke studied musicology, history and political science at Ruhr University Bochum and initially worked in the cultural sector. His current research focusses on topics such as popular music, progressive rock, crowdfunding, and educational research. His most recent publication in German is the "Dictionary of Music Professions (Lexikon der Musikberufe)”." 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He is the Local Head of the Faculty of Culture, Media, and Psychology there. Lücke studied musicology, history and political science at Ruhr University Bochum and initially worked in the cultural sector. His current research focusses on topics such as popular music, progressive rock, crowdfunding, and educational research. His most recent publication in German is the "Dictionary of Music Professions (Lexikon der Musikberufe)”." 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His most recent publication in German is the "Dictionary of Music Professions (Lexikon der Musikberufe)”." 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As the music industry and related fields adapt to changing business models, student interest in training for a career in the entertainment sector continues to rise. Though the expansion of global degree offerings in the creative industries expands each year, a “state of the field” on educational and pedagogical issues in the music business and the creative industries has yet to be created.

Creative arts research encompasses a broad range of sectors in the music and entertainment industries; among these subfields include performance, technology, entrepreneurship, marketing, and social justice. Globally, formal training for such pathways happens most often in higher education. The Handbook provides a practical and engaging resource for faculty, staff, administrators, graduate students, and industry members working on the “front lines” in teaching and learning. It presents a wide range of global perspectives from academics, BIPOC voices, and ECRs from the United States, the UK, Europe, Australia, and Canada.

Another factor that affects HE stakeholders is the absence of a versatile resource on the teaching and learning issues in music business and related fields. While The Handbook avoids overly prescriptive models of teaching and learning, the volume includes topical research through case studies, ethnographies, and a thorough cross-section of qualitative and quantitative methods. Such a resource may be germane particularly to educators transitioning from industry to faculty appointments in HE. Authors are encouraged to draw from their expertise and use narrative analysis to support their perspectives.

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["affiliation"]=> string(19) "Bath Spa University" ["username"]=> string(8) "sstrange" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(13) "Strange Simon" ["fullname"]=> string(13) "Simon Strange" ["authorSummary"]=> string(78) "Simon Strange ([email protected] - sstrange) 'Bath Spa University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [11]=> array(4) { ["id"]=> int(5129) ["user"]=> array(15) { ["userId"]=> int(117882) ["salutation"]=> string(0) "" ["firstname"]=> string(7) "Hussein" ["middlename"]=> string(0) "" ["surname"]=> string(4) "Boon" ["gender"]=> NULL ["email"]=> string(24) "[email protected]" ["bio"]=> string(685) "Hussein Boon is a principal lecturer at the University of Westminster. His teaching and areas of interest are music production, performance technologies, songwriting, modular synthesis, live coding, music business and enterprise. 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["affiliation"]=> string(25) "University of Westminster" ["username"]=> string(5) "hboon" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(12) "Boon Hussein" ["fullname"]=> string(12) "Hussein Boon" ["authorSummary"]=> string(75) "Hussein Boon ([email protected] - hboon) 'University of Westminster'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [12]=> array(4) { ["id"]=> int(5130) ["user"]=> array(15) { ["userId"]=> int(117883) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Nicole" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Canham" ["gender"]=> NULL ["email"]=> string(24) "[email protected]" ["bio"]=> string(0) "" ["affiliation"]=> string(17) "Monash University" ["username"]=> string(7) "ncanham" ["url"]=> string(0) "" ["country"]=> string(9) "Australia" ["lastNameFirstname"]=> string(13) "Canham Nicole" ["fullname"]=> string(13) "Nicole Canham" ["authorSummary"]=> string(70) "Nicole Canham ([email protected] - ncanham) 'Monash University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [13]=> array(4) { ["id"]=> int(5131) ["user"]=> array(15) { ["userId"]=> int(91050) ["salutation"]=> string(2) "Mr" ["firstname"]=> string(3) "Rod" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Davies" ["gender"]=> NULL ["email"]=> string(21) "[email protected]" ["bio"]=> string(35991) "

Rod Davies is a lecturer at the Sir Zelman Cowen School of Music, Monash University. He is the co-ordinator of popular voice, lectures in songwriting and is a currently researching vocal performance as part of PhD candidature (Monash University).

" ["affiliation"]=> string(51) "Monash University Sir Zelman Cowen School of Music" ["username"]=> string(9) "roddavies" ["url"]=> string(46) "http://profiles.arts.monash.edu.au/rod-davies/" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(10) "Davies Rod" ["fullname"]=> string(10) "Rod Davies" ["authorSummary"]=> string(100) "Rod Davies ([email protected] - roddavies) 'Monash University Sir Zelman Cowen School of Music'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [14]=> array(4) { ["id"]=> int(5132) ["user"]=> array(15) { ["userId"]=> int(117884) ["salutation"]=> string(0) "" ["firstname"]=> string(5) "Vicky" ["middlename"]=> string(0) "" ["surname"]=> string(9) "Armstrong" ["gender"]=> NULL ["email"]=> string(33) "[email protected]" ["bio"]=> string(76) "Vicky Armstrong is Senior Lecturer in Sociology at the University of Surrey." ["affiliation"]=> string(20) "University of Surrey" ["username"]=> string(10) "varmstrong" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(15) "Armstrong Vicky" ["fullname"]=> string(15) "Vicky Armstrong" ["authorSummary"]=> string(87) "Vicky Armstrong ([email protected] - varmstrong) 'University of Surrey'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [15]=> array(4) { ["id"]=> int(5133) ["user"]=> array(15) { ["userId"]=> int(117885) ["salutation"]=> string(0) "" ["firstname"]=> string(15) "Helen Elizabeth" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Davies" ["gender"]=> NULL ["email"]=> string(19) "[email protected]" ["bio"]=> string(664) "Helen Elizabeth Davies is Subject Leader of Popular Music Studies at the Liverpool Institute for Performing Arts, UK. 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["affiliation"]=> string(43) "The Liverpool Institute for Performing Arts" ["username"]=> string(8) "hedavies" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(22) "Davies Helen Elizabeth" ["fullname"]=> string(22) "Helen Elizabeth Davies" ["authorSummary"]=> string(101) "Helen Elizabeth Davies ([email protected] - hedavies) 'The Liverpool Institute for Performing Arts'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [16]=> array(4) { ["id"]=> int(5134) ["user"]=> array(15) { ["userId"]=> int(117886) ["salutation"]=> string(0) "" ["firstname"]=> string(3) "Joe" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Sferra" ["gender"]=> NULL ["email"]=> string(18) "[email protected]" ["bio"]=> string(703) "Joe Sferra is a composer, performer, and theorist who advocates for a broad musical curiosity as an essential trait of a modern musician, and he embodies this in his teaching and creative work. 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["affiliation"]=> string(22) "composer and performer" ["username"]=> string(7) "jsferra" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(10) "Sferra Joe" ["fullname"]=> string(10) "Joe Sferra" ["authorSummary"]=> string(66) "Joe Sferra ([email protected] - jsferra) 'composer and performer'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [17]=> array(4) { ["id"]=> int(5135) ["user"]=> array(15) { ["userId"]=> int(117887) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Taylor" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Ackley" ["gender"]=> NULL ["email"]=> string(27) "[email protected]" ["bio"]=> string(720) "Taylor Ackley: A scholar, composer and performer of American Roots music, Taylor Ackley’s work explores and understands American folk and popular music through historical research, composition, analysis, performance, and ethnography. His integrated intellectual and creative practice builds upon lived experiences of poverty among the rural working-class to provide a foundational knowledge for studying, creating, and teaching music. He holds a master’s degree and a PhD in Composition as well as a master’s degree in Ethnomusicology from Stony Brook University and is currently an Assistant Professor of Music at Brandeis University. He directs the Deep Roots Ensemble and has three commercially released albums." ["affiliation"]=> string(19) "Brandeis University" ["username"]=> string(7) "tackley" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(13) "Ackley Taylor" ["fullname"]=> string(13) "Taylor Ackley" ["authorSummary"]=> string(75) "Taylor Ackley ([email protected] - tackley) 'Brandeis University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [18]=> array(4) { ["id"]=> int(5136) ["user"]=> array(15) { ["userId"]=> int(117888) ["salutation"]=> string(0) "" ["firstname"]=> string(3) "Ian" ["middlename"]=> string(0) "" ["surname"]=> string(9) "Stevenson" ["gender"]=> NULL ["email"]=> string(24) "[email protected]" ["bio"]=> string(369) "Ian Stevenson is a specialist in the field of audible design with over thirty years of experience as an audio engineer, producer, artist, and educator. He is currently senior lecturer in music and sound design at the University of Technology Sydney. His current research is in the areas of sound design, sound studies, soundscape analysis, and music and sound pedagogy." ["affiliation"]=> string(31) "University of Technology Sydney" ["username"]=> string(10) "istevenson" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(13) "Stevenson Ian" ["fullname"]=> string(13) "Ian Stevenson" ["authorSummary"]=> string(87) "Ian Stevenson ([email protected] - istevenson) 'University of Technology Sydney'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [19]=> array(4) { ["id"]=> int(5137) ["user"]=> array(15) { ["userId"]=> int(117889) ["salutation"]=> string(0) "" ["firstname"]=> string(7) "Gerhard" ["middlename"]=> string(0) "" ["surname"]=> string(4) "Roux" ["gender"]=> NULL ["email"]=> string(20) "[email protected]" ["bio"]=> string(0) "" ["affiliation"]=> string(23) "Stellenbosch University" ["username"]=> string(5) "groux" ["url"]=> string(0) "" ["country"]=> string(12) "South Africa" ["lastNameFirstname"]=> string(12) "Roux Gerhard" ["fullname"]=> string(12) "Gerhard Roux" ["authorSummary"]=> string(69) "Gerhard Roux ([email protected] - groux) 'Stellenbosch University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [20]=> array(4) { ["id"]=> int(5138) ["user"]=> array(15) { ["userId"]=> int(117890) ["salutation"]=> string(0) "" ["firstname"]=> string(3) "Ben" ["middlename"]=> string(0) "" ["surname"]=> string(7) "Toscher" ["gender"]=> NULL ["email"]=> string(24) "[email protected]" ["bio"]=> string(0) "" ["affiliation"]=> string(46) "Norwegian University of Science and Technology" ["username"]=> string(8) "btoscher" ["url"]=> string(0) "" ["country"]=> string(2) "NO" ["lastNameFirstname"]=> string(11) "Toscher Ben" ["fullname"]=> string(11) "Ben Toscher" ["authorSummary"]=> string(98) "Ben Toscher ([email protected] - btoscher) 'Norwegian University of Science and Technology'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [21]=> array(4) { ["id"]=> int(5139) ["user"]=> array(15) { ["userId"]=> int(117891) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Martin" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Lücke" ["gender"]=> NULL ["email"]=> string(22) "[email protected]" ["bio"]=> string(543) "Martin Lücke is Professor of Music Management at the Macromedia University of Applied Sciences in Berlin. He is the Local Head of the Faculty of Culture, Media, and Psychology there. Lücke studied musicology, history and political science at Ruhr University Bochum and initially worked in the cultural sector. His current research focusses on topics such as popular music, progressive rock, crowdfunding, and educational research. His most recent publication in German is the "Dictionary of Music Professions (Lexikon der Musikberufe)”." ["affiliation"]=> string(49) "Macromedia University of Applied Sciences, Berlin" ["username"]=> string(6) "mlucke" ["url"]=> string(0) "" ["country"]=> string(2) "DE" ["lastNameFirstname"]=> string(13) "Lücke Martin" ["fullname"]=> string(13) "Martin Lücke" ["authorSummary"]=> string(99) "Martin Lücke ([email protected] - mlucke) 'Macromedia University of Applied Sciences, Berlin'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [22]=> array(4) { ["id"]=> int(5140) ["user"]=> array(15) { ["userId"]=> int(92871) ["salutation"]=> string(0) "" ["firstname"]=> string(4) "Mark" ["middlename"]=> string(0) "" ["surname"]=> string(7) "Thorley" ["gender"]=> NULL ["email"]=> string(21) "[email protected]" ["bio"]=> string(340) "Dr Mark Thorley’s research centres on the creative industries, with particular emphasis on the role of technology. This work draws upon his background as a classically-trained musician, technologist and entrepreneur. His is a past Director of the Music Producers’ Guild in the UK, and a Senior Fellow of the Higher Education Academy." ["affiliation"]=> string(19) "Coventry University" ["username"]=> string(8) "mthorley" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(12) "Thorley Mark" ["fullname"]=> string(12) "Mark Thorley" ["authorSummary"]=> string(69) "Mark Thorley ([email protected] - mthorley) 'Coventry University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [23]=> array(4) { ["id"]=> int(5141) ["user"]=> array(15) { ["userId"]=> int(117893) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Louise" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Godwin" ["gender"]=> NULL ["email"]=> string(25) "[email protected]" ["bio"]=> string(125) "Louise Godwin is currently working as coordinator/researcher with emerging charity Agrigento, Cellist/Researcher, Australia " ["affiliation"]=> string(18) "Cellist/Researcher" ["username"]=> string(7) "lgodwin" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(13) "Godwin Louise" ["fullname"]=> string(13) "Louise Godwin" ["authorSummary"]=> string(72) "Louise Godwin ([email protected] - lgodwin) 'Cellist/Researcher'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [24]=> array(4) { ["id"]=> int(5155) ["user"]=> array(15) { ["userId"]=> int(116755) ["salutation"]=> string(2) "Mr" ["firstname"]=> string(4) "Sean" ["middlename"]=> string(0) "" ["surname"]=> string(5) "Foran" ["gender"]=> NULL ["email"]=> string(17) "[email protected]" ["bio"]=> string(707) "Sean Foran is a Brisbane based composer, pianist, and improvising musician. 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" ["affiliation"]=> string(21) "composer and musician" ["username"]=> string(4) "sean" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(10) "Foran Sean" ["fullname"]=> string(10) "Sean Foran" ["authorSummary"]=> string(61) "Sean Foran ([email protected] - sean) 'composer and musician'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [25]=> array(4) { ["id"]=> int(5156) ["user"]=> array(15) { ["userId"]=> int(119055) ["salutation"]=> string(0) "" ["firstname"]=> string(7) "Vincent" ["middlename"]=> string(0) "" ["surname"]=> string(5) "Perry" ["gender"]=> NULL ["email"]=> string(18) "[email protected]" ["bio"]=> string(492) "Vincent Perry is a Darwin-based drummer, record producer and avid collector of vintage instruments and recording gear. Vincent draws his musical inspiration from the house bands of the 1960s recording industry, especially Phil Spector’s Wrecking Crew and Motown’s Funk Brothers. He is currently a percussionist for the Darwin Symphony Orchestra, drummer for the Hot and Cold Big Band, and a lecturer at Charles Darwin University, where he delivers higher education and VET music units. " ["affiliation"]=> string(25) "Charles Darwin University" ["username"]=> string(6) "vperry" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(13) "Perry Vincent" ["fullname"]=> string(13) "Vincent Perry" ["authorSummary"]=> string(71) "Vincent Perry ([email protected] - vperry) 'Charles Darwin University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [26]=> array(4) { ["id"]=> int(5157) ["user"]=> array(15) { ["userId"]=> int(119056) ["salutation"]=> string(0) "" ["firstname"]=> string(4) "Jade" ["middlename"]=> string(0) "" ["surname"]=> string(7) "O'Regan" ["gender"]=> NULL ["email"]=> string(25) "[email protected]" ["bio"]=> string(589) "Jade O’Regan is a Lecturer in Contemporary Music Practice at the Sydney Conservatorium of Music (University of Sydney). She is the co-author of "Hooks in Popular Music" (2022) with Dr Tim Byron, which combines pop musicology and music psychology to understand pop music in an interdisciplinary way. Her research interests include the musical analysis of pop music, genres, songwriting, and creativity. She is an experienced music communicator who has been featured as a speaker at SxSW, Splendour in the Grass, on ABC News, and Triple J. She is also a performing musician and songwriter." 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["affiliation"]=> string(22) "Edith Cowan University" ["username"]=> string(10) "tohalloran" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(14) "O'Halloran Tom" ["fullname"]=> string(14) "Tom O'Halloran" ["authorSummary"]=> string(77) "Tom O'Halloran ([email protected] - tohalloran) 'Edith Cowan University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [28]=> array(4) { ["id"]=> int(6533) ["user"]=> array(15) { ["userId"]=> int(148939) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Monica" ["middlename"]=> string(0) "" ["surname"]=> string(9) "Rouvellas" ["gender"]=> NULL ["email"]=> string(25) "[email protected]" ["bio"]=> string(486) "Monica Rouvellas is a solicitor, composer, music producer, and educator. Monica is currently a sessional academic at the University of Technology, Sydney, Macquarie University, and the University of Sydney, teaching in the fields of music, business, and law. She is also the founder of Muzikboxx, a music education app for both music teachers and students. Her current research is in the areas of gamified learning, self-regulated learning, immersive sound, and technology and the law. " ["affiliation"]=> string(84) "University of Technology, Sydney, Macquarie University, and the University of Sydney" ["username"]=> string(10) "mrouvellas" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(16) "Rouvellas Monica" ["fullname"]=> string(16) "Monica Rouvellas" ["authorSummary"]=> string(144) "Monica Rouvellas ([email protected] - mrouvellas) 'University of Technology, Sydney, Macquarie University, and the University of Sydney'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [29]=> array(4) { ["id"]=> int(6534) ["user"]=> array(15) { ["userId"]=> int(148940) ["salutation"]=> string(0) "" ["firstname"]=> string(4) "Jeff" ["middlename"]=> string(0) "" ["surname"]=> string(8) "Crabtree" ["gender"]=> NULL ["email"]=> string(27) "[email protected]" ["bio"]=> string(491) "Jeff Crabtree is a speaker, performer, songwriter, and music producer with 100 composition and production credits. He co-authored Living with a Creative Mind, a handbook for nurturing creativity and well-being. He is the founder and director of Zebra Collective, a microlearning platform. Jeff is currently a sessional academic at the University of Technology, Sydney and JMC Academy. His doctoral research revealed the extent of workplace and sexual harassment in the music industry." 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He has published over 60 peer reviewed book chapters and journal articles, in tier one journals such as Creative Industries, International Journal of Cultural Policy, Studies in Higher Education, and the British Journal of Music Education. Professor Daniel has been twice winner of the JCU Vice Chancellor’s citation for teaching excellence (2004, 2006), as well as an Australian Learning and Teaching Council citation (2006). In 2018 and 2020 he was awarded the Graduate Research School "Supervisory Panel of the Year" award with his colleagues." ["affiliation"]=> string(23) "James Cook University " ["username"]=> string(8) "jc117254" ["url"]=> string(50) "https://research.jcu.edu.au/portfolio/ryan.daniel/" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(11) "Daniel Ryan" ["fullname"]=> string(11) "Ryan Daniel" ["authorSummary"]=> string(73) "Ryan Daniel ([email protected] - jc117254) 'James Cook University '" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } } } ["book"]=> bool(true) ["title"]=> string(67) "The Handbook on Music Business and Creative Industries in Education" ["fullDescription"]=> string(67) "The Handbook on Music Business and Creative Industries in Education" ["titleNoSpace"]=> string(67) "The_Handbook_on_Music_Business_and_Creative_Industries_in_Education" ["id"]=> int(3059) } ["section"]=> array(9) { ["sectionId"]=> int(737) ["abbrev"]=> string(3) "CP2" ["seq"]=> float(184) ["journal"]=> array(18) { ["journalId"]=> int(82) ["title"]=> string(25) "Equinox eBooks Publishing" ["path"]=> string(5) "books" ["initials"]=> string(7) "EQUINOX" ["onlineIssn"]=> string(0) "" ["printIssn"]=> string(0) "" ["articlePurchaseFee"]=> float(17.5) ["description"]=> NULL ["additionalHomeContent"]=> NULL ["publicationFrequency"]=> string(0) "" ["pubFreqPolicy"]=> NULL ["readership"]=> NULL ["startPublicationDate"]=> string(0) "" ["copyrightInformation"]=> NULL ["thumbnailFilename"]=> NULL ["metadata"]=> array(0) { } ["currentIssue"]=> NULL ["subjects"]=> array(0) { } } ["name"]=> string(9) "Chapter 2" ["identifyType"]=> string(0) "" ["parentSection"]=> NULL ["items"]=> array(0) { } ["fullName"]=> string(9) "Chapter 2" } ["categories"]=> array(0) { } ["series"]=> NULL ["content"]=> string(732) "In their chapter on instructional design in the music business with tertiary students in a music and sound design course, Ian Stevenson, Jeff Crabtree, and Monica Rouvellas identify three primary areas – design, delivery, and student evaluation –, and discuss how these components support self-regulated and authentic learning for educators in the creative industries. Through qualitative analysis of reflective writing and semi-structured interviews, Stevenson and colleagues analysed student participation and project assessment across multiple domains with a university-affiliated record label. Results suggest that mirroring a real-world scenario improved student collaboration, reflective practice, and a sense of autonomy." 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As the music industry and related fields adapt to changing business models, student interest in training for a career in the entertainment sector continues to rise. Though the expansion of global degree offerings in the creative industries expands each year, a “state of the field” on educational and pedagogical issues in the music business and the creative industries has yet to be created.

Creative arts research encompasses a broad range of sectors in the music and entertainment industries; among these subfields include performance, technology, entrepreneurship, marketing, and social justice. Globally, formal training for such pathways happens most often in higher education. The Handbook provides a practical and engaging resource for faculty, staff, administrators, graduate students, and industry members working on the “front lines” in teaching and learning. It presents a wide range of global perspectives from academics, BIPOC voices, and ECRs from the United States, the UK, Europe, Australia, and Canada.

Another factor that affects HE stakeholders is the absence of a versatile resource on the teaching and learning issues in music business and related fields. While The Handbook avoids overly prescriptive models of teaching and learning, the volume includes topical research through case studies, ethnographies, and a thorough cross-section of qualitative and quantitative methods. Such a resource may be germane particularly to educators transitioning from industry to faculty appointments in HE. Authors are encouraged to draw from their expertise and use narrative analysis to support their perspectives.

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" ["affiliation"]=> string(23) "University of Liverpool" ["username"]=> string(6) "mflynn" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(12) "Flynn Mathew" ["fullname"]=> string(12) "Mathew Flynn" ["authorSummary"]=> string(72) "Mathew Flynn ([email protected] - mflynn) 'University of Liverpool'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [5]=> array(4) { ["id"]=> int(5123) ["user"]=> array(15) { ["userId"]=> int(117875) ["salutation"]=> string(0) "" ["firstname"]=> string(4) "Kirk" ["middlename"]=> string(0) "" ["surname"]=> string(7) "McNally" ["gender"]=> NULL ["email"]=> string(16) "[email protected]" ["bio"]=> string(598) "Kirk McNally is a sound engineer specializing in the recording of popular and classical music, as well as in the performances of new musical works using electronics. Kirk is the associate professor of Music Technology at the University of Victoria, Canada. 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" ["affiliation"]=> string(22) "University of Victoria" ["username"]=> string(8) "kmcnally" ["url"]=> string(0) "" ["country"]=> string(2) "CA" ["lastNameFirstname"]=> string(12) "McNally Kirk" ["fullname"]=> string(12) "Kirk McNally" ["authorSummary"]=> string(67) "Kirk McNally ([email protected] - kmcnally) 'University of Victoria'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [6]=> array(4) { ["id"]=> int(5124) ["user"]=> array(15) { ["userId"]=> int(117876) ["salutation"]=> string(0) "" ["firstname"]=> string(4) "Alex" ["middlename"]=> string(0) "" ["surname"]=> string(8) "Timewell" ["gender"]=> NULL ["email"]=> string(18) "[email protected]" ["bio"]=> string(61) "Alex Timewell is a Programme Leader at Leeds College of Music" ["affiliation"]=> string(22) "Leeds College of Music" ["username"]=> string(9) "atimewell" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(13) "Timewell Alex" ["fullname"]=> string(13) "Alex Timewell" ["authorSummary"]=> string(71) "Alex Timewell ([email protected] - atimewell) 'Leeds College of Music'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [7]=> array(4) { ["id"]=> int(5125) ["user"]=> array(15) { ["userId"]=> int(117878) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Jeremy" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Peters" ["gender"]=> NULL ["email"]=> string(23) "[email protected]" ["bio"]=> string(652) "Jeremy Peters is an Assistant Professor of Music at Wayne State University, a faculty affiliate of Labor@Wayne, and is the is the 2023 recipient of the American Musicological Society Career Development Grant in American Music. 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["affiliation"]=> string(22) "Wayne State University" ["username"]=> string(7) "jpeters" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(13) "Peters Jeremy" ["fullname"]=> string(13) "Jeremy Peters" ["authorSummary"]=> string(74) "Jeremy Peters ([email protected] - jpeters) 'Wayne State University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [8]=> array(4) { ["id"]=> int(5126) ["user"]=> array(15) { ["userId"]=> int(117879) ["salutation"]=> string(0) "" ["firstname"]=> string(8) "Taneshia" ["middlename"]=> string(0) "" ["surname"]=> string(10) "Nash Laird" ["gender"]=> NULL ["email"]=> string(18) "[email protected]" ["bio"]=> string(174) "Taneshia Nash Laird is President & CEO of Newark Symphony Hall in Newark NJ and an adjunct at Drexel University in the B.S. in Entertainment and Arts Management program, USA " ["affiliation"]=> string(17) "Drexel University" ["username"]=> string(7) "tnlaird" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(19) "Nash Laird Taneshia" ["fullname"]=> string(19) "Taneshia Nash Laird" ["authorSummary"]=> string(70) "Taneshia Nash Laird ([email protected] - tnlaird) 'Drexel University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [9]=> array(4) { ["id"]=> int(5127) ["user"]=> array(15) { ["userId"]=> int(117880) ["salutation"]=> string(0) "" ["firstname"]=> string(5) "Sekou" ["middlename"]=> string(0) "" ["surname"]=> string(8) "Campbell" ["gender"]=> NULL ["email"]=> string(16) "[email protected]" ["bio"]=> string(199) "Sekou Campbell, Esq. is a partner at the firm Culhane Meadows. A graduate of Vanderbilt and Columbia Universities, Mr. Campbell attended Yeshiva University’s Benjamin N. Cardozo School of Law, USA " ["affiliation"]=> string(15) "Culhane Meadows" ["username"]=> string(9) "scampbell" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(14) "Campbell Sekou" ["fullname"]=> string(14) "Sekou Campbell" ["authorSummary"]=> string(63) "Sekou Campbell ([email protected] - scampbell) 'Culhane Meadows'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [10]=> array(4) { ["id"]=> int(5128) ["user"]=> array(15) { ["userId"]=> int(117881) ["salutation"]=> string(0) "" ["firstname"]=> string(5) "Simon" ["middlename"]=> string(0) "" ["surname"]=> string(7) "Strange" ["gender"]=> NULL ["email"]=> string(29) "[email protected]" ["bio"]=> string(888) "Simon Strange is a multidimensional creative, spanning the academic and creative industries, a trombone player, music producer, photographer and socio-cultural academic. Simon has performed around the world and curates the Sidmouth international Jazz and Blues Festival. Strange is Research Programme Manager at Bath Spa University, overseeing an AHRC funded project related to the concept of story. He leads a team who are exploring the use of Story Skills within a range of organisations. His first book, Blank Canvas, based on pedagogical connections between UK art schools and popular music was released by Intellect Publishing in 2022, looking at the creative connection between art and music. Simon has written articles for the Journal of Popular Music Education as well as presenting at various conferences within the IASPM, KISMIF and Punk Scholars Network networks." ["affiliation"]=> string(19) "Bath Spa University" ["username"]=> string(8) "sstrange" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(13) "Strange Simon" ["fullname"]=> string(13) "Simon Strange" ["authorSummary"]=> string(78) "Simon Strange ([email protected] - sstrange) 'Bath Spa University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [11]=> array(4) { ["id"]=> int(5129) ["user"]=> array(15) { ["userId"]=> int(117882) ["salutation"]=> string(0) "" ["firstname"]=> string(7) "Hussein" ["middlename"]=> string(0) "" ["surname"]=> string(4) "Boon" ["gender"]=> NULL ["email"]=> string(24) "[email protected]" ["bio"]=> string(685) "Hussein Boon is a principal lecturer at the University of Westminster. His teaching and areas of interest are music production, performance technologies, songwriting, modular synthesis, live coding, music business and enterprise. He has worked for various institutions and organisations, was part of the team to establish Rockschool popular music exams, and has worked for artists such as Beats International, Alex Parks, Microgroove and De La Soul. His recent publications include using shift registers for semi-improvised songwriting and composition (Focal Press 2021); several short fiction stories about AI and music (Riffs Journal) and reimagining the DAW as a design tool (JMTE)." ["affiliation"]=> string(25) "University of Westminster" ["username"]=> string(5) "hboon" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(12) "Boon Hussein" ["fullname"]=> string(12) "Hussein Boon" ["authorSummary"]=> string(75) "Hussein Boon ([email protected] - hboon) 'University of Westminster'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [12]=> array(4) { ["id"]=> int(5130) ["user"]=> array(15) { ["userId"]=> int(117883) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Nicole" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Canham" ["gender"]=> NULL ["email"]=> string(24) "[email protected]" ["bio"]=> string(0) "" ["affiliation"]=> string(17) "Monash University" ["username"]=> string(7) "ncanham" ["url"]=> string(0) "" ["country"]=> string(9) "Australia" ["lastNameFirstname"]=> string(13) "Canham Nicole" ["fullname"]=> string(13) "Nicole Canham" ["authorSummary"]=> string(70) "Nicole Canham ([email protected] - ncanham) 'Monash University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [13]=> array(4) { ["id"]=> int(5131) ["user"]=> array(15) { ["userId"]=> int(91050) ["salutation"]=> string(2) "Mr" ["firstname"]=> string(3) "Rod" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Davies" ["gender"]=> NULL ["email"]=> string(21) "[email protected]" ["bio"]=> string(35991) "

Rod Davies is a lecturer at the Sir Zelman Cowen School of Music, Monash University. He is the co-ordinator of popular voice, lectures in songwriting and is a currently researching vocal performance as part of PhD candidature (Monash University).

" ["affiliation"]=> string(51) "Monash University Sir Zelman Cowen School of Music" ["username"]=> string(9) "roddavies" ["url"]=> string(46) "http://profiles.arts.monash.edu.au/rod-davies/" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(10) "Davies Rod" ["fullname"]=> string(10) "Rod Davies" ["authorSummary"]=> string(100) "Rod Davies ([email protected] - roddavies) 'Monash University Sir Zelman Cowen School of Music'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [14]=> array(4) { ["id"]=> int(5132) ["user"]=> array(15) { ["userId"]=> int(117884) ["salutation"]=> string(0) "" ["firstname"]=> string(5) "Vicky" ["middlename"]=> string(0) "" ["surname"]=> string(9) "Armstrong" ["gender"]=> NULL ["email"]=> string(33) "[email protected]" ["bio"]=> string(76) "Vicky Armstrong is Senior Lecturer in Sociology at the University of Surrey." ["affiliation"]=> string(20) "University of Surrey" ["username"]=> string(10) "varmstrong" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(15) "Armstrong Vicky" ["fullname"]=> string(15) "Vicky Armstrong" ["authorSummary"]=> string(87) "Vicky Armstrong ([email protected] - varmstrong) 'University of Surrey'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [15]=> array(4) { ["id"]=> int(5133) ["user"]=> array(15) { ["userId"]=> int(117885) ["salutation"]=> string(0) "" ["firstname"]=> string(15) "Helen Elizabeth" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Davies" ["gender"]=> NULL ["email"]=> string(19) "[email protected]" ["bio"]=> string(664) "Helen Elizabeth Davies is Subject Leader of Popular Music Studies at the Liverpool Institute for Performing Arts, UK. Her key research interests are popular music and gender, popular music visuals, music education, music in everyday life and ethnographic research. She has published research into musicians in vocational popular music higher education and graduates working in the music industry, focusing on gender related experiences and issues. Since 2019, she has carried out research with the organization UK Music on diversity in the UK music industry workforce for their biennial diversity report. She is currently writing a book on popular music visuals." ["affiliation"]=> string(43) "The Liverpool Institute for Performing Arts" ["username"]=> string(8) "hedavies" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(22) "Davies Helen Elizabeth" ["fullname"]=> string(22) "Helen Elizabeth Davies" ["authorSummary"]=> string(101) "Helen Elizabeth Davies ([email protected] - hedavies) 'The Liverpool Institute for Performing Arts'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [16]=> array(4) { ["id"]=> int(5134) ["user"]=> array(15) { ["userId"]=> int(117886) ["salutation"]=> string(0) "" ["firstname"]=> string(3) "Joe" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Sferra" ["gender"]=> NULL ["email"]=> string(18) "[email protected]" ["bio"]=> string(703) "Joe Sferra is a composer, performer, and theorist who advocates for a broad musical curiosity as an essential trait of a modern musician, and he embodies this in his teaching and creative work. As a clarinettist, he is featured on both abstract electronic improvisation with the ACCAD Sonic Arts Ensemble for Ravello Records and American Roots music with The Deep Roots Ensemble for 4Tay Records. His compositions entertain with popular gestures while revealing a love for the harmonic and formal ideas of modernist concert music, and have been featured in performances in the USA, Canada, and Spain. He has served on the faculties of Earlham, Vassar, SUNY-Potsdam, and the Cleveland Institute of Music." ["affiliation"]=> string(22) "composer and performer" ["username"]=> string(7) "jsferra" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(10) "Sferra Joe" ["fullname"]=> string(10) "Joe Sferra" ["authorSummary"]=> string(66) "Joe Sferra ([email protected] - jsferra) 'composer and performer'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [17]=> array(4) { ["id"]=> int(5135) ["user"]=> array(15) { ["userId"]=> int(117887) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Taylor" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Ackley" ["gender"]=> NULL ["email"]=> string(27) "[email protected]" ["bio"]=> string(720) "Taylor Ackley: A scholar, composer and performer of American Roots music, Taylor Ackley’s work explores and understands American folk and popular music through historical research, composition, analysis, performance, and ethnography. His integrated intellectual and creative practice builds upon lived experiences of poverty among the rural working-class to provide a foundational knowledge for studying, creating, and teaching music. He holds a master’s degree and a PhD in Composition as well as a master’s degree in Ethnomusicology from Stony Brook University and is currently an Assistant Professor of Music at Brandeis University. He directs the Deep Roots Ensemble and has three commercially released albums." ["affiliation"]=> string(19) "Brandeis University" ["username"]=> string(7) "tackley" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(13) "Ackley Taylor" ["fullname"]=> string(13) "Taylor Ackley" ["authorSummary"]=> string(75) "Taylor Ackley ([email protected] - tackley) 'Brandeis University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [18]=> array(4) { ["id"]=> int(5136) ["user"]=> array(15) { ["userId"]=> int(117888) ["salutation"]=> string(0) "" ["firstname"]=> string(3) "Ian" ["middlename"]=> string(0) "" ["surname"]=> string(9) "Stevenson" ["gender"]=> NULL ["email"]=> string(24) "[email protected]" ["bio"]=> string(369) "Ian Stevenson is a specialist in the field of audible design with over thirty years of experience as an audio engineer, producer, artist, and educator. He is currently senior lecturer in music and sound design at the University of Technology Sydney. His current research is in the areas of sound design, sound studies, soundscape analysis, and music and sound pedagogy." ["affiliation"]=> string(31) "University of Technology Sydney" ["username"]=> string(10) "istevenson" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(13) "Stevenson Ian" ["fullname"]=> string(13) "Ian Stevenson" ["authorSummary"]=> string(87) "Ian Stevenson ([email protected] - istevenson) 'University of Technology Sydney'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [19]=> array(4) { ["id"]=> int(5137) ["user"]=> array(15) { ["userId"]=> int(117889) ["salutation"]=> string(0) "" ["firstname"]=> string(7) "Gerhard" ["middlename"]=> string(0) "" ["surname"]=> string(4) "Roux" ["gender"]=> NULL ["email"]=> string(20) "[email protected]" ["bio"]=> string(0) "" ["affiliation"]=> string(23) "Stellenbosch University" ["username"]=> string(5) "groux" ["url"]=> string(0) "" ["country"]=> string(12) "South Africa" ["lastNameFirstname"]=> string(12) "Roux Gerhard" ["fullname"]=> string(12) "Gerhard Roux" ["authorSummary"]=> string(69) "Gerhard Roux ([email protected] - groux) 'Stellenbosch University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [20]=> array(4) { ["id"]=> int(5138) ["user"]=> array(15) { ["userId"]=> int(117890) ["salutation"]=> string(0) "" ["firstname"]=> string(3) "Ben" ["middlename"]=> string(0) "" ["surname"]=> string(7) "Toscher" ["gender"]=> NULL ["email"]=> string(24) "[email protected]" ["bio"]=> string(0) "" ["affiliation"]=> string(46) "Norwegian University of Science and Technology" ["username"]=> string(8) "btoscher" ["url"]=> string(0) "" ["country"]=> string(2) "NO" ["lastNameFirstname"]=> string(11) "Toscher Ben" ["fullname"]=> string(11) "Ben Toscher" ["authorSummary"]=> string(98) "Ben Toscher ([email protected] - btoscher) 'Norwegian University of Science and Technology'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [21]=> array(4) { ["id"]=> int(5139) ["user"]=> array(15) { ["userId"]=> int(117891) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Martin" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Lücke" ["gender"]=> NULL ["email"]=> string(22) "[email protected]" ["bio"]=> string(543) "Martin Lücke is Professor of Music Management at the Macromedia University of Applied Sciences in Berlin. He is the Local Head of the Faculty of Culture, Media, and Psychology there. Lücke studied musicology, history and political science at Ruhr University Bochum and initially worked in the cultural sector. His current research focusses on topics such as popular music, progressive rock, crowdfunding, and educational research. His most recent publication in German is the "Dictionary of Music Professions (Lexikon der Musikberufe)”." ["affiliation"]=> string(49) "Macromedia University of Applied Sciences, Berlin" ["username"]=> string(6) "mlucke" ["url"]=> string(0) "" ["country"]=> string(2) "DE" ["lastNameFirstname"]=> string(13) "Lücke Martin" ["fullname"]=> string(13) "Martin Lücke" ["authorSummary"]=> string(99) "Martin Lücke ([email protected] - mlucke) 'Macromedia University of Applied Sciences, Berlin'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [22]=> array(4) { ["id"]=> int(5140) ["user"]=> array(15) { ["userId"]=> int(92871) ["salutation"]=> string(0) "" ["firstname"]=> string(4) "Mark" ["middlename"]=> string(0) "" ["surname"]=> string(7) "Thorley" ["gender"]=> NULL ["email"]=> string(21) "[email protected]" ["bio"]=> string(340) "Dr Mark Thorley’s research centres on the creative industries, with particular emphasis on the role of technology. This work draws upon his background as a classically-trained musician, technologist and entrepreneur. His is a past Director of the Music Producers’ Guild in the UK, and a Senior Fellow of the Higher Education Academy." ["affiliation"]=> string(19) "Coventry University" ["username"]=> string(8) "mthorley" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(12) "Thorley Mark" ["fullname"]=> string(12) "Mark Thorley" ["authorSummary"]=> string(69) "Mark Thorley ([email protected] - mthorley) 'Coventry University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [23]=> array(4) { ["id"]=> int(5141) ["user"]=> array(15) { ["userId"]=> int(117893) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Louise" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Godwin" ["gender"]=> NULL ["email"]=> string(25) "[email protected]" ["bio"]=> string(125) "Louise Godwin is currently working as coordinator/researcher with emerging charity Agrigento, Cellist/Researcher, Australia " ["affiliation"]=> string(18) "Cellist/Researcher" ["username"]=> string(7) "lgodwin" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(13) "Godwin Louise" ["fullname"]=> string(13) "Louise Godwin" ["authorSummary"]=> string(72) "Louise Godwin ([email protected] - lgodwin) 'Cellist/Researcher'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [24]=> array(4) { ["id"]=> int(5155) ["user"]=> array(15) { ["userId"]=> int(116755) ["salutation"]=> string(2) "Mr" ["firstname"]=> string(4) "Sean" ["middlename"]=> string(0) "" ["surname"]=> string(5) "Foran" ["gender"]=> NULL ["email"]=> string(17) "[email protected]" ["bio"]=> string(707) "Sean Foran is a Brisbane based composer, pianist, and improvising musician. An ARIA nominated artist he has received the prestigious Brisbane City Council’s Lord Mayors Emerging Artist Fellowship, AMC/APRA Award for Excellence in Jazz, APRA Professional Development Award for Jazz and the QLD Music Award multiple times. His research investigates improvisation with technology, contemporary music career strategies and jazz industry practices. He is currently performing with acclaimed improvising trio ‘Trichotomy’, is Course Director for Audio and Music SAE Creative Media Institute, co-director of the publishing company ‘Prepared Sounds’ and associate artist of the Australian Music Centre. " ["affiliation"]=> string(21) "composer and musician" ["username"]=> string(4) "sean" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(10) "Foran Sean" ["fullname"]=> string(10) "Sean Foran" ["authorSummary"]=> string(61) "Sean Foran ([email protected] - sean) 'composer and musician'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [25]=> array(4) { ["id"]=> int(5156) ["user"]=> array(15) { ["userId"]=> int(119055) ["salutation"]=> string(0) "" ["firstname"]=> string(7) "Vincent" ["middlename"]=> string(0) "" ["surname"]=> string(5) "Perry" ["gender"]=> NULL ["email"]=> string(18) "[email protected]" ["bio"]=> string(492) "Vincent Perry is a Darwin-based drummer, record producer and avid collector of vintage instruments and recording gear. Vincent draws his musical inspiration from the house bands of the 1960s recording industry, especially Phil Spector’s Wrecking Crew and Motown’s Funk Brothers. He is currently a percussionist for the Darwin Symphony Orchestra, drummer for the Hot and Cold Big Band, and a lecturer at Charles Darwin University, where he delivers higher education and VET music units. " ["affiliation"]=> string(25) "Charles Darwin University" ["username"]=> string(6) "vperry" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(13) "Perry Vincent" ["fullname"]=> string(13) "Vincent Perry" ["authorSummary"]=> string(71) "Vincent Perry ([email protected] - vperry) 'Charles Darwin University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [26]=> array(4) { ["id"]=> int(5157) ["user"]=> array(15) { ["userId"]=> int(119056) ["salutation"]=> string(0) "" ["firstname"]=> string(4) "Jade" ["middlename"]=> string(0) "" ["surname"]=> string(7) "O'Regan" ["gender"]=> NULL ["email"]=> string(25) "[email protected]" ["bio"]=> string(589) "Jade O’Regan is a Lecturer in Contemporary Music Practice at the Sydney Conservatorium of Music (University of Sydney). She is the co-author of "Hooks in Popular Music" (2022) with Dr Tim Byron, which combines pop musicology and music psychology to understand pop music in an interdisciplinary way. Her research interests include the musical analysis of pop music, genres, songwriting, and creativity. She is an experienced music communicator who has been featured as a speaker at SxSW, Splendour in the Grass, on ABC News, and Triple J. She is also a performing musician and songwriter." ["affiliation"]=> string(20) "University of Sydney" ["username"]=> string(10) "jadeoregan" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(12) "O'Regan Jade" ["fullname"]=> string(12) "Jade O'Regan" ["authorSummary"]=> string(76) "Jade O'Regan ([email protected] - jadeoregan) 'University of Sydney'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [27]=> array(4) { ["id"]=> int(5158) ["user"]=> array(15) { ["userId"]=> int(119057) ["salutation"]=> string(0) "" ["firstname"]=> string(3) "Tom" ["middlename"]=> string(0) "" ["surname"]=> string(10) "O'Halloran" ["gender"]=> NULL ["email"]=> string(22) "[email protected]" ["bio"]=> string(706) "Tom O’Halloran is a Senior Lecturer at the Western Australian Academy of Performing Arts (WAAPA) at Edith Cowan University, where he is the academic coordinator of the jazz performance major within the Bachelor of Music degree. In 2017 he won the APRA Art Music Award for Jazz work of the Year, and he is a regularly commissioned composer, pianist and improvisor. He gained a Master of Music (composition) from the Sydney Conservatorium of Music and holds a Bachelor of Music (Jazz Performance) from WAAPA, and is currently completing the Ph.D. His Future research interests are hybridity and multi-disciplined approaches, technology within jazz, and assimilating techniques of Modernism within jazz." 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She is also the founder of Muzikboxx, a music education app for both music teachers and students. Her current research is in the areas of gamified learning, self-regulated learning, immersive sound, and technology and the law. 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He has published over 60 peer reviewed book chapters and journal articles, in tier one journals such as Creative Industries, International Journal of Cultural Policy, Studies in Higher Education, and the British Journal of Music Education. Professor Daniel has been twice winner of the JCU Vice Chancellor’s citation for teaching excellence (2004, 2006), as well as an Australian Learning and Teaching Council citation (2006). In 2018 and 2020 he was awarded the Graduate Research School "Supervisory Panel of the Year" award with his colleagues." 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Analysing survey data from the Strategic National Arts Alumni Project (SNAAP), Peters discusses effectuation theory and addresses five hybrid skill sets, including financial and business, entrepreneurship, creative thinking, and problem solving, networking, and project management. Peters argues that repetition helps build confidence in these areas and concludes with ways to incorporate experiential learning through internships and relevant coursework." 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He maintains an active teaching, performing, and researching practice centred around popular music, vocal performance, the creative and cultural industries, ethnographic studies, archives, organization theory, and entrepreneurship in the home of Motown. He is an active music industry professional who co-owns indie label Quite Scientific Records and before academia worked previously at Ghostly International for many years." 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He maintains an active teaching, performing, and researching practice centred around popular music, vocal performance, the creative and cultural industries, ethnographic studies, archives, organization theory, and entrepreneurship in the home of Motown. He is an active music industry professional who co-owns indie label Quite Scientific Records and before academia worked previously at Ghostly International for many years." 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As the music industry and related fields adapt to changing business models, student interest in training for a career in the entertainment sector continues to rise. Though the expansion of global degree offerings in the creative industries expands each year, a “state of the field” on educational and pedagogical issues in the music business and the creative industries has yet to be created.

Creative arts research encompasses a broad range of sectors in the music and entertainment industries; among these subfields include performance, technology, entrepreneurship, marketing, and social justice. Globally, formal training for such pathways happens most often in higher education. The Handbook provides a practical and engaging resource for faculty, staff, administrators, graduate students, and industry members working on the “front lines” in teaching and learning. It presents a wide range of global perspectives from academics, BIPOC voices, and ECRs from the United States, the UK, Europe, Australia, and Canada.

Another factor that affects HE stakeholders is the absence of a versatile resource on the teaching and learning issues in music business and related fields. While The Handbook avoids overly prescriptive models of teaching and learning, the volume includes topical research through case studies, ethnographies, and a thorough cross-section of qualitative and quantitative methods. Such a resource may be germane particularly to educators transitioning from industry to faculty appointments in HE. Authors are encouraged to draw from their expertise and use narrative analysis to support their perspectives.

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" ["affiliation"]=> string(18) "Soochow University" ["username"]=> string(4) "jzwu" ["url"]=> string(0) "" ["country"]=> string(5) "China" ["lastNameFirstname"]=> string(12) "Wu Jei-Zheng" ["fullname"]=> string(12) "Jei-Zheng Wu" ["authorSummary"]=> string(58) "Jei-Zheng Wu ([email protected] - jzwu) 'Soochow University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [3]=> array(4) { ["id"]=> int(5121) ["user"]=> array(15) { ["userId"]=> int(117873) ["salutation"]=> string(0) "" ["firstname"]=> string(8) "Marzieh " ["middlename"]=> string(0) "" ["surname"]=> string(11) "Khakifirooz" ["gender"]=> NULL ["email"]=> string(19) "[email protected]" ["bio"]=> string(104) "Marzieh Khakifirooz is Assistant Professor of Industrial Engineering, Tecnológico de Monterrey, Mexico " ["affiliation"]=> string(24) "Tecnologico de Monterrey" ["username"]=> string(12) "mkhakifirooz" ["url"]=> string(0) "" ["country"]=> string(6) "Mexico" ["lastNameFirstname"]=> string(20) "Khakifirooz Marzieh " ["fullname"]=> string(20) "Marzieh Khakifirooz" ["authorSummary"]=> string(84) "Marzieh Khakifirooz ([email protected] - mkhakifirooz) 'Tecnologico de Monterrey'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [4]=> array(4) { ["id"]=> int(5122) ["user"]=> array(15) { ["userId"]=> int(117874) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Mathew" ["middlename"]=> string(0) "" ["surname"]=> string(5) "Flynn" ["gender"]=> NULL ["email"]=> string(22) "[email protected]" ["bio"]=> string(689) "Mathew Flynn is a lecturer in music industry. 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" ["affiliation"]=> string(23) "University of Liverpool" ["username"]=> string(6) "mflynn" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(12) "Flynn Mathew" ["fullname"]=> string(12) "Mathew Flynn" ["authorSummary"]=> string(72) "Mathew Flynn ([email protected] - mflynn) 'University of Liverpool'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [5]=> array(4) { ["id"]=> int(5123) ["user"]=> array(15) { ["userId"]=> int(117875) ["salutation"]=> string(0) "" ["firstname"]=> string(4) "Kirk" ["middlename"]=> string(0) "" ["surname"]=> string(7) "McNally" ["gender"]=> NULL ["email"]=> string(16) "[email protected]" ["bio"]=> string(598) "Kirk McNally is a sound engineer specializing in the recording of popular and classical music, as well as in the performances of new musical works using electronics. Kirk is the associate professor of Music Technology at the University of Victoria, Canada. In this role, he serves as the program administrator for an undergraduate combined program in music and computer science, as well as the graduate program in music technology. His research and creative work have received support from the Canada Council for the Arts and the Social Sciences and Humanities Research Council of Canada (SSHRC). " ["affiliation"]=> string(22) "University of Victoria" ["username"]=> string(8) "kmcnally" ["url"]=> string(0) "" ["country"]=> string(2) "CA" ["lastNameFirstname"]=> string(12) "McNally Kirk" ["fullname"]=> string(12) "Kirk McNally" ["authorSummary"]=> string(67) "Kirk McNally ([email protected] - kmcnally) 'University of Victoria'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [6]=> array(4) { ["id"]=> int(5124) ["user"]=> array(15) { ["userId"]=> int(117876) ["salutation"]=> string(0) "" ["firstname"]=> string(4) "Alex" ["middlename"]=> string(0) "" ["surname"]=> string(8) "Timewell" ["gender"]=> NULL ["email"]=> string(18) "[email protected]" ["bio"]=> string(61) "Alex Timewell is a Programme Leader at Leeds College of Music" ["affiliation"]=> string(22) "Leeds College of Music" ["username"]=> string(9) "atimewell" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(13) "Timewell Alex" ["fullname"]=> string(13) "Alex Timewell" ["authorSummary"]=> string(71) "Alex Timewell ([email protected] - atimewell) 'Leeds College of Music'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [7]=> array(4) { ["id"]=> int(5125) ["user"]=> array(15) { ["userId"]=> int(117878) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Jeremy" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Peters" ["gender"]=> NULL ["email"]=> string(23) "[email protected]" ["bio"]=> string(652) "Jeremy Peters is an Assistant Professor of Music at Wayne State University, a faculty affiliate of Labor@Wayne, and is the is the 2023 recipient of the American Musicological Society Career Development Grant in American Music. 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["affiliation"]=> string(22) "Wayne State University" ["username"]=> string(7) "jpeters" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(13) "Peters Jeremy" ["fullname"]=> string(13) "Jeremy Peters" ["authorSummary"]=> string(74) "Jeremy Peters ([email protected] - jpeters) 'Wayne State University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [8]=> array(4) { ["id"]=> int(5126) ["user"]=> array(15) { ["userId"]=> int(117879) ["salutation"]=> string(0) "" ["firstname"]=> string(8) "Taneshia" ["middlename"]=> string(0) "" ["surname"]=> string(10) "Nash Laird" ["gender"]=> NULL ["email"]=> string(18) "[email protected]" ["bio"]=> string(174) "Taneshia Nash Laird is President & CEO of Newark Symphony Hall in Newark NJ and an adjunct at Drexel University in the B.S. in Entertainment and Arts Management program, USA " ["affiliation"]=> string(17) "Drexel University" ["username"]=> string(7) "tnlaird" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(19) "Nash Laird Taneshia" ["fullname"]=> string(19) "Taneshia Nash Laird" ["authorSummary"]=> string(70) "Taneshia Nash Laird ([email protected] - tnlaird) 'Drexel University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [9]=> array(4) { ["id"]=> int(5127) ["user"]=> array(15) { ["userId"]=> int(117880) ["salutation"]=> string(0) "" ["firstname"]=> string(5) "Sekou" ["middlename"]=> string(0) "" ["surname"]=> string(8) "Campbell" ["gender"]=> NULL ["email"]=> string(16) "[email protected]" ["bio"]=> string(199) "Sekou Campbell, Esq. is a partner at the firm Culhane Meadows. A graduate of Vanderbilt and Columbia Universities, Mr. Campbell attended Yeshiva University’s Benjamin N. Cardozo School of Law, USA " ["affiliation"]=> string(15) "Culhane Meadows" ["username"]=> string(9) "scampbell" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(14) "Campbell Sekou" ["fullname"]=> string(14) "Sekou Campbell" ["authorSummary"]=> string(63) "Sekou Campbell ([email protected] - scampbell) 'Culhane Meadows'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [10]=> array(4) { ["id"]=> int(5128) ["user"]=> array(15) { ["userId"]=> int(117881) ["salutation"]=> string(0) "" ["firstname"]=> string(5) "Simon" ["middlename"]=> string(0) "" ["surname"]=> string(7) "Strange" ["gender"]=> NULL ["email"]=> string(29) "[email protected]" ["bio"]=> string(888) "Simon Strange is a multidimensional creative, spanning the academic and creative industries, a trombone player, music producer, photographer and socio-cultural academic. Simon has performed around the world and curates the Sidmouth international Jazz and Blues Festival. Strange is Research Programme Manager at Bath Spa University, overseeing an AHRC funded project related to the concept of story. He leads a team who are exploring the use of Story Skills within a range of organisations. His first book, Blank Canvas, based on pedagogical connections between UK art schools and popular music was released by Intellect Publishing in 2022, looking at the creative connection between art and music. Simon has written articles for the Journal of Popular Music Education as well as presenting at various conferences within the IASPM, KISMIF and Punk Scholars Network networks." ["affiliation"]=> string(19) "Bath Spa University" ["username"]=> string(8) "sstrange" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(13) "Strange Simon" ["fullname"]=> string(13) "Simon Strange" ["authorSummary"]=> string(78) "Simon Strange ([email protected] - sstrange) 'Bath Spa University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [11]=> array(4) { ["id"]=> int(5129) ["user"]=> array(15) { ["userId"]=> int(117882) ["salutation"]=> string(0) "" ["firstname"]=> string(7) "Hussein" ["middlename"]=> string(0) "" ["surname"]=> string(4) "Boon" ["gender"]=> NULL ["email"]=> string(24) "[email protected]" ["bio"]=> string(685) "Hussein Boon is a principal lecturer at the University of Westminster. His teaching and areas of interest are music production, performance technologies, songwriting, modular synthesis, live coding, music business and enterprise. He has worked for various institutions and organisations, was part of the team to establish Rockschool popular music exams, and has worked for artists such as Beats International, Alex Parks, Microgroove and De La Soul. His recent publications include using shift registers for semi-improvised songwriting and composition (Focal Press 2021); several short fiction stories about AI and music (Riffs Journal) and reimagining the DAW as a design tool (JMTE)." ["affiliation"]=> string(25) "University of Westminster" ["username"]=> string(5) "hboon" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(12) "Boon Hussein" ["fullname"]=> string(12) "Hussein Boon" ["authorSummary"]=> string(75) "Hussein Boon ([email protected] - hboon) 'University of Westminster'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [12]=> array(4) { ["id"]=> int(5130) ["user"]=> array(15) { ["userId"]=> int(117883) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Nicole" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Canham" ["gender"]=> NULL ["email"]=> string(24) "[email protected]" ["bio"]=> string(0) "" ["affiliation"]=> string(17) "Monash University" ["username"]=> string(7) "ncanham" ["url"]=> string(0) "" ["country"]=> string(9) "Australia" ["lastNameFirstname"]=> string(13) "Canham Nicole" ["fullname"]=> string(13) "Nicole Canham" ["authorSummary"]=> string(70) "Nicole Canham ([email protected] - ncanham) 'Monash University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [13]=> array(4) { ["id"]=> int(5131) ["user"]=> array(15) { ["userId"]=> int(91050) ["salutation"]=> string(2) "Mr" ["firstname"]=> string(3) "Rod" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Davies" ["gender"]=> NULL ["email"]=> string(21) "[email protected]" ["bio"]=> string(35991) "

Rod Davies is a lecturer at the Sir Zelman Cowen School of Music, Monash University. He is the co-ordinator of popular voice, lectures in songwriting and is a currently researching vocal performance as part of PhD candidature (Monash University).

" ["affiliation"]=> string(51) "Monash University Sir Zelman Cowen School of Music" ["username"]=> string(9) "roddavies" ["url"]=> string(46) "http://profiles.arts.monash.edu.au/rod-davies/" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(10) "Davies Rod" ["fullname"]=> string(10) "Rod Davies" ["authorSummary"]=> string(100) "Rod Davies ([email protected] - roddavies) 'Monash University Sir Zelman Cowen School of Music'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [14]=> array(4) { ["id"]=> int(5132) ["user"]=> array(15) { ["userId"]=> int(117884) ["salutation"]=> string(0) "" ["firstname"]=> string(5) "Vicky" ["middlename"]=> string(0) "" ["surname"]=> string(9) "Armstrong" ["gender"]=> NULL ["email"]=> string(33) "[email protected]" ["bio"]=> string(76) "Vicky Armstrong is Senior Lecturer in Sociology at the University of Surrey." ["affiliation"]=> string(20) "University of Surrey" ["username"]=> string(10) "varmstrong" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(15) "Armstrong Vicky" ["fullname"]=> string(15) "Vicky Armstrong" ["authorSummary"]=> string(87) "Vicky Armstrong ([email protected] - varmstrong) 'University of Surrey'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [15]=> array(4) { ["id"]=> int(5133) ["user"]=> array(15) { ["userId"]=> int(117885) ["salutation"]=> string(0) "" ["firstname"]=> string(15) "Helen Elizabeth" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Davies" ["gender"]=> NULL ["email"]=> string(19) "[email protected]" ["bio"]=> string(664) "Helen Elizabeth Davies is Subject Leader of Popular Music Studies at the Liverpool Institute for Performing Arts, UK. Her key research interests are popular music and gender, popular music visuals, music education, music in everyday life and ethnographic research. She has published research into musicians in vocational popular music higher education and graduates working in the music industry, focusing on gender related experiences and issues. Since 2019, she has carried out research with the organization UK Music on diversity in the UK music industry workforce for their biennial diversity report. She is currently writing a book on popular music visuals." ["affiliation"]=> string(43) "The Liverpool Institute for Performing Arts" ["username"]=> string(8) "hedavies" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(22) "Davies Helen Elizabeth" ["fullname"]=> string(22) "Helen Elizabeth Davies" ["authorSummary"]=> string(101) "Helen Elizabeth Davies ([email protected] - hedavies) 'The Liverpool Institute for Performing Arts'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [16]=> array(4) { ["id"]=> int(5134) ["user"]=> array(15) { ["userId"]=> int(117886) ["salutation"]=> string(0) "" ["firstname"]=> string(3) "Joe" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Sferra" ["gender"]=> NULL ["email"]=> string(18) "[email protected]" ["bio"]=> string(703) "Joe Sferra is a composer, performer, and theorist who advocates for a broad musical curiosity as an essential trait of a modern musician, and he embodies this in his teaching and creative work. As a clarinettist, he is featured on both abstract electronic improvisation with the ACCAD Sonic Arts Ensemble for Ravello Records and American Roots music with The Deep Roots Ensemble for 4Tay Records. His compositions entertain with popular gestures while revealing a love for the harmonic and formal ideas of modernist concert music, and have been featured in performances in the USA, Canada, and Spain. He has served on the faculties of Earlham, Vassar, SUNY-Potsdam, and the Cleveland Institute of Music." ["affiliation"]=> string(22) "composer and performer" ["username"]=> string(7) "jsferra" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(10) "Sferra Joe" ["fullname"]=> string(10) "Joe Sferra" ["authorSummary"]=> string(66) "Joe Sferra ([email protected] - jsferra) 'composer and performer'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [17]=> array(4) { ["id"]=> int(5135) ["user"]=> array(15) { ["userId"]=> int(117887) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Taylor" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Ackley" ["gender"]=> NULL ["email"]=> string(27) "[email protected]" ["bio"]=> string(720) "Taylor Ackley: A scholar, composer and performer of American Roots music, Taylor Ackley’s work explores and understands American folk and popular music through historical research, composition, analysis, performance, and ethnography. His integrated intellectual and creative practice builds upon lived experiences of poverty among the rural working-class to provide a foundational knowledge for studying, creating, and teaching music. He holds a master’s degree and a PhD in Composition as well as a master’s degree in Ethnomusicology from Stony Brook University and is currently an Assistant Professor of Music at Brandeis University. He directs the Deep Roots Ensemble and has three commercially released albums." ["affiliation"]=> string(19) "Brandeis University" ["username"]=> string(7) "tackley" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(13) "Ackley Taylor" ["fullname"]=> string(13) "Taylor Ackley" ["authorSummary"]=> string(75) "Taylor Ackley ([email protected] - tackley) 'Brandeis University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [18]=> array(4) { ["id"]=> int(5136) ["user"]=> array(15) { ["userId"]=> int(117888) ["salutation"]=> string(0) "" ["firstname"]=> string(3) "Ian" ["middlename"]=> string(0) "" ["surname"]=> string(9) "Stevenson" ["gender"]=> NULL ["email"]=> string(24) "[email protected]" ["bio"]=> string(369) "Ian Stevenson is a specialist in the field of audible design with over thirty years of experience as an audio engineer, producer, artist, and educator. He is currently senior lecturer in music and sound design at the University of Technology Sydney. His current research is in the areas of sound design, sound studies, soundscape analysis, and music and sound pedagogy." ["affiliation"]=> string(31) "University of Technology Sydney" ["username"]=> string(10) "istevenson" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(13) "Stevenson Ian" ["fullname"]=> string(13) "Ian Stevenson" ["authorSummary"]=> string(87) "Ian Stevenson ([email protected] - istevenson) 'University of Technology Sydney'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [19]=> array(4) { ["id"]=> int(5137) ["user"]=> array(15) { ["userId"]=> int(117889) ["salutation"]=> string(0) "" ["firstname"]=> string(7) "Gerhard" ["middlename"]=> string(0) "" ["surname"]=> string(4) "Roux" ["gender"]=> NULL ["email"]=> string(20) "[email protected]" ["bio"]=> string(0) "" ["affiliation"]=> string(23) "Stellenbosch University" ["username"]=> string(5) "groux" ["url"]=> string(0) "" ["country"]=> string(12) "South Africa" ["lastNameFirstname"]=> string(12) "Roux Gerhard" ["fullname"]=> string(12) "Gerhard Roux" ["authorSummary"]=> string(69) "Gerhard Roux ([email protected] - groux) 'Stellenbosch University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [20]=> array(4) { ["id"]=> int(5138) ["user"]=> array(15) { ["userId"]=> int(117890) ["salutation"]=> string(0) "" ["firstname"]=> string(3) "Ben" ["middlename"]=> string(0) "" ["surname"]=> string(7) "Toscher" ["gender"]=> NULL ["email"]=> string(24) "[email protected]" ["bio"]=> string(0) "" ["affiliation"]=> string(46) "Norwegian University of Science and Technology" ["username"]=> string(8) "btoscher" ["url"]=> string(0) "" ["country"]=> string(2) "NO" ["lastNameFirstname"]=> string(11) "Toscher Ben" ["fullname"]=> string(11) "Ben Toscher" ["authorSummary"]=> string(98) "Ben Toscher ([email protected] - btoscher) 'Norwegian University of Science and Technology'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [21]=> array(4) { ["id"]=> int(5139) ["user"]=> array(15) { ["userId"]=> int(117891) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Martin" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Lücke" ["gender"]=> NULL ["email"]=> string(22) "[email protected]" ["bio"]=> string(543) "Martin Lücke is Professor of Music Management at the Macromedia University of Applied Sciences in Berlin. He is the Local Head of the Faculty of Culture, Media, and Psychology there. Lücke studied musicology, history and political science at Ruhr University Bochum and initially worked in the cultural sector. His current research focusses on topics such as popular music, progressive rock, crowdfunding, and educational research. His most recent publication in German is the "Dictionary of Music Professions (Lexikon der Musikberufe)”." ["affiliation"]=> string(49) "Macromedia University of Applied Sciences, Berlin" ["username"]=> string(6) "mlucke" ["url"]=> string(0) "" ["country"]=> string(2) "DE" ["lastNameFirstname"]=> string(13) "Lücke Martin" ["fullname"]=> string(13) "Martin Lücke" ["authorSummary"]=> string(99) "Martin Lücke ([email protected] - mlucke) 'Macromedia University of Applied Sciences, Berlin'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [22]=> array(4) { ["id"]=> int(5140) ["user"]=> array(15) { ["userId"]=> int(92871) ["salutation"]=> string(0) "" ["firstname"]=> string(4) "Mark" ["middlename"]=> string(0) "" ["surname"]=> string(7) "Thorley" ["gender"]=> NULL ["email"]=> string(21) "[email protected]" ["bio"]=> string(340) "Dr Mark Thorley’s research centres on the creative industries, with particular emphasis on the role of technology. This work draws upon his background as a classically-trained musician, technologist and entrepreneur. His is a past Director of the Music Producers’ Guild in the UK, and a Senior Fellow of the Higher Education Academy." ["affiliation"]=> string(19) "Coventry University" ["username"]=> string(8) "mthorley" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(12) "Thorley Mark" ["fullname"]=> string(12) "Mark Thorley" ["authorSummary"]=> string(69) "Mark Thorley ([email protected] - mthorley) 'Coventry University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [23]=> array(4) { ["id"]=> int(5141) ["user"]=> array(15) { ["userId"]=> int(117893) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Louise" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Godwin" ["gender"]=> NULL ["email"]=> string(25) "[email protected]" ["bio"]=> string(125) "Louise Godwin is currently working as coordinator/researcher with emerging charity Agrigento, Cellist/Researcher, Australia " ["affiliation"]=> string(18) "Cellist/Researcher" ["username"]=> string(7) "lgodwin" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(13) "Godwin Louise" ["fullname"]=> string(13) "Louise Godwin" ["authorSummary"]=> string(72) "Louise Godwin ([email protected] - lgodwin) 'Cellist/Researcher'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [24]=> array(4) { ["id"]=> int(5155) ["user"]=> array(15) { ["userId"]=> int(116755) ["salutation"]=> string(2) "Mr" ["firstname"]=> string(4) "Sean" ["middlename"]=> string(0) "" ["surname"]=> string(5) "Foran" ["gender"]=> NULL ["email"]=> string(17) "[email protected]" ["bio"]=> string(707) "Sean Foran is a Brisbane based composer, pianist, and improvising musician. An ARIA nominated artist he has received the prestigious Brisbane City Council’s Lord Mayors Emerging Artist Fellowship, AMC/APRA Award for Excellence in Jazz, APRA Professional Development Award for Jazz and the QLD Music Award multiple times. His research investigates improvisation with technology, contemporary music career strategies and jazz industry practices. He is currently performing with acclaimed improvising trio ‘Trichotomy’, is Course Director for Audio and Music SAE Creative Media Institute, co-director of the publishing company ‘Prepared Sounds’ and associate artist of the Australian Music Centre. " ["affiliation"]=> string(21) "composer and musician" ["username"]=> string(4) "sean" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(10) "Foran Sean" ["fullname"]=> string(10) "Sean Foran" ["authorSummary"]=> string(61) "Sean Foran ([email protected] - sean) 'composer and musician'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [25]=> array(4) { ["id"]=> int(5156) ["user"]=> array(15) { ["userId"]=> int(119055) ["salutation"]=> string(0) "" ["firstname"]=> string(7) "Vincent" ["middlename"]=> string(0) "" ["surname"]=> string(5) "Perry" ["gender"]=> NULL ["email"]=> string(18) "[email protected]" ["bio"]=> string(492) "Vincent Perry is a Darwin-based drummer, record producer and avid collector of vintage instruments and recording gear. Vincent draws his musical inspiration from the house bands of the 1960s recording industry, especially Phil Spector’s Wrecking Crew and Motown’s Funk Brothers. He is currently a percussionist for the Darwin Symphony Orchestra, drummer for the Hot and Cold Big Band, and a lecturer at Charles Darwin University, where he delivers higher education and VET music units. " ["affiliation"]=> string(25) "Charles Darwin University" ["username"]=> string(6) "vperry" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(13) "Perry Vincent" ["fullname"]=> string(13) "Vincent Perry" ["authorSummary"]=> string(71) "Vincent Perry ([email protected] - vperry) 'Charles Darwin University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [26]=> array(4) { ["id"]=> int(5157) ["user"]=> array(15) { ["userId"]=> int(119056) ["salutation"]=> string(0) "" ["firstname"]=> string(4) "Jade" ["middlename"]=> string(0) "" ["surname"]=> string(7) "O'Regan" ["gender"]=> NULL ["email"]=> string(25) "[email protected]" ["bio"]=> string(589) "Jade O’Regan is a Lecturer in Contemporary Music Practice at the Sydney Conservatorium of Music (University of Sydney). She is the co-author of "Hooks in Popular Music" (2022) with Dr Tim Byron, which combines pop musicology and music psychology to understand pop music in an interdisciplinary way. 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He has published over 60 peer reviewed book chapters and journal articles, in tier one journals such as Creative Industries, International Journal of Cultural Policy, Studies in Higher Education, and the British Journal of Music Education. Professor Daniel has been twice winner of the JCU Vice Chancellor’s citation for teaching excellence (2004, 2006), as well as an Australian Learning and Teaching Council citation (2006). In 2018 and 2020 he was awarded the Graduate Research School "Supervisory Panel of the Year" award with his colleagues." 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With little extant scholarship on decision-making for musicians and designed with practitioners and educators in mind, Flynn’s 5R Model allows musicians to apply a visual toolkit of decision-making concepts in smaller, collaborative environments and when working independently. The result is a more comprehensive and visual understanding of how best to navigate an unpredictable music industry in the future." ["publishedDate"]=> int(1722470400000) ["issueVolume"]=> NULL ["issueNumber"]=> NULL ["pages"]=> NULL ["startPage"]=> NULL ["endPage"]=> NULL ["doi"]=> string(21) "10.1558/equinox.45319" ["price"]=> NULL ["accessStatus"]=> string(28) "ARTICLE_ACCESS_ISSUE_DEFAULT" ["allAuthors"]=> array(1) { [0]=> array(14) { ["authorId"]=> int(57051) ["fullname"]=> string(12) "Mathew Flynn" ["firstname"]=> string(6) "Mathew" ["middlename"]=> NULL ["surname"]=> string(5) "Flynn" ["bio"]=> string(689) "Mathew Flynn is a lecturer in music industry. Prior to joining the Music department, he taught music business at the Liverpool Institute for Performing Arts (LIPA). Before moving into higher education, Mat was a self-employed practitioner in the music industries, owning rehearsal rooms and an independent record label. He has been a member of Liverpool City Region Music Board since its formation in January 2019. His current research interests include decision-making in the music industries, the impact of the pandemic of Liverpool's music sector, the experiences of Black music makers and practitioners and how to better educate musicians about copyright and data use and management. 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As the music industry and related fields adapt to changing business models, student interest in training for a career in the entertainment sector continues to rise. Though the expansion of global degree offerings in the creative industries expands each year, a “state of the field” on educational and pedagogical issues in the music business and the creative industries has yet to be created.

Creative arts research encompasses a broad range of sectors in the music and entertainment industries; among these subfields include performance, technology, entrepreneurship, marketing, and social justice. Globally, formal training for such pathways happens most often in higher education. The Handbook provides a practical and engaging resource for faculty, staff, administrators, graduate students, and industry members working on the “front lines” in teaching and learning. It presents a wide range of global perspectives from academics, BIPOC voices, and ECRs from the United States, the UK, Europe, Australia, and Canada.

Another factor that affects HE stakeholders is the absence of a versatile resource on the teaching and learning issues in music business and related fields. While The Handbook avoids overly prescriptive models of teaching and learning, the volume includes topical research through case studies, ethnographies, and a thorough cross-section of qualitative and quantitative methods. Such a resource may be germane particularly to educators transitioning from industry to faculty appointments in HE. Authors are encouraged to draw from their expertise and use narrative analysis to support their perspectives.

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" ["affiliation"]=> string(18) "Soochow University" ["username"]=> string(6) "wchang" ["url"]=> string(0) "" ["country"]=> string(5) "China" ["lastNameFirstname"]=> string(12) "Chang Wilbur" ["fullname"]=> string(12) "Wilbur Chang" ["authorSummary"]=> string(64) "Wilbur Chang ([email protected] - wchang) 'Soochow University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [2]=> array(4) { ["id"]=> int(5120) ["user"]=> array(15) { ["userId"]=> int(117872) ["salutation"]=> string(0) "" ["firstname"]=> string(9) "Jei-Zheng" ["middlename"]=> string(0) "" ["surname"]=> string(2) "Wu" ["gender"]=> NULL ["email"]=> string(15) "[email protected]" ["bio"]=> string(195) "Jei-Zheng Wu is a Distinguished Professor of Department of Business Administration of School of Business and Director of School of Extension Education, Soochow University (SCU), Taipei, Taiwan. " ["affiliation"]=> string(18) "Soochow University" ["username"]=> string(4) "jzwu" ["url"]=> string(0) "" ["country"]=> string(5) "China" ["lastNameFirstname"]=> string(12) "Wu Jei-Zheng" ["fullname"]=> string(12) "Jei-Zheng Wu" ["authorSummary"]=> string(58) "Jei-Zheng Wu ([email protected] - jzwu) 'Soochow University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [3]=> array(4) { ["id"]=> int(5121) ["user"]=> array(15) { ["userId"]=> int(117873) ["salutation"]=> string(0) "" ["firstname"]=> string(8) "Marzieh " ["middlename"]=> string(0) "" ["surname"]=> string(11) "Khakifirooz" ["gender"]=> NULL ["email"]=> string(19) "[email protected]" ["bio"]=> string(104) "Marzieh Khakifirooz is Assistant Professor of Industrial Engineering, Tecnológico de Monterrey, Mexico " ["affiliation"]=> string(24) "Tecnologico de Monterrey" ["username"]=> string(12) "mkhakifirooz" ["url"]=> string(0) "" ["country"]=> string(6) "Mexico" ["lastNameFirstname"]=> string(20) "Khakifirooz Marzieh " ["fullname"]=> string(20) "Marzieh Khakifirooz" ["authorSummary"]=> string(84) "Marzieh Khakifirooz ([email protected] - mkhakifirooz) 'Tecnologico de Monterrey'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [4]=> array(4) { ["id"]=> int(5122) ["user"]=> array(15) { ["userId"]=> int(117874) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Mathew" ["middlename"]=> string(0) "" ["surname"]=> string(5) "Flynn" ["gender"]=> NULL ["email"]=> string(22) "[email protected]" ["bio"]=> string(689) "Mathew Flynn is a lecturer in music industry. 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" ["affiliation"]=> string(23) "University of Liverpool" ["username"]=> string(6) "mflynn" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(12) "Flynn Mathew" ["fullname"]=> string(12) "Mathew Flynn" ["authorSummary"]=> string(72) "Mathew Flynn ([email protected] - mflynn) 'University of Liverpool'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [5]=> array(4) { ["id"]=> int(5123) ["user"]=> array(15) { ["userId"]=> int(117875) ["salutation"]=> string(0) "" ["firstname"]=> string(4) "Kirk" ["middlename"]=> string(0) "" ["surname"]=> string(7) "McNally" ["gender"]=> NULL ["email"]=> string(16) "[email protected]" ["bio"]=> string(598) "Kirk McNally is a sound engineer specializing in the recording of popular and classical music, as well as in the performances of new musical works using electronics. Kirk is the associate professor of Music Technology at the University of Victoria, Canada. 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" ["affiliation"]=> string(22) "University of Victoria" ["username"]=> string(8) "kmcnally" ["url"]=> string(0) "" ["country"]=> string(2) "CA" ["lastNameFirstname"]=> string(12) "McNally Kirk" ["fullname"]=> string(12) "Kirk McNally" ["authorSummary"]=> string(67) "Kirk McNally ([email protected] - kmcnally) 'University of Victoria'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [6]=> array(4) { ["id"]=> int(5124) ["user"]=> array(15) { ["userId"]=> int(117876) ["salutation"]=> string(0) "" ["firstname"]=> string(4) "Alex" ["middlename"]=> string(0) "" ["surname"]=> string(8) "Timewell" ["gender"]=> NULL ["email"]=> string(18) "[email protected]" ["bio"]=> string(61) "Alex Timewell is a Programme Leader at Leeds College of Music" ["affiliation"]=> string(22) "Leeds College of Music" ["username"]=> string(9) "atimewell" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(13) "Timewell Alex" ["fullname"]=> string(13) "Alex Timewell" ["authorSummary"]=> string(71) "Alex Timewell ([email protected] - atimewell) 'Leeds College of Music'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [7]=> array(4) { ["id"]=> int(5125) ["user"]=> array(15) { ["userId"]=> int(117878) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Jeremy" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Peters" ["gender"]=> NULL ["email"]=> string(23) "[email protected]" ["bio"]=> string(652) "Jeremy Peters is an Assistant Professor of Music at Wayne State University, a faculty affiliate of Labor@Wayne, and is the is the 2023 recipient of the American Musicological Society Career Development Grant in American Music. 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["affiliation"]=> string(22) "Wayne State University" ["username"]=> string(7) "jpeters" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(13) "Peters Jeremy" ["fullname"]=> string(13) "Jeremy Peters" ["authorSummary"]=> string(74) "Jeremy Peters ([email protected] - jpeters) 'Wayne State University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [8]=> array(4) { ["id"]=> int(5126) ["user"]=> array(15) { ["userId"]=> int(117879) ["salutation"]=> string(0) "" ["firstname"]=> string(8) "Taneshia" ["middlename"]=> string(0) "" ["surname"]=> string(10) "Nash Laird" ["gender"]=> NULL ["email"]=> string(18) "[email protected]" ["bio"]=> string(174) "Taneshia Nash Laird is President & CEO of Newark Symphony Hall in Newark NJ and an adjunct at Drexel University in the B.S. in Entertainment and Arts Management program, USA " ["affiliation"]=> string(17) "Drexel University" ["username"]=> string(7) "tnlaird" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(19) "Nash Laird Taneshia" ["fullname"]=> string(19) "Taneshia Nash Laird" ["authorSummary"]=> string(70) "Taneshia Nash Laird ([email protected] - tnlaird) 'Drexel University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [9]=> array(4) { ["id"]=> int(5127) ["user"]=> array(15) { ["userId"]=> int(117880) ["salutation"]=> string(0) "" ["firstname"]=> string(5) "Sekou" ["middlename"]=> string(0) "" ["surname"]=> string(8) "Campbell" ["gender"]=> NULL ["email"]=> string(16) "[email protected]" ["bio"]=> string(199) "Sekou Campbell, Esq. is a partner at the firm Culhane Meadows. A graduate of Vanderbilt and Columbia Universities, Mr. Campbell attended Yeshiva University’s Benjamin N. Cardozo School of Law, USA " ["affiliation"]=> string(15) "Culhane Meadows" ["username"]=> string(9) "scampbell" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(14) "Campbell Sekou" ["fullname"]=> string(14) "Sekou Campbell" ["authorSummary"]=> string(63) "Sekou Campbell ([email protected] - scampbell) 'Culhane Meadows'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [10]=> array(4) { ["id"]=> int(5128) ["user"]=> array(15) { ["userId"]=> int(117881) ["salutation"]=> string(0) "" ["firstname"]=> string(5) "Simon" ["middlename"]=> string(0) "" ["surname"]=> string(7) "Strange" ["gender"]=> NULL ["email"]=> string(29) "[email protected]" ["bio"]=> string(888) "Simon Strange is a multidimensional creative, spanning the academic and creative industries, a trombone player, music producer, photographer and socio-cultural academic. 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["affiliation"]=> string(19) "Bath Spa University" ["username"]=> string(8) "sstrange" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(13) "Strange Simon" ["fullname"]=> string(13) "Simon Strange" ["authorSummary"]=> string(78) "Simon Strange ([email protected] - sstrange) 'Bath Spa University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [11]=> array(4) { ["id"]=> int(5129) ["user"]=> array(15) { ["userId"]=> int(117882) ["salutation"]=> string(0) "" ["firstname"]=> string(7) "Hussein" ["middlename"]=> string(0) "" ["surname"]=> string(4) "Boon" ["gender"]=> NULL ["email"]=> string(24) "[email protected]" ["bio"]=> string(685) "Hussein Boon is a principal lecturer at the University of Westminster. His teaching and areas of interest are music production, performance technologies, songwriting, modular synthesis, live coding, music business and enterprise. 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["affiliation"]=> string(25) "University of Westminster" ["username"]=> string(5) "hboon" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(12) "Boon Hussein" ["fullname"]=> string(12) "Hussein Boon" ["authorSummary"]=> string(75) "Hussein Boon ([email protected] - hboon) 'University of Westminster'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [12]=> array(4) { ["id"]=> int(5130) ["user"]=> array(15) { ["userId"]=> int(117883) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Nicole" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Canham" ["gender"]=> NULL ["email"]=> string(24) "[email protected]" ["bio"]=> string(0) "" ["affiliation"]=> string(17) "Monash University" ["username"]=> string(7) "ncanham" ["url"]=> string(0) "" ["country"]=> string(9) "Australia" ["lastNameFirstname"]=> string(13) "Canham Nicole" ["fullname"]=> string(13) "Nicole Canham" ["authorSummary"]=> string(70) "Nicole Canham ([email protected] - ncanham) 'Monash University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [13]=> array(4) { ["id"]=> int(5131) ["user"]=> array(15) { ["userId"]=> int(91050) ["salutation"]=> string(2) "Mr" ["firstname"]=> string(3) "Rod" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Davies" ["gender"]=> NULL ["email"]=> string(21) "[email protected]" ["bio"]=> string(35991) "

Rod Davies is a lecturer at the Sir Zelman Cowen School of Music, Monash University. He is the co-ordinator of popular voice, lectures in songwriting and is a currently researching vocal performance as part of PhD candidature (Monash University).

" ["affiliation"]=> string(51) "Monash University Sir Zelman Cowen School of Music" ["username"]=> string(9) "roddavies" ["url"]=> string(46) "http://profiles.arts.monash.edu.au/rod-davies/" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(10) "Davies Rod" ["fullname"]=> string(10) "Rod Davies" ["authorSummary"]=> string(100) "Rod Davies ([email protected] - roddavies) 'Monash University Sir Zelman Cowen School of Music'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [14]=> array(4) { ["id"]=> int(5132) ["user"]=> array(15) { ["userId"]=> int(117884) ["salutation"]=> string(0) "" ["firstname"]=> string(5) "Vicky" ["middlename"]=> string(0) "" ["surname"]=> string(9) "Armstrong" ["gender"]=> NULL ["email"]=> string(33) "[email protected]" ["bio"]=> string(76) "Vicky Armstrong is Senior Lecturer in Sociology at the University of Surrey." ["affiliation"]=> string(20) "University of Surrey" ["username"]=> string(10) "varmstrong" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(15) "Armstrong Vicky" ["fullname"]=> string(15) "Vicky Armstrong" ["authorSummary"]=> string(87) "Vicky Armstrong ([email protected] - varmstrong) 'University of Surrey'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [15]=> array(4) { ["id"]=> int(5133) ["user"]=> array(15) { ["userId"]=> int(117885) ["salutation"]=> string(0) "" ["firstname"]=> string(15) "Helen Elizabeth" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Davies" ["gender"]=> NULL ["email"]=> string(19) "[email protected]" ["bio"]=> string(664) "Helen Elizabeth Davies is Subject Leader of Popular Music Studies at the Liverpool Institute for Performing Arts, UK. 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["affiliation"]=> string(43) "The Liverpool Institute for Performing Arts" ["username"]=> string(8) "hedavies" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(22) "Davies Helen Elizabeth" ["fullname"]=> string(22) "Helen Elizabeth Davies" ["authorSummary"]=> string(101) "Helen Elizabeth Davies ([email protected] - hedavies) 'The Liverpool Institute for Performing Arts'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [16]=> array(4) { ["id"]=> int(5134) ["user"]=> array(15) { ["userId"]=> int(117886) ["salutation"]=> string(0) "" ["firstname"]=> string(3) "Joe" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Sferra" ["gender"]=> NULL ["email"]=> string(18) "[email protected]" ["bio"]=> string(703) "Joe Sferra is a composer, performer, and theorist who advocates for a broad musical curiosity as an essential trait of a modern musician, and he embodies this in his teaching and creative work. 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["affiliation"]=> string(22) "composer and performer" ["username"]=> string(7) "jsferra" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(10) "Sferra Joe" ["fullname"]=> string(10) "Joe Sferra" ["authorSummary"]=> string(66) "Joe Sferra ([email protected] - jsferra) 'composer and performer'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [17]=> array(4) { ["id"]=> int(5135) ["user"]=> array(15) { ["userId"]=> int(117887) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Taylor" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Ackley" ["gender"]=> NULL ["email"]=> string(27) "[email protected]" ["bio"]=> string(720) "Taylor Ackley: A scholar, composer and performer of American Roots music, Taylor Ackley’s work explores and understands American folk and popular music through historical research, composition, analysis, performance, and ethnography. His integrated intellectual and creative practice builds upon lived experiences of poverty among the rural working-class to provide a foundational knowledge for studying, creating, and teaching music. He holds a master’s degree and a PhD in Composition as well as a master’s degree in Ethnomusicology from Stony Brook University and is currently an Assistant Professor of Music at Brandeis University. He directs the Deep Roots Ensemble and has three commercially released albums." ["affiliation"]=> string(19) "Brandeis University" ["username"]=> string(7) "tackley" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(13) "Ackley Taylor" ["fullname"]=> string(13) "Taylor Ackley" ["authorSummary"]=> string(75) "Taylor Ackley ([email protected] - tackley) 'Brandeis University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [18]=> array(4) { ["id"]=> int(5136) ["user"]=> array(15) { ["userId"]=> int(117888) ["salutation"]=> string(0) "" ["firstname"]=> string(3) "Ian" ["middlename"]=> string(0) "" ["surname"]=> string(9) "Stevenson" ["gender"]=> NULL ["email"]=> string(24) "[email protected]" ["bio"]=> string(369) "Ian Stevenson is a specialist in the field of audible design with over thirty years of experience as an audio engineer, producer, artist, and educator. He is currently senior lecturer in music and sound design at the University of Technology Sydney. His current research is in the areas of sound design, sound studies, soundscape analysis, and music and sound pedagogy." ["affiliation"]=> string(31) "University of Technology Sydney" ["username"]=> string(10) "istevenson" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(13) "Stevenson Ian" ["fullname"]=> string(13) "Ian Stevenson" ["authorSummary"]=> string(87) "Ian Stevenson ([email protected] - istevenson) 'University of Technology Sydney'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [19]=> array(4) { ["id"]=> int(5137) ["user"]=> array(15) { ["userId"]=> int(117889) ["salutation"]=> string(0) "" ["firstname"]=> string(7) "Gerhard" ["middlename"]=> string(0) "" ["surname"]=> string(4) "Roux" ["gender"]=> NULL ["email"]=> string(20) "[email protected]" ["bio"]=> string(0) "" ["affiliation"]=> string(23) "Stellenbosch University" ["username"]=> string(5) "groux" ["url"]=> string(0) "" ["country"]=> string(12) "South Africa" ["lastNameFirstname"]=> string(12) "Roux Gerhard" ["fullname"]=> string(12) "Gerhard Roux" ["authorSummary"]=> string(69) "Gerhard Roux ([email protected] - groux) 'Stellenbosch University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [20]=> array(4) { ["id"]=> int(5138) ["user"]=> array(15) { ["userId"]=> int(117890) ["salutation"]=> string(0) "" ["firstname"]=> string(3) "Ben" ["middlename"]=> string(0) "" ["surname"]=> string(7) "Toscher" ["gender"]=> NULL ["email"]=> string(24) "[email protected]" ["bio"]=> string(0) "" ["affiliation"]=> string(46) "Norwegian University of Science and Technology" ["username"]=> string(8) "btoscher" ["url"]=> string(0) "" ["country"]=> string(2) "NO" ["lastNameFirstname"]=> string(11) "Toscher Ben" ["fullname"]=> string(11) "Ben Toscher" ["authorSummary"]=> string(98) "Ben Toscher ([email protected] - btoscher) 'Norwegian University of Science and Technology'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [21]=> array(4) { ["id"]=> int(5139) ["user"]=> array(15) { ["userId"]=> int(117891) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Martin" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Lücke" ["gender"]=> NULL ["email"]=> string(22) "[email protected]" ["bio"]=> string(543) "Martin Lücke is Professor of Music Management at the Macromedia University of Applied Sciences in Berlin. He is the Local Head of the Faculty of Culture, Media, and Psychology there. Lücke studied musicology, history and political science at Ruhr University Bochum and initially worked in the cultural sector. His current research focusses on topics such as popular music, progressive rock, crowdfunding, and educational research. His most recent publication in German is the "Dictionary of Music Professions (Lexikon der Musikberufe)”." ["affiliation"]=> string(49) "Macromedia University of Applied Sciences, Berlin" ["username"]=> string(6) "mlucke" ["url"]=> string(0) "" ["country"]=> string(2) "DE" ["lastNameFirstname"]=> string(13) "Lücke Martin" ["fullname"]=> string(13) "Martin Lücke" ["authorSummary"]=> string(99) "Martin Lücke ([email protected] - mlucke) 'Macromedia University of Applied Sciences, Berlin'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [22]=> array(4) { ["id"]=> int(5140) ["user"]=> array(15) { ["userId"]=> int(92871) ["salutation"]=> string(0) "" ["firstname"]=> string(4) "Mark" ["middlename"]=> string(0) "" ["surname"]=> string(7) "Thorley" ["gender"]=> NULL ["email"]=> string(21) "[email protected]" ["bio"]=> string(340) "Dr Mark Thorley’s research centres on the creative industries, with particular emphasis on the role of technology. This work draws upon his background as a classically-trained musician, technologist and entrepreneur. His is a past Director of the Music Producers’ Guild in the UK, and a Senior Fellow of the Higher Education Academy." ["affiliation"]=> string(19) "Coventry University" ["username"]=> string(8) "mthorley" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(12) "Thorley Mark" ["fullname"]=> string(12) "Mark Thorley" ["authorSummary"]=> string(69) "Mark Thorley ([email protected] - mthorley) 'Coventry University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [23]=> array(4) { ["id"]=> int(5141) ["user"]=> array(15) { ["userId"]=> int(117893) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Louise" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Godwin" ["gender"]=> NULL ["email"]=> string(25) "[email protected]" ["bio"]=> string(125) "Louise Godwin is currently working as coordinator/researcher with emerging charity Agrigento, Cellist/Researcher, Australia " ["affiliation"]=> string(18) "Cellist/Researcher" ["username"]=> string(7) "lgodwin" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(13) "Godwin Louise" ["fullname"]=> string(13) "Louise Godwin" ["authorSummary"]=> string(72) "Louise Godwin ([email protected] - lgodwin) 'Cellist/Researcher'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [24]=> array(4) { ["id"]=> int(5155) ["user"]=> array(15) { ["userId"]=> int(116755) ["salutation"]=> string(2) "Mr" ["firstname"]=> string(4) "Sean" ["middlename"]=> string(0) "" ["surname"]=> string(5) "Foran" ["gender"]=> NULL ["email"]=> string(17) "[email protected]" ["bio"]=> string(707) "Sean Foran is a Brisbane based composer, pianist, and improvising musician. 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He has published over 60 peer reviewed book chapters and journal articles, in tier one journals such as Creative Industries, International Journal of Cultural Policy, Studies in Higher Education, and the British Journal of Music Education. Professor Daniel has been twice winner of the JCU Vice Chancellor’s citation for teaching excellence (2004, 2006), as well as an Australian Learning and Teaching Council citation (2006). In 2018 and 2020 he was awarded the Graduate Research School "Supervisory Panel of the Year" award with his colleagues." 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Central to the music business, visual content in promotional materials, packaging, live events, social media, and technology connect artists with their audience. Davies delves into visual analysis and its relationship to Popular Music Higher Education (PMHE). Using an “analytical toolkit” that considers musician persona, images, costuming, performance, and music video, Davies describes how students create visual content to accompany their musical practice and how such efforts promote multisensory pedagogy in vocationally focused coursework. 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Her key research interests are popular music and gender, popular music visuals, music education, music in everyday life and ethnographic research. She has published research into musicians in vocational popular music higher education and graduates working in the music industry, focusing on gender related experiences and issues. Since 2019, she has carried out research with the organization UK Music on diversity in the UK music industry workforce for their biennial diversity report. She is currently writing a book on popular music visuals." 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Her key research interests are popular music and gender, popular music visuals, music education, music in everyday life and ethnographic research. She has published research into musicians in vocational popular music higher education and graduates working in the music industry, focusing on gender related experiences and issues. Since 2019, she has carried out research with the organization UK Music on diversity in the UK music industry workforce for their biennial diversity report. She is currently writing a book on popular music visuals." 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As the music industry and related fields adapt to changing business models, student interest in training for a career in the entertainment sector continues to rise. Though the expansion of global degree offerings in the creative industries expands each year, a “state of the field” on educational and pedagogical issues in the music business and the creative industries has yet to be created.

Creative arts research encompasses a broad range of sectors in the music and entertainment industries; among these subfields include performance, technology, entrepreneurship, marketing, and social justice. Globally, formal training for such pathways happens most often in higher education. The Handbook provides a practical and engaging resource for faculty, staff, administrators, graduate students, and industry members working on the “front lines” in teaching and learning. It presents a wide range of global perspectives from academics, BIPOC voices, and ECRs from the United States, the UK, Europe, Australia, and Canada.

Another factor that affects HE stakeholders is the absence of a versatile resource on the teaching and learning issues in music business and related fields. While The Handbook avoids overly prescriptive models of teaching and learning, the volume includes topical research through case studies, ethnographies, and a thorough cross-section of qualitative and quantitative methods. Such a resource may be germane particularly to educators transitioning from industry to faculty appointments in HE. Authors are encouraged to draw from their expertise and use narrative analysis to support their perspectives.

" ["relatedBooks"]=> array(0) { } ["subtitle"]=> string(0) "" ["contents"]=> string(0) "" ["reviews"]=> string(0) "" ["bookWebLink"]=> NULL ["hbPrice"]=> float(0) ["hbPriceUsd"]=> float(0) ["pbPrice"]=> float(26.95) ["pbPriceUsd"]=> float(34) ["olPrice"]=> float(26.95) ["olInstitutionalPrice"]=> float(26.95) ["olPriceUsd"]=> float(34) ["olInstitutionalPriceUsd"]=> float(34) ["olBookId"]=> NULL ["olProvider"]=> string(12) "cloudpublish" ["bookDoi"]=> string(0) "" ["hbIsbn13"]=> string(0) "" ["hbIsbn10"]=> NULL ["pbIsbn13"]=> string(13) "9781800505223" ["pbIsbn10"]=> NULL ["pdfIsbn"]=> string(13) "9781800505230" ["epubIsbn"]=> string(0) "" ["defaultIsbn"]=> string(13) "9781800505223" ["summaryTitle"]=> string(83) "The Handbook on Music Business and Creative Industries in Education - Daniel Walzer" ["primaryContributor"]=> string(13) "Daniel Walzer" ["series"]=> array(7) { ["seriesId"]=> int(51) ["name"]=> string(22) "Music Industry Studies" ["description"]=> string(791) "In recent years, there has been a rapid growth of interest in the music industry, from policy makers, educationalists, the media and others. This new series aims to satisfy the demand for in-depth knowledge and analysis of all facets of the industry, from recording to live music and the publishing sector. It will include both historical and contemporary approaches and draw on contributions from economics, geography, sociology, legal studies, cultural studies and other disciplines. The founding series editor is Dave Laing† , Honorary Research Fellow at the University of Liverpool and Senior Research Associate at the University of East Anglia.
Proposals for single-authored or edited volumes are invited. Please contact the series editor Sarah Raine at [email protected] " ["url"]=> string(54) "http://www.equinoxpub.com/home/music-industry-studies/" ["editors"]=> array(1) { [0]=> array(14) { ["authorId"]=> int(144) ["fullname"]=> string(11) "Sarah Raine" ["firstname"]=> string(5) "Sarah" ["middlename"]=> string(0) "" ["surname"]=> string(5) "Raine" ["bio"]=> string(513) "Sarah Raine is SFI-IRC Pathway Fellow at University College Dublin. She is Co-Managing Editor of the journal Riffs, Editor of Jazz Research Journal, Book Series Editor of Icons of Pop Music and Music Industry Studies, Equinox Publishing and author of Authenticity and Belonging in the Northern Soul Scene (Palgrave Macmillan, 2020), Towards Gender Equality in the Music Industry (Bloomsbury Academic, 2019) and The Northern Soul Scene (Equinox Publishing, 2019). 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Originally trained as a percussionist, Walzer maintains an active career as a composer, performer, and audio production specialist. Walzer’s research and writings on music technology and the creative industries appear in Leonardo Music Journal, Journal of Music, Technology & Education, Creative Industries Journal, Music Educators Journal, and in numerous edited collections. He is the co-editor of Audio Education: Theory, Culture, and Practice (w/ Mariana Lopez), and the author of Leadership in Music Technology Education: Philosophy, Praxis, and Pedagogy, both on Focal Press." 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Brint Ryan College of Business, University of North Texas, Denton, Texas, United States" ["affiliation"]=> string(25) "University of North Texas" ["username"]=> string(6) "mfathi" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(11) "Fathi Mahdi" ["fullname"]=> string(11) "Mahdi Fathi" ["authorSummary"]=> string(70) "Mahdi Fathi ([email protected] - mfathi) 'University of North Texas'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [1]=> array(4) { ["id"]=> int(5119) ["user"]=> array(15) { ["userId"]=> int(117870) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Wilbur" ["middlename"]=> string(0) "" ["surname"]=> string(5) "Chang" ["gender"]=> NULL ["email"]=> string(19) "[email protected]" ["bio"]=> string(146) "Wilbur Wei-Chen Chang is a Project Manager of EasyWallet (e-payment app) of EasyCard Corporation, the biggest local SmartCard company in Taiwan. " ["affiliation"]=> string(18) "Soochow University" ["username"]=> string(6) "wchang" ["url"]=> string(0) "" ["country"]=> string(5) "China" ["lastNameFirstname"]=> string(12) "Chang Wilbur" ["fullname"]=> string(12) "Wilbur Chang" ["authorSummary"]=> string(64) "Wilbur Chang ([email protected] - wchang) 'Soochow University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [2]=> array(4) { ["id"]=> int(5120) ["user"]=> array(15) { ["userId"]=> int(117872) ["salutation"]=> string(0) "" ["firstname"]=> string(9) "Jei-Zheng" ["middlename"]=> string(0) "" ["surname"]=> string(2) "Wu" ["gender"]=> NULL ["email"]=> string(15) "[email protected]" ["bio"]=> string(195) "Jei-Zheng Wu is a Distinguished Professor of Department of Business Administration of School of Business and Director of School of Extension Education, Soochow University (SCU), Taipei, Taiwan. " ["affiliation"]=> string(18) "Soochow University" ["username"]=> string(4) "jzwu" ["url"]=> string(0) "" ["country"]=> string(5) "China" ["lastNameFirstname"]=> string(12) "Wu Jei-Zheng" ["fullname"]=> string(12) "Jei-Zheng Wu" ["authorSummary"]=> string(58) "Jei-Zheng Wu ([email protected] - jzwu) 'Soochow University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [3]=> array(4) { ["id"]=> int(5121) ["user"]=> array(15) { ["userId"]=> int(117873) ["salutation"]=> string(0) "" ["firstname"]=> string(8) "Marzieh " ["middlename"]=> string(0) "" ["surname"]=> string(11) "Khakifirooz" ["gender"]=> NULL ["email"]=> string(19) "[email protected]" ["bio"]=> string(104) "Marzieh Khakifirooz is Assistant Professor of Industrial Engineering, Tecnológico de Monterrey, Mexico " ["affiliation"]=> string(24) "Tecnologico de Monterrey" ["username"]=> string(12) "mkhakifirooz" ["url"]=> string(0) "" ["country"]=> string(6) "Mexico" ["lastNameFirstname"]=> string(20) "Khakifirooz Marzieh " ["fullname"]=> string(20) "Marzieh Khakifirooz" ["authorSummary"]=> string(84) "Marzieh Khakifirooz ([email protected] - mkhakifirooz) 'Tecnologico de Monterrey'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [4]=> array(4) { ["id"]=> int(5122) ["user"]=> array(15) { ["userId"]=> int(117874) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Mathew" ["middlename"]=> string(0) "" ["surname"]=> string(5) "Flynn" ["gender"]=> NULL ["email"]=> string(22) "[email protected]" ["bio"]=> string(689) "Mathew Flynn is a lecturer in music industry. 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" ["affiliation"]=> string(23) "University of Liverpool" ["username"]=> string(6) "mflynn" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(12) "Flynn Mathew" ["fullname"]=> string(12) "Mathew Flynn" ["authorSummary"]=> string(72) "Mathew Flynn ([email protected] - mflynn) 'University of Liverpool'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [5]=> array(4) { ["id"]=> int(5123) ["user"]=> array(15) { ["userId"]=> int(117875) ["salutation"]=> string(0) "" ["firstname"]=> string(4) "Kirk" ["middlename"]=> string(0) "" ["surname"]=> string(7) "McNally" ["gender"]=> NULL ["email"]=> string(16) "[email protected]" ["bio"]=> string(598) "Kirk McNally is a sound engineer specializing in the recording of popular and classical music, as well as in the performances of new musical works using electronics. Kirk is the associate professor of Music Technology at the University of Victoria, Canada. In this role, he serves as the program administrator for an undergraduate combined program in music and computer science, as well as the graduate program in music technology. His research and creative work have received support from the Canada Council for the Arts and the Social Sciences and Humanities Research Council of Canada (SSHRC). 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He maintains an active teaching, performing, and researching practice centred around popular music, vocal performance, the creative and cultural industries, ethnographic studies, archives, organization theory, and entrepreneurship in the home of Motown. He is an active music industry professional who co-owns indie label Quite Scientific Records and before academia worked previously at Ghostly International for many years." ["affiliation"]=> string(22) "Wayne State University" ["username"]=> string(7) "jpeters" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(13) "Peters Jeremy" ["fullname"]=> string(13) "Jeremy Peters" ["authorSummary"]=> string(74) "Jeremy Peters ([email protected] - jpeters) 'Wayne State University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [8]=> array(4) { ["id"]=> int(5126) ["user"]=> array(15) { ["userId"]=> int(117879) ["salutation"]=> string(0) "" ["firstname"]=> string(8) "Taneshia" ["middlename"]=> string(0) "" ["surname"]=> string(10) "Nash Laird" ["gender"]=> NULL ["email"]=> string(18) "[email protected]" ["bio"]=> string(174) "Taneshia Nash Laird is President & CEO of Newark Symphony Hall in Newark NJ and an adjunct at Drexel University in the B.S. in Entertainment and Arts Management program, USA " ["affiliation"]=> string(17) "Drexel University" ["username"]=> string(7) "tnlaird" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(19) "Nash Laird Taneshia" ["fullname"]=> string(19) "Taneshia Nash Laird" ["authorSummary"]=> string(70) "Taneshia Nash Laird ([email protected] - tnlaird) 'Drexel University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [9]=> array(4) { ["id"]=> int(5127) ["user"]=> array(15) { ["userId"]=> int(117880) ["salutation"]=> string(0) "" ["firstname"]=> string(5) "Sekou" ["middlename"]=> string(0) "" ["surname"]=> string(8) "Campbell" ["gender"]=> NULL ["email"]=> string(16) "[email protected]" ["bio"]=> string(199) "Sekou Campbell, Esq. is a partner at the firm Culhane Meadows. A graduate of Vanderbilt and Columbia Universities, Mr. Campbell attended Yeshiva University’s Benjamin N. Cardozo School of Law, USA " ["affiliation"]=> string(15) "Culhane Meadows" ["username"]=> string(9) "scampbell" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(14) "Campbell Sekou" ["fullname"]=> string(14) "Sekou Campbell" ["authorSummary"]=> string(63) "Sekou Campbell ([email protected] - scampbell) 'Culhane Meadows'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [10]=> array(4) { ["id"]=> int(5128) ["user"]=> array(15) { ["userId"]=> int(117881) ["salutation"]=> string(0) "" ["firstname"]=> string(5) "Simon" ["middlename"]=> string(0) "" ["surname"]=> string(7) "Strange" ["gender"]=> NULL ["email"]=> string(29) "[email protected]" ["bio"]=> string(888) "Simon Strange is a multidimensional creative, spanning the academic and creative industries, a trombone player, music producer, photographer and socio-cultural academic. Simon has performed around the world and curates the Sidmouth international Jazz and Blues Festival. Strange is Research Programme Manager at Bath Spa University, overseeing an AHRC funded project related to the concept of story. He leads a team who are exploring the use of Story Skills within a range of organisations. His first book, Blank Canvas, based on pedagogical connections between UK art schools and popular music was released by Intellect Publishing in 2022, looking at the creative connection between art and music. Simon has written articles for the Journal of Popular Music Education as well as presenting at various conferences within the IASPM, KISMIF and Punk Scholars Network networks." ["affiliation"]=> string(19) "Bath Spa University" ["username"]=> string(8) "sstrange" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(13) "Strange Simon" ["fullname"]=> string(13) "Simon Strange" ["authorSummary"]=> string(78) "Simon Strange ([email protected] - sstrange) 'Bath Spa University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [11]=> array(4) { ["id"]=> int(5129) ["user"]=> array(15) { ["userId"]=> int(117882) ["salutation"]=> string(0) "" ["firstname"]=> string(7) "Hussein" ["middlename"]=> string(0) "" ["surname"]=> string(4) "Boon" ["gender"]=> NULL ["email"]=> string(24) "[email protected]" ["bio"]=> string(685) "Hussein Boon is a principal lecturer at the University of Westminster. His teaching and areas of interest are music production, performance technologies, songwriting, modular synthesis, live coding, music business and enterprise. 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Rod Davies is a lecturer at the Sir Zelman Cowen School of Music, Monash University. He is the co-ordinator of popular voice, lectures in songwriting and is a currently researching vocal performance as part of PhD candidature (Monash University).

" ["affiliation"]=> string(51) "Monash University Sir Zelman Cowen School of Music" ["username"]=> string(9) "roddavies" ["url"]=> string(46) "http://profiles.arts.monash.edu.au/rod-davies/" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(10) "Davies Rod" ["fullname"]=> string(10) "Rod Davies" ["authorSummary"]=> string(100) "Rod Davies ([email protected] - roddavies) 'Monash University Sir Zelman Cowen School of Music'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [14]=> array(4) { ["id"]=> int(5132) ["user"]=> array(15) { ["userId"]=> int(117884) ["salutation"]=> string(0) "" ["firstname"]=> string(5) "Vicky" ["middlename"]=> string(0) "" ["surname"]=> string(9) "Armstrong" ["gender"]=> NULL ["email"]=> string(33) "[email protected]" ["bio"]=> string(76) "Vicky Armstrong is Senior Lecturer in Sociology at the University of Surrey." ["affiliation"]=> string(20) "University of Surrey" ["username"]=> string(10) "varmstrong" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(15) "Armstrong Vicky" ["fullname"]=> string(15) "Vicky Armstrong" ["authorSummary"]=> string(87) "Vicky Armstrong ([email protected] - varmstrong) 'University of Surrey'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [15]=> array(4) { ["id"]=> int(5133) ["user"]=> array(15) { ["userId"]=> int(117885) ["salutation"]=> string(0) "" ["firstname"]=> string(15) "Helen Elizabeth" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Davies" ["gender"]=> NULL ["email"]=> string(19) "[email protected]" ["bio"]=> string(664) "Helen Elizabeth Davies is Subject Leader of Popular Music Studies at the Liverpool Institute for Performing Arts, UK. Her key research interests are popular music and gender, popular music visuals, music education, music in everyday life and ethnographic research. She has published research into musicians in vocational popular music higher education and graduates working in the music industry, focusing on gender related experiences and issues. Since 2019, she has carried out research with the organization UK Music on diversity in the UK music industry workforce for their biennial diversity report. She is currently writing a book on popular music visuals." 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As a clarinettist, he is featured on both abstract electronic improvisation with the ACCAD Sonic Arts Ensemble for Ravello Records and American Roots music with The Deep Roots Ensemble for 4Tay Records. His compositions entertain with popular gestures while revealing a love for the harmonic and formal ideas of modernist concert music, and have been featured in performances in the USA, Canada, and Spain. He has served on the faculties of Earlham, Vassar, SUNY-Potsdam, and the Cleveland Institute of Music." ["affiliation"]=> string(22) "composer and performer" ["username"]=> string(7) "jsferra" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(10) "Sferra Joe" ["fullname"]=> string(10) "Joe Sferra" ["authorSummary"]=> string(66) "Joe Sferra ([email protected] - jsferra) 'composer and performer'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [17]=> array(4) { ["id"]=> int(5135) ["user"]=> array(15) { ["userId"]=> int(117887) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Taylor" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Ackley" ["gender"]=> NULL ["email"]=> string(27) "[email protected]" ["bio"]=> string(720) "Taylor Ackley: A scholar, composer and performer of American Roots music, Taylor Ackley’s work explores and understands American folk and popular music through historical research, composition, analysis, performance, and ethnography. His integrated intellectual and creative practice builds upon lived experiences of poverty among the rural working-class to provide a foundational knowledge for studying, creating, and teaching music. He holds a master’s degree and a PhD in Composition as well as a master’s degree in Ethnomusicology from Stony Brook University and is currently an Assistant Professor of Music at Brandeis University. He directs the Deep Roots Ensemble and has three commercially released albums." ["affiliation"]=> string(19) "Brandeis University" ["username"]=> string(7) "tackley" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(13) "Ackley Taylor" ["fullname"]=> string(13) "Taylor Ackley" ["authorSummary"]=> string(75) "Taylor Ackley ([email protected] - tackley) 'Brandeis University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [18]=> array(4) { ["id"]=> int(5136) ["user"]=> array(15) { ["userId"]=> int(117888) ["salutation"]=> string(0) "" ["firstname"]=> string(3) "Ian" ["middlename"]=> string(0) "" ["surname"]=> string(9) "Stevenson" ["gender"]=> NULL ["email"]=> string(24) "[email protected]" ["bio"]=> string(369) "Ian Stevenson is a specialist in the field of audible design with over thirty years of experience as an audio engineer, producer, artist, and educator. He is currently senior lecturer in music and sound design at the University of Technology Sydney. His current research is in the areas of sound design, sound studies, soundscape analysis, and music and sound pedagogy." 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His is a past Director of the Music Producers’ Guild in the UK, and a Senior Fellow of the Higher Education Academy." ["affiliation"]=> string(19) "Coventry University" ["username"]=> string(8) "mthorley" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(12) "Thorley Mark" ["fullname"]=> string(12) "Mark Thorley" ["authorSummary"]=> string(69) "Mark Thorley ([email protected] - mthorley) 'Coventry University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [23]=> array(4) { ["id"]=> int(5141) ["user"]=> array(15) { ["userId"]=> int(117893) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Louise" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Godwin" ["gender"]=> NULL ["email"]=> string(25) "[email protected]" ["bio"]=> string(125) "Louise Godwin is currently working as coordinator/researcher with emerging charity Agrigento, Cellist/Researcher, Australia " ["affiliation"]=> string(18) "Cellist/Researcher" ["username"]=> string(7) "lgodwin" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(13) "Godwin Louise" ["fullname"]=> string(13) "Louise Godwin" ["authorSummary"]=> string(72) "Louise Godwin ([email protected] - lgodwin) 'Cellist/Researcher'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [24]=> array(4) { ["id"]=> int(5155) ["user"]=> array(15) { ["userId"]=> int(116755) ["salutation"]=> string(2) "Mr" ["firstname"]=> string(4) "Sean" ["middlename"]=> string(0) "" ["surname"]=> string(5) "Foran" ["gender"]=> NULL ["email"]=> string(17) "[email protected]" ["bio"]=> string(707) "Sean Foran is a Brisbane based composer, pianist, and improvising musician. An ARIA nominated artist he has received the prestigious Brisbane City Council’s Lord Mayors Emerging Artist Fellowship, AMC/APRA Award for Excellence in Jazz, APRA Professional Development Award for Jazz and the QLD Music Award multiple times. His research investigates improvisation with technology, contemporary music career strategies and jazz industry practices. He is currently performing with acclaimed improvising trio ‘Trichotomy’, is Course Director for Audio and Music SAE Creative Media Institute, co-director of the publishing company ‘Prepared Sounds’ and associate artist of the Australian Music Centre. 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He is currently a percussionist for the Darwin Symphony Orchestra, drummer for the Hot and Cold Big Band, and a lecturer at Charles Darwin University, where he delivers higher education and VET music units. " ["affiliation"]=> string(25) "Charles Darwin University" ["username"]=> string(6) "vperry" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(13) "Perry Vincent" ["fullname"]=> string(13) "Vincent Perry" ["authorSummary"]=> string(71) "Vincent Perry ([email protected] - vperry) 'Charles Darwin University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [26]=> array(4) { ["id"]=> int(5157) ["user"]=> array(15) { ["userId"]=> int(119056) ["salutation"]=> string(0) "" ["firstname"]=> string(4) "Jade" ["middlename"]=> string(0) "" ["surname"]=> string(7) "O'Regan" ["gender"]=> NULL ["email"]=> string(25) "[email protected]" ["bio"]=> string(589) "Jade O’Regan is a Lecturer in Contemporary Music Practice at the Sydney Conservatorium of Music (University of Sydney). She is the co-author of "Hooks in Popular Music" (2022) with Dr Tim Byron, which combines pop musicology and music psychology to understand pop music in an interdisciplinary way. 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["affiliation"]=> string(20) "University of Sydney" ["username"]=> string(10) "jadeoregan" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(12) "O'Regan Jade" ["fullname"]=> string(12) "Jade O'Regan" ["authorSummary"]=> string(76) "Jade O'Regan ([email protected] - jadeoregan) 'University of Sydney'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [27]=> array(4) { ["id"]=> int(5158) ["user"]=> array(15) { ["userId"]=> int(119057) ["salutation"]=> string(0) "" ["firstname"]=> string(3) "Tom" ["middlename"]=> string(0) "" ["surname"]=> string(10) "O'Halloran" ["gender"]=> NULL ["email"]=> string(22) "[email protected]" ["bio"]=> string(706) "Tom O’Halloran is a Senior Lecturer at the Western Australian Academy of Performing Arts (WAAPA) at Edith Cowan University, where he is the academic coordinator of the jazz performance major within the Bachelor of Music degree. 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He has published over 60 peer reviewed book chapters and journal articles, in tier one journals such as Creative Industries, International Journal of Cultural Policy, Studies in Higher Education, and the British Journal of Music Education. Professor Daniel has been twice winner of the JCU Vice Chancellor’s citation for teaching excellence (2004, 2006), as well as an Australian Learning and Teaching Council citation (2006). In 2018 and 2020 he was awarded the Graduate Research School "Supervisory Panel of the Year" award with his colleagues." 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In Boon’s view, technological determinism and song writing are inextricably linked; crafting songs with and through technology opens possibilities to advance the craft. Moreover, as Boon suggests, creative practice is equally shaped by visuality, namely, how artists communicate beyond music and sound. Through his analysis of music videos and industry case studies, Boon leads us to a better understanding of the interwoven politics of the music industry, artist creativity, and technology. Boon concludes by cautioning educators to guide students to balance creativity with meeting market demand and to view the craft of song writing across multiple domains: creative, technological, and business. " ["publishedDate"]=> int(1722470400000) ["issueVolume"]=> NULL ["issueNumber"]=> NULL ["pages"]=> NULL ["startPage"]=> NULL ["endPage"]=> NULL ["doi"]=> string(21) "10.1558/equinox.45321" ["price"]=> NULL ["accessStatus"]=> string(28) "ARTICLE_ACCESS_ISSUE_DEFAULT" ["allAuthors"]=> array(1) { [0]=> array(14) { ["authorId"]=> int(57053) ["fullname"]=> string(12) "Hussein Boon" ["firstname"]=> string(7) "Hussein" ["middlename"]=> NULL ["surname"]=> string(4) "Boon" ["bio"]=> string(685) "Hussein Boon is a principal lecturer at the University of Westminster. His teaching and areas of interest are music production, performance technologies, songwriting, modular synthesis, live coding, music business and enterprise. He has worked for various institutions and organisations, was part of the team to establish Rockschool popular music exams, and has worked for artists such as Beats International, Alex Parks, Microgroove and De La Soul. 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He has worked for various institutions and organisations, was part of the team to establish Rockschool popular music exams, and has worked for artists such as Beats International, Alex Parks, Microgroove and De La Soul. His recent publications include using shift registers for semi-improvised songwriting and composition (Focal Press 2021); several short fiction stories about AI and music (Riffs Journal) and reimagining the DAW as a design tool (JMTE)." 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His teaching and areas of interest are music production, performance technologies, songwriting, modular synthesis, live coding, music business and enterprise. He has worked for various institutions and organisations, was part of the team to establish Rockschool popular music exams, and has worked for artists such as Beats International, Alex Parks, Microgroove and De La Soul. His recent publications include using shift registers for semi-improvised songwriting and composition (Focal Press 2021); several short fiction stories about AI and music (Riffs Journal) and reimagining the DAW as a design tool (JMTE)." 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As the music industry and related fields adapt to changing business models, student interest in training for a career in the entertainment sector continues to rise. Though the expansion of global degree offerings in the creative industries expands each year, a “state of the field” on educational and pedagogical issues in the music business and the creative industries has yet to be created.

Creative arts research encompasses a broad range of sectors in the music and entertainment industries; among these subfields include performance, technology, entrepreneurship, marketing, and social justice. Globally, formal training for such pathways happens most often in higher education. The Handbook provides a practical and engaging resource for faculty, staff, administrators, graduate students, and industry members working on the “front lines” in teaching and learning. It presents a wide range of global perspectives from academics, BIPOC voices, and ECRs from the United States, the UK, Europe, Australia, and Canada.

Another factor that affects HE stakeholders is the absence of a versatile resource on the teaching and learning issues in music business and related fields. While The Handbook avoids overly prescriptive models of teaching and learning, the volume includes topical research through case studies, ethnographies, and a thorough cross-section of qualitative and quantitative methods. Such a resource may be germane particularly to educators transitioning from industry to faculty appointments in HE. Authors are encouraged to draw from their expertise and use narrative analysis to support their perspectives.

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Rod Davies is a lecturer at the Sir Zelman Cowen School of Music, Monash University. He is the co-ordinator of popular voice, lectures in songwriting and is a currently researching vocal performance as part of PhD candidature (Monash University).

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["affiliation"]=> string(49) "Macromedia University of Applied Sciences, Berlin" ["username"]=> string(6) "mlucke" ["url"]=> string(0) "" ["country"]=> string(2) "DE" ["lastNameFirstname"]=> string(13) "Lücke Martin" ["fullname"]=> string(13) "Martin Lücke" ["authorSummary"]=> string(99) "Martin Lücke ([email protected] - mlucke) 'Macromedia University of Applied Sciences, Berlin'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [22]=> array(4) { ["id"]=> int(5140) ["user"]=> array(15) { ["userId"]=> int(92871) ["salutation"]=> string(0) "" ["firstname"]=> string(4) "Mark" ["middlename"]=> string(0) "" ["surname"]=> string(7) "Thorley" ["gender"]=> NULL ["email"]=> string(21) "[email protected]" ["bio"]=> string(340) "Dr Mark Thorley’s research centres on the creative industries, with particular emphasis on the role of technology. This work draws upon his background as a classically-trained musician, technologist and entrepreneur. His is a past Director of the Music Producers’ Guild in the UK, and a Senior Fellow of the Higher Education Academy." ["affiliation"]=> string(19) "Coventry University" ["username"]=> string(8) "mthorley" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(12) "Thorley Mark" ["fullname"]=> string(12) "Mark Thorley" ["authorSummary"]=> string(69) "Mark Thorley ([email protected] - mthorley) 'Coventry University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [23]=> array(4) { ["id"]=> int(5141) ["user"]=> array(15) { ["userId"]=> int(117893) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Louise" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Godwin" ["gender"]=> NULL ["email"]=> string(25) "[email protected]" ["bio"]=> string(125) "Louise Godwin is currently working as coordinator/researcher with emerging charity Agrigento, Cellist/Researcher, Australia " ["affiliation"]=> string(18) "Cellist/Researcher" ["username"]=> string(7) "lgodwin" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(13) "Godwin Louise" ["fullname"]=> string(13) "Louise Godwin" ["authorSummary"]=> string(72) "Louise Godwin ([email protected] - lgodwin) 'Cellist/Researcher'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [24]=> array(4) { ["id"]=> int(5155) ["user"]=> array(15) { ["userId"]=> int(116755) ["salutation"]=> string(2) "Mr" ["firstname"]=> string(4) "Sean" ["middlename"]=> string(0) "" ["surname"]=> string(5) "Foran" ["gender"]=> NULL ["email"]=> string(17) "[email protected]" ["bio"]=> string(707) "Sean Foran is a Brisbane based composer, pianist, and improvising musician. 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He is currently a percussionist for the Darwin Symphony Orchestra, drummer for the Hot and Cold Big Band, and a lecturer at Charles Darwin University, where he delivers higher education and VET music units. " ["affiliation"]=> string(25) "Charles Darwin University" ["username"]=> string(6) "vperry" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(13) "Perry Vincent" ["fullname"]=> string(13) "Vincent Perry" ["authorSummary"]=> string(71) "Vincent Perry ([email protected] - vperry) 'Charles Darwin University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [26]=> array(4) { ["id"]=> int(5157) ["user"]=> array(15) { ["userId"]=> int(119056) ["salutation"]=> string(0) "" ["firstname"]=> string(4) "Jade" ["middlename"]=> string(0) "" ["surname"]=> string(7) "O'Regan" ["gender"]=> NULL ["email"]=> string(25) "[email protected]" ["bio"]=> string(589) "Jade O’Regan is a Lecturer in Contemporary Music Practice at the Sydney Conservatorium of Music (University of Sydney). She is the co-author of "Hooks in Popular Music" (2022) with Dr Tim Byron, which combines pop musicology and music psychology to understand pop music in an interdisciplinary way. 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["affiliation"]=> string(20) "University of Sydney" ["username"]=> string(10) "jadeoregan" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(12) "O'Regan Jade" ["fullname"]=> string(12) "Jade O'Regan" ["authorSummary"]=> string(76) "Jade O'Regan ([email protected] - jadeoregan) 'University of Sydney'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [27]=> array(4) { ["id"]=> int(5158) ["user"]=> array(15) { ["userId"]=> int(119057) ["salutation"]=> string(0) "" ["firstname"]=> string(3) "Tom" ["middlename"]=> string(0) "" ["surname"]=> string(10) "O'Halloran" ["gender"]=> NULL ["email"]=> string(22) "[email protected]" ["bio"]=> string(706) "Tom O’Halloran is a Senior Lecturer at the Western Australian Academy of Performing Arts (WAAPA) at Edith Cowan University, where he is the academic coordinator of the jazz performance major within the Bachelor of Music degree. 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["affiliation"]=> string(22) "Edith Cowan University" ["username"]=> string(10) "tohalloran" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(14) "O'Halloran Tom" ["fullname"]=> string(14) "Tom O'Halloran" ["authorSummary"]=> string(77) "Tom O'Halloran ([email protected] - tohalloran) 'Edith Cowan University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [28]=> array(4) { ["id"]=> int(6533) ["user"]=> array(15) { ["userId"]=> int(148939) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Monica" ["middlename"]=> string(0) "" ["surname"]=> string(9) "Rouvellas" ["gender"]=> NULL ["email"]=> string(25) "[email protected]" ["bio"]=> string(486) "Monica Rouvellas is a solicitor, composer, music producer, and educator. Monica is currently a sessional academic at the University of Technology, Sydney, Macquarie University, and the University of Sydney, teaching in the fields of music, business, and law. She is also the founder of Muzikboxx, a music education app for both music teachers and students. Her current research is in the areas of gamified learning, self-regulated learning, immersive sound, and technology and the law. " ["affiliation"]=> string(84) "University of Technology, Sydney, Macquarie University, and the University of Sydney" ["username"]=> string(10) "mrouvellas" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(16) "Rouvellas Monica" ["fullname"]=> string(16) "Monica Rouvellas" ["authorSummary"]=> string(144) "Monica Rouvellas ([email protected] - mrouvellas) 'University of Technology, Sydney, Macquarie University, and the University of Sydney'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [29]=> array(4) { ["id"]=> int(6534) ["user"]=> array(15) { ["userId"]=> int(148940) ["salutation"]=> string(0) "" ["firstname"]=> string(4) "Jeff" ["middlename"]=> string(0) "" ["surname"]=> string(8) "Crabtree" ["gender"]=> NULL ["email"]=> string(27) "[email protected]" ["bio"]=> string(491) "Jeff Crabtree is a speaker, performer, songwriter, and music producer with 100 composition and production credits. 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He has published over 60 peer reviewed book chapters and journal articles, in tier one journals such as Creative Industries, International Journal of Cultural Policy, Studies in Higher Education, and the British Journal of Music Education. Professor Daniel has been twice winner of the JCU Vice Chancellor’s citation for teaching excellence (2004, 2006), as well as an Australian Learning and Teaching Council citation (2006). In 2018 and 2020 he was awarded the Graduate Research School "Supervisory Panel of the Year" award with his colleagues." 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UK art schools in the 1960s and 70s served as a breeding ground for postmodernist experimentation, where artists dismantled or “unlearned” traditional models of practice, favouring new technologies and aesthetics, and blurring the lines between visual art and popular music. Strange concludes with a vision for how popular music educators might replace more commercially focused concepts for a more expansive, art-inspired model of music-making." 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As the music industry and related fields adapt to changing business models, student interest in training for a career in the entertainment sector continues to rise. Though the expansion of global degree offerings in the creative industries expands each year, a “state of the field” on educational and pedagogical issues in the music business and the creative industries has yet to be created.

Creative arts research encompasses a broad range of sectors in the music and entertainment industries; among these subfields include performance, technology, entrepreneurship, marketing, and social justice. Globally, formal training for such pathways happens most often in higher education. The Handbook provides a practical and engaging resource for faculty, staff, administrators, graduate students, and industry members working on the “front lines” in teaching and learning. It presents a wide range of global perspectives from academics, BIPOC voices, and ECRs from the United States, the UK, Europe, Australia, and Canada.

Another factor that affects HE stakeholders is the absence of a versatile resource on the teaching and learning issues in music business and related fields. While The Handbook avoids overly prescriptive models of teaching and learning, the volume includes topical research through case studies, ethnographies, and a thorough cross-section of qualitative and quantitative methods. Such a resource may be germane particularly to educators transitioning from industry to faculty appointments in HE. Authors are encouraged to draw from their expertise and use narrative analysis to support their perspectives.

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Rod Davies is a lecturer at the Sir Zelman Cowen School of Music, Monash University. He is the co-ordinator of popular voice, lectures in songwriting and is a currently researching vocal performance as part of PhD candidature (Monash University).

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Foran et al. encouraged students to blend historical analysis of popular music to reimagine cover material, compose original works, and consider factors including performance skills, staging, technology, music cognition, and group dynamics. The authors consider the broader aims of ensemble pedagogy, namely guiding students towards autonomy, improved communication, and advocating for a more profound conception of repertoire built on creativity and collaboration." 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He gained a Master of Music (composition) from the Sydney Conservatorium of Music and holds a Bachelor of Music (Jazz Performance) from WAAPA, and is currently completing the Ph.D. His Future research interests are hybridity and multi-disciplined approaches, technology within jazz, and assimilating techniques of Modernism within jazz." 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An ARIA nominated artist he has received the prestigious Brisbane City Council’s Lord Mayors Emerging Artist Fellowship, AMC/APRA Award for Excellence in Jazz, APRA Professional Development Award for Jazz and the QLD Music Award multiple times. His research investigates improvisation with technology, contemporary music career strategies and jazz industry practices. He is currently performing with acclaimed improvising trio ‘Trichotomy’, is Course Director for Audio and Music SAE Creative Media Institute, co-director of the publishing company ‘Prepared Sounds’ and associate artist of the Australian Music Centre. " ["primaryContact"]=> bool(true) ["email"]=> string(17) "[email protected]" ["affiliation"]=> string(21) "composer and musician" ["mailingAddress"]=> string(34) "141 Kylie Av, Ferny Hills QLD 4055" ["url"]=> string(0) "" ["linkedToUser"]=> array(15) { ["userId"]=> int(116755) ["salutation"]=> string(2) "Mr" ["firstname"]=> string(4) "Sean" ["middlename"]=> string(0) "" ["surname"]=> string(5) "Foran" ["gender"]=> NULL ["email"]=> string(17) "[email protected]" ["bio"]=> string(707) "Sean Foran is a Brisbane based composer, pianist, and improvising musician. An ARIA nominated artist he has received the prestigious Brisbane City Council’s Lord Mayors Emerging Artist Fellowship, AMC/APRA Award for Excellence in Jazz, APRA Professional Development Award for Jazz and the QLD Music Award multiple times. His research investigates improvisation with technology, contemporary music career strategies and jazz industry practices. He is currently performing with acclaimed improvising trio ‘Trichotomy’, is Course Director for Audio and Music SAE Creative Media Institute, co-director of the publishing company ‘Prepared Sounds’ and associate artist of the Australian Music Centre. 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As the music industry and related fields adapt to changing business models, student interest in training for a career in the entertainment sector continues to rise. Though the expansion of global degree offerings in the creative industries expands each year, a “state of the field” on educational and pedagogical issues in the music business and the creative industries has yet to be created.

Creative arts research encompasses a broad range of sectors in the music and entertainment industries; among these subfields include performance, technology, entrepreneurship, marketing, and social justice. Globally, formal training for such pathways happens most often in higher education. The Handbook provides a practical and engaging resource for faculty, staff, administrators, graduate students, and industry members working on the “front lines” in teaching and learning. It presents a wide range of global perspectives from academics, BIPOC voices, and ECRs from the United States, the UK, Europe, Australia, and Canada.

Another factor that affects HE stakeholders is the absence of a versatile resource on the teaching and learning issues in music business and related fields. While The Handbook avoids overly prescriptive models of teaching and learning, the volume includes topical research through case studies, ethnographies, and a thorough cross-section of qualitative and quantitative methods. Such a resource may be germane particularly to educators transitioning from industry to faculty appointments in HE. Authors are encouraged to draw from their expertise and use narrative analysis to support their perspectives.

" ["relatedBooks"]=> array(0) { } ["subtitle"]=> string(0) "" ["contents"]=> string(0) "" ["reviews"]=> string(0) "" ["bookWebLink"]=> NULL ["hbPrice"]=> float(0) ["hbPriceUsd"]=> float(0) ["pbPrice"]=> float(26.95) ["pbPriceUsd"]=> float(34) ["olPrice"]=> float(26.95) ["olInstitutionalPrice"]=> float(26.95) ["olPriceUsd"]=> float(34) ["olInstitutionalPriceUsd"]=> float(34) ["olBookId"]=> NULL ["olProvider"]=> string(12) "cloudpublish" ["bookDoi"]=> string(0) "" ["hbIsbn13"]=> string(0) "" ["hbIsbn10"]=> NULL ["pbIsbn13"]=> string(13) "9781800505223" ["pbIsbn10"]=> NULL ["pdfIsbn"]=> string(13) "9781800505230" ["epubIsbn"]=> string(0) "" ["defaultIsbn"]=> string(13) "9781800505223" ["summaryTitle"]=> string(83) "The Handbook on Music Business and Creative Industries in Education - Daniel Walzer" ["primaryContributor"]=> string(13) "Daniel Walzer" ["series"]=> array(7) { ["seriesId"]=> int(51) ["name"]=> string(22) "Music Industry Studies" ["description"]=> string(791) "In recent years, there has been a rapid growth of interest in the music industry, from policy makers, educationalists, the media and others. This new series aims to satisfy the demand for in-depth knowledge and analysis of all facets of the industry, from recording to live music and the publishing sector. It will include both historical and contemporary approaches and draw on contributions from economics, geography, sociology, legal studies, cultural studies and other disciplines. The founding series editor is Dave Laing† , Honorary Research Fellow at the University of Liverpool and Senior Research Associate at the University of East Anglia.
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" ["affiliation"]=> string(18) "Soochow University" ["username"]=> string(4) "jzwu" ["url"]=> string(0) "" ["country"]=> string(5) "China" ["lastNameFirstname"]=> string(12) "Wu Jei-Zheng" ["fullname"]=> string(12) "Jei-Zheng Wu" ["authorSummary"]=> string(58) "Jei-Zheng Wu ([email protected] - jzwu) 'Soochow University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [3]=> array(4) { ["id"]=> int(5121) ["user"]=> array(15) { ["userId"]=> int(117873) ["salutation"]=> string(0) "" ["firstname"]=> string(8) "Marzieh " ["middlename"]=> string(0) "" ["surname"]=> string(11) "Khakifirooz" ["gender"]=> NULL ["email"]=> string(19) "[email protected]" ["bio"]=> string(104) "Marzieh Khakifirooz is Assistant Professor of Industrial Engineering, Tecnológico de Monterrey, Mexico " ["affiliation"]=> string(24) "Tecnologico de Monterrey" ["username"]=> string(12) "mkhakifirooz" ["url"]=> string(0) "" ["country"]=> string(6) "Mexico" ["lastNameFirstname"]=> string(20) "Khakifirooz Marzieh " ["fullname"]=> string(20) "Marzieh Khakifirooz" ["authorSummary"]=> string(84) "Marzieh Khakifirooz ([email protected] - mkhakifirooz) 'Tecnologico de Monterrey'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [4]=> array(4) { ["id"]=> int(5122) ["user"]=> array(15) { ["userId"]=> int(117874) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Mathew" ["middlename"]=> string(0) "" ["surname"]=> string(5) "Flynn" ["gender"]=> NULL ["email"]=> string(22) "[email protected]" ["bio"]=> string(689) "Mathew Flynn is a lecturer in music industry. 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" ["affiliation"]=> string(23) "University of Liverpool" ["username"]=> string(6) "mflynn" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(12) "Flynn Mathew" ["fullname"]=> string(12) "Mathew Flynn" ["authorSummary"]=> string(72) "Mathew Flynn ([email protected] - mflynn) 'University of Liverpool'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [5]=> array(4) { ["id"]=> int(5123) ["user"]=> array(15) { ["userId"]=> int(117875) ["salutation"]=> string(0) "" ["firstname"]=> string(4) "Kirk" ["middlename"]=> string(0) "" ["surname"]=> string(7) "McNally" ["gender"]=> NULL ["email"]=> string(16) "[email protected]" ["bio"]=> string(598) "Kirk McNally is a sound engineer specializing in the recording of popular and classical music, as well as in the performances of new musical works using electronics. Kirk is the associate professor of Music Technology at the University of Victoria, Canada. In this role, he serves as the program administrator for an undergraduate combined program in music and computer science, as well as the graduate program in music technology. His research and creative work have received support from the Canada Council for the Arts and the Social Sciences and Humanities Research Council of Canada (SSHRC). " ["affiliation"]=> string(22) "University of Victoria" ["username"]=> string(8) "kmcnally" ["url"]=> string(0) "" ["country"]=> string(2) "CA" ["lastNameFirstname"]=> string(12) "McNally Kirk" ["fullname"]=> string(12) "Kirk McNally" ["authorSummary"]=> string(67) "Kirk McNally ([email protected] - kmcnally) 'University of Victoria'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [6]=> array(4) { ["id"]=> int(5124) ["user"]=> array(15) { ["userId"]=> int(117876) ["salutation"]=> string(0) "" ["firstname"]=> string(4) "Alex" ["middlename"]=> string(0) "" ["surname"]=> string(8) "Timewell" ["gender"]=> NULL ["email"]=> string(18) "[email protected]" ["bio"]=> string(61) "Alex Timewell is a Programme Leader at Leeds College of Music" ["affiliation"]=> string(22) "Leeds College of Music" ["username"]=> string(9) "atimewell" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(13) "Timewell Alex" ["fullname"]=> string(13) "Alex Timewell" ["authorSummary"]=> string(71) "Alex Timewell ([email protected] - atimewell) 'Leeds College of Music'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [7]=> array(4) { ["id"]=> int(5125) ["user"]=> array(15) { ["userId"]=> int(117878) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Jeremy" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Peters" ["gender"]=> NULL ["email"]=> string(23) "[email protected]" ["bio"]=> string(652) "Jeremy Peters is an Assistant Professor of Music at Wayne State University, a faculty affiliate of Labor@Wayne, and is the is the 2023 recipient of the American Musicological Society Career Development Grant in American Music. 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["affiliation"]=> string(22) "Wayne State University" ["username"]=> string(7) "jpeters" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(13) "Peters Jeremy" ["fullname"]=> string(13) "Jeremy Peters" ["authorSummary"]=> string(74) "Jeremy Peters ([email protected] - jpeters) 'Wayne State University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [8]=> array(4) { ["id"]=> int(5126) ["user"]=> array(15) { ["userId"]=> int(117879) ["salutation"]=> string(0) "" ["firstname"]=> string(8) "Taneshia" ["middlename"]=> string(0) "" ["surname"]=> string(10) "Nash Laird" ["gender"]=> NULL ["email"]=> string(18) "[email protected]" ["bio"]=> string(174) "Taneshia Nash Laird is President & CEO of Newark Symphony Hall in Newark NJ and an adjunct at Drexel University in the B.S. in Entertainment and Arts Management program, USA " ["affiliation"]=> string(17) "Drexel University" ["username"]=> string(7) "tnlaird" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(19) "Nash Laird Taneshia" ["fullname"]=> string(19) "Taneshia Nash Laird" ["authorSummary"]=> string(70) "Taneshia Nash Laird ([email protected] - tnlaird) 'Drexel University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [9]=> array(4) { ["id"]=> int(5127) ["user"]=> array(15) { ["userId"]=> int(117880) ["salutation"]=> string(0) "" ["firstname"]=> string(5) "Sekou" ["middlename"]=> string(0) "" ["surname"]=> string(8) "Campbell" ["gender"]=> NULL ["email"]=> string(16) "[email protected]" ["bio"]=> string(199) "Sekou Campbell, Esq. is a partner at the firm Culhane Meadows. A graduate of Vanderbilt and Columbia Universities, Mr. Campbell attended Yeshiva University’s Benjamin N. Cardozo School of Law, USA " ["affiliation"]=> string(15) "Culhane Meadows" ["username"]=> string(9) "scampbell" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(14) "Campbell Sekou" ["fullname"]=> string(14) "Sekou Campbell" ["authorSummary"]=> string(63) "Sekou Campbell ([email protected] - scampbell) 'Culhane Meadows'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [10]=> array(4) { ["id"]=> int(5128) ["user"]=> array(15) { ["userId"]=> int(117881) ["salutation"]=> string(0) "" ["firstname"]=> string(5) "Simon" ["middlename"]=> string(0) "" ["surname"]=> string(7) "Strange" ["gender"]=> NULL ["email"]=> string(29) "[email protected]" ["bio"]=> string(888) "Simon Strange is a multidimensional creative, spanning the academic and creative industries, a trombone player, music producer, photographer and socio-cultural academic. Simon has performed around the world and curates the Sidmouth international Jazz and Blues Festival. Strange is Research Programme Manager at Bath Spa University, overseeing an AHRC funded project related to the concept of story. He leads a team who are exploring the use of Story Skills within a range of organisations. His first book, Blank Canvas, based on pedagogical connections between UK art schools and popular music was released by Intellect Publishing in 2022, looking at the creative connection between art and music. Simon has written articles for the Journal of Popular Music Education as well as presenting at various conferences within the IASPM, KISMIF and Punk Scholars Network networks." ["affiliation"]=> string(19) "Bath Spa University" ["username"]=> string(8) "sstrange" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(13) "Strange Simon" ["fullname"]=> string(13) "Simon Strange" ["authorSummary"]=> string(78) "Simon Strange ([email protected] - sstrange) 'Bath Spa University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [11]=> array(4) { ["id"]=> int(5129) ["user"]=> array(15) { ["userId"]=> int(117882) ["salutation"]=> string(0) "" ["firstname"]=> string(7) "Hussein" ["middlename"]=> string(0) "" ["surname"]=> string(4) "Boon" ["gender"]=> NULL ["email"]=> string(24) "[email protected]" ["bio"]=> string(685) "Hussein Boon is a principal lecturer at the University of Westminster. His teaching and areas of interest are music production, performance technologies, songwriting, modular synthesis, live coding, music business and enterprise. He has worked for various institutions and organisations, was part of the team to establish Rockschool popular music exams, and has worked for artists such as Beats International, Alex Parks, Microgroove and De La Soul. His recent publications include using shift registers for semi-improvised songwriting and composition (Focal Press 2021); several short fiction stories about AI and music (Riffs Journal) and reimagining the DAW as a design tool (JMTE)." ["affiliation"]=> string(25) "University of Westminster" ["username"]=> string(5) "hboon" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(12) "Boon Hussein" ["fullname"]=> string(12) "Hussein Boon" ["authorSummary"]=> string(75) "Hussein Boon ([email protected] - hboon) 'University of Westminster'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [12]=> array(4) { ["id"]=> int(5130) ["user"]=> array(15) { ["userId"]=> int(117883) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Nicole" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Canham" ["gender"]=> NULL ["email"]=> string(24) "[email protected]" ["bio"]=> string(0) "" ["affiliation"]=> string(17) "Monash University" ["username"]=> string(7) "ncanham" ["url"]=> string(0) "" ["country"]=> string(9) "Australia" ["lastNameFirstname"]=> string(13) "Canham Nicole" ["fullname"]=> string(13) "Nicole Canham" ["authorSummary"]=> string(70) "Nicole Canham ([email protected] - ncanham) 'Monash University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [13]=> array(4) { ["id"]=> int(5131) ["user"]=> array(15) { ["userId"]=> int(91050) ["salutation"]=> string(2) "Mr" ["firstname"]=> string(3) "Rod" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Davies" ["gender"]=> NULL ["email"]=> string(21) "[email protected]" ["bio"]=> string(35991) "

Rod Davies is a lecturer at the Sir Zelman Cowen School of Music, Monash University. He is the co-ordinator of popular voice, lectures in songwriting and is a currently researching vocal performance as part of PhD candidature (Monash University).

" ["affiliation"]=> string(51) "Monash University Sir Zelman Cowen School of Music" ["username"]=> string(9) "roddavies" ["url"]=> string(46) "http://profiles.arts.monash.edu.au/rod-davies/" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(10) "Davies Rod" ["fullname"]=> string(10) "Rod Davies" ["authorSummary"]=> string(100) "Rod Davies ([email protected] - roddavies) 'Monash University Sir Zelman Cowen School of Music'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [14]=> array(4) { ["id"]=> int(5132) ["user"]=> array(15) { ["userId"]=> int(117884) ["salutation"]=> string(0) "" ["firstname"]=> string(5) "Vicky" ["middlename"]=> string(0) "" ["surname"]=> string(9) "Armstrong" ["gender"]=> NULL ["email"]=> string(33) "[email protected]" ["bio"]=> string(76) "Vicky Armstrong is Senior Lecturer in Sociology at the University of Surrey." ["affiliation"]=> string(20) "University of Surrey" ["username"]=> string(10) "varmstrong" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(15) "Armstrong Vicky" ["fullname"]=> string(15) "Vicky Armstrong" ["authorSummary"]=> string(87) "Vicky Armstrong ([email protected] - varmstrong) 'University of Surrey'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [15]=> array(4) { ["id"]=> int(5133) ["user"]=> array(15) { ["userId"]=> int(117885) ["salutation"]=> string(0) "" ["firstname"]=> string(15) "Helen Elizabeth" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Davies" ["gender"]=> NULL ["email"]=> string(19) "[email protected]" ["bio"]=> string(664) "Helen Elizabeth Davies is Subject Leader of Popular Music Studies at the Liverpool Institute for Performing Arts, UK. Her key research interests are popular music and gender, popular music visuals, music education, music in everyday life and ethnographic research. She has published research into musicians in vocational popular music higher education and graduates working in the music industry, focusing on gender related experiences and issues. Since 2019, she has carried out research with the organization UK Music on diversity in the UK music industry workforce for their biennial diversity report. She is currently writing a book on popular music visuals." ["affiliation"]=> string(43) "The Liverpool Institute for Performing Arts" ["username"]=> string(8) "hedavies" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(22) "Davies Helen Elizabeth" ["fullname"]=> string(22) "Helen Elizabeth Davies" ["authorSummary"]=> string(101) "Helen Elizabeth Davies ([email protected] - hedavies) 'The Liverpool Institute for Performing Arts'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [16]=> array(4) { ["id"]=> int(5134) ["user"]=> array(15) { ["userId"]=> int(117886) ["salutation"]=> string(0) "" ["firstname"]=> string(3) "Joe" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Sferra" ["gender"]=> NULL ["email"]=> string(18) "[email protected]" ["bio"]=> string(703) "Joe Sferra is a composer, performer, and theorist who advocates for a broad musical curiosity as an essential trait of a modern musician, and he embodies this in his teaching and creative work. As a clarinettist, he is featured on both abstract electronic improvisation with the ACCAD Sonic Arts Ensemble for Ravello Records and American Roots music with The Deep Roots Ensemble for 4Tay Records. His compositions entertain with popular gestures while revealing a love for the harmonic and formal ideas of modernist concert music, and have been featured in performances in the USA, Canada, and Spain. He has served on the faculties of Earlham, Vassar, SUNY-Potsdam, and the Cleveland Institute of Music." ["affiliation"]=> string(22) "composer and performer" ["username"]=> string(7) "jsferra" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(10) "Sferra Joe" ["fullname"]=> string(10) "Joe Sferra" ["authorSummary"]=> string(66) "Joe Sferra ([email protected] - jsferra) 'composer and performer'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [17]=> array(4) { ["id"]=> int(5135) ["user"]=> array(15) { ["userId"]=> int(117887) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Taylor" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Ackley" ["gender"]=> NULL ["email"]=> string(27) "[email protected]" ["bio"]=> string(720) "Taylor Ackley: A scholar, composer and performer of American Roots music, Taylor Ackley’s work explores and understands American folk and popular music through historical research, composition, analysis, performance, and ethnography. His integrated intellectual and creative practice builds upon lived experiences of poverty among the rural working-class to provide a foundational knowledge for studying, creating, and teaching music. He holds a master’s degree and a PhD in Composition as well as a master’s degree in Ethnomusicology from Stony Brook University and is currently an Assistant Professor of Music at Brandeis University. He directs the Deep Roots Ensemble and has three commercially released albums." ["affiliation"]=> string(19) "Brandeis University" ["username"]=> string(7) "tackley" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(13) "Ackley Taylor" ["fullname"]=> string(13) "Taylor Ackley" ["authorSummary"]=> string(75) "Taylor Ackley ([email protected] - tackley) 'Brandeis University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [18]=> array(4) { ["id"]=> int(5136) ["user"]=> array(15) { ["userId"]=> int(117888) ["salutation"]=> string(0) "" ["firstname"]=> string(3) "Ian" ["middlename"]=> string(0) "" ["surname"]=> string(9) "Stevenson" ["gender"]=> NULL ["email"]=> string(24) "[email protected]" ["bio"]=> string(369) "Ian Stevenson is a specialist in the field of audible design with over thirty years of experience as an audio engineer, producer, artist, and educator. He is currently senior lecturer in music and sound design at the University of Technology Sydney. His current research is in the areas of sound design, sound studies, soundscape analysis, and music and sound pedagogy." ["affiliation"]=> string(31) "University of Technology Sydney" ["username"]=> string(10) "istevenson" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(13) "Stevenson Ian" ["fullname"]=> string(13) "Ian Stevenson" ["authorSummary"]=> string(87) "Ian Stevenson ([email protected] - istevenson) 'University of Technology Sydney'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [19]=> array(4) { ["id"]=> int(5137) ["user"]=> array(15) { ["userId"]=> int(117889) ["salutation"]=> string(0) "" ["firstname"]=> string(7) "Gerhard" ["middlename"]=> string(0) "" ["surname"]=> string(4) "Roux" ["gender"]=> NULL ["email"]=> string(20) "[email protected]" ["bio"]=> string(0) "" ["affiliation"]=> string(23) "Stellenbosch University" ["username"]=> string(5) "groux" ["url"]=> string(0) "" ["country"]=> string(12) "South Africa" ["lastNameFirstname"]=> string(12) "Roux Gerhard" ["fullname"]=> string(12) "Gerhard Roux" ["authorSummary"]=> string(69) "Gerhard Roux ([email protected] - groux) 'Stellenbosch University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [20]=> array(4) { ["id"]=> int(5138) ["user"]=> array(15) { ["userId"]=> int(117890) ["salutation"]=> string(0) "" ["firstname"]=> string(3) "Ben" ["middlename"]=> string(0) "" ["surname"]=> string(7) "Toscher" ["gender"]=> NULL ["email"]=> string(24) "[email protected]" ["bio"]=> string(0) "" ["affiliation"]=> string(46) "Norwegian University of Science and Technology" ["username"]=> string(8) "btoscher" ["url"]=> string(0) "" ["country"]=> string(2) "NO" ["lastNameFirstname"]=> string(11) "Toscher Ben" ["fullname"]=> string(11) "Ben Toscher" ["authorSummary"]=> string(98) "Ben Toscher ([email protected] - btoscher) 'Norwegian University of Science and Technology'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [21]=> array(4) { ["id"]=> int(5139) ["user"]=> array(15) { ["userId"]=> int(117891) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Martin" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Lücke" ["gender"]=> NULL ["email"]=> string(22) "[email protected]" ["bio"]=> string(543) "Martin Lücke is Professor of Music Management at the Macromedia University of Applied Sciences in Berlin. He is the Local Head of the Faculty of Culture, Media, and Psychology there. Lücke studied musicology, history and political science at Ruhr University Bochum and initially worked in the cultural sector. His current research focusses on topics such as popular music, progressive rock, crowdfunding, and educational research. His most recent publication in German is the "Dictionary of Music Professions (Lexikon der Musikberufe)”." ["affiliation"]=> string(49) "Macromedia University of Applied Sciences, Berlin" ["username"]=> string(6) "mlucke" ["url"]=> string(0) "" ["country"]=> string(2) "DE" ["lastNameFirstname"]=> string(13) "Lücke Martin" ["fullname"]=> string(13) "Martin Lücke" ["authorSummary"]=> string(99) "Martin Lücke ([email protected] - mlucke) 'Macromedia University of Applied Sciences, Berlin'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [22]=> array(4) { ["id"]=> int(5140) ["user"]=> array(15) { ["userId"]=> int(92871) ["salutation"]=> string(0) "" ["firstname"]=> string(4) "Mark" ["middlename"]=> string(0) "" ["surname"]=> string(7) "Thorley" ["gender"]=> NULL ["email"]=> string(21) "[email protected]" ["bio"]=> string(340) "Dr Mark Thorley’s research centres on the creative industries, with particular emphasis on the role of technology. This work draws upon his background as a classically-trained musician, technologist and entrepreneur. His is a past Director of the Music Producers’ Guild in the UK, and a Senior Fellow of the Higher Education Academy." ["affiliation"]=> string(19) "Coventry University" ["username"]=> string(8) "mthorley" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(12) "Thorley Mark" ["fullname"]=> string(12) "Mark Thorley" ["authorSummary"]=> string(69) "Mark Thorley ([email protected] - mthorley) 'Coventry University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [23]=> array(4) { ["id"]=> int(5141) ["user"]=> array(15) { ["userId"]=> int(117893) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Louise" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Godwin" ["gender"]=> NULL ["email"]=> string(25) "[email protected]" ["bio"]=> string(125) "Louise Godwin is currently working as coordinator/researcher with emerging charity Agrigento, Cellist/Researcher, Australia " ["affiliation"]=> string(18) "Cellist/Researcher" ["username"]=> string(7) "lgodwin" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(13) "Godwin Louise" ["fullname"]=> string(13) "Louise Godwin" ["authorSummary"]=> string(72) "Louise Godwin ([email protected] - lgodwin) 'Cellist/Researcher'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [24]=> array(4) { ["id"]=> int(5155) ["user"]=> array(15) { ["userId"]=> int(116755) ["salutation"]=> string(2) "Mr" ["firstname"]=> string(4) "Sean" ["middlename"]=> string(0) "" ["surname"]=> string(5) "Foran" ["gender"]=> NULL ["email"]=> string(17) "[email protected]" ["bio"]=> string(707) "Sean Foran is a Brisbane based composer, pianist, and improvising musician. An ARIA nominated artist he has received the prestigious Brisbane City Council’s Lord Mayors Emerging Artist Fellowship, AMC/APRA Award for Excellence in Jazz, APRA Professional Development Award for Jazz and the QLD Music Award multiple times. His research investigates improvisation with technology, contemporary music career strategies and jazz industry practices. He is currently performing with acclaimed improvising trio ‘Trichotomy’, is Course Director for Audio and Music SAE Creative Media Institute, co-director of the publishing company ‘Prepared Sounds’ and associate artist of the Australian Music Centre. " ["affiliation"]=> string(21) "composer and musician" ["username"]=> string(4) "sean" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(10) "Foran Sean" ["fullname"]=> string(10) "Sean Foran" ["authorSummary"]=> string(61) "Sean Foran ([email protected] - sean) 'composer and musician'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [25]=> array(4) { ["id"]=> int(5156) ["user"]=> array(15) { ["userId"]=> int(119055) ["salutation"]=> string(0) "" ["firstname"]=> string(7) "Vincent" ["middlename"]=> string(0) "" ["surname"]=> string(5) "Perry" ["gender"]=> NULL ["email"]=> string(18) "[email protected]" ["bio"]=> string(492) "Vincent Perry is a Darwin-based drummer, record producer and avid collector of vintage instruments and recording gear. Vincent draws his musical inspiration from the house bands of the 1960s recording industry, especially Phil Spector’s Wrecking Crew and Motown’s Funk Brothers. He is currently a percussionist for the Darwin Symphony Orchestra, drummer for the Hot and Cold Big Band, and a lecturer at Charles Darwin University, where he delivers higher education and VET music units. " ["affiliation"]=> string(25) "Charles Darwin University" ["username"]=> string(6) "vperry" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(13) "Perry Vincent" ["fullname"]=> string(13) "Vincent Perry" ["authorSummary"]=> string(71) "Vincent Perry ([email protected] - vperry) 'Charles Darwin University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [26]=> array(4) { ["id"]=> int(5157) ["user"]=> array(15) { ["userId"]=> int(119056) ["salutation"]=> string(0) "" ["firstname"]=> string(4) "Jade" ["middlename"]=> string(0) "" ["surname"]=> string(7) "O'Regan" ["gender"]=> NULL ["email"]=> string(25) "[email protected]" ["bio"]=> string(589) "Jade O’Regan is a Lecturer in Contemporary Music Practice at the Sydney Conservatorium of Music (University of Sydney). She is the co-author of "Hooks in Popular Music" (2022) with Dr Tim Byron, which combines pop musicology and music psychology to understand pop music in an interdisciplinary way. 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He has published over 60 peer reviewed book chapters and journal articles, in tier one journals such as Creative Industries, International Journal of Cultural Policy, Studies in Higher Education, and the British Journal of Music Education. Professor Daniel has been twice winner of the JCU Vice Chancellor’s citation for teaching excellence (2004, 2006), as well as an Australian Learning and Teaching Council citation (2006). In 2018 and 2020 he was awarded the Graduate Research School "Supervisory Panel of the Year" award with his colleagues." 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As the music industry and related fields adapt to changing business models, student interest in training for a career in the entertainment sector continues to rise. Though the expansion of global degree offerings in the creative industries expands each year, a “state of the field” on educational and pedagogical issues in the music business and the creative industries has yet to be created.

Creative arts research encompasses a broad range of sectors in the music and entertainment industries; among these subfields include performance, technology, entrepreneurship, marketing, and social justice. Globally, formal training for such pathways happens most often in higher education. The Handbook provides a practical and engaging resource for faculty, staff, administrators, graduate students, and industry members working on the “front lines” in teaching and learning. It presents a wide range of global perspectives from academics, BIPOC voices, and ECRs from the United States, the UK, Europe, Australia, and Canada.

Another factor that affects HE stakeholders is the absence of a versatile resource on the teaching and learning issues in music business and related fields. While The Handbook avoids overly prescriptive models of teaching and learning, the volume includes topical research through case studies, ethnographies, and a thorough cross-section of qualitative and quantitative methods. Such a resource may be germane particularly to educators transitioning from industry to faculty appointments in HE. Authors are encouraged to draw from their expertise and use narrative analysis to support their perspectives.

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" ["affiliation"]=> string(18) "Soochow University" ["username"]=> string(6) "wchang" ["url"]=> string(0) "" ["country"]=> string(5) "China" ["lastNameFirstname"]=> string(12) "Chang Wilbur" ["fullname"]=> string(12) "Wilbur Chang" ["authorSummary"]=> string(64) "Wilbur Chang ([email protected] - wchang) 'Soochow University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [2]=> array(4) { ["id"]=> int(5120) ["user"]=> array(15) { ["userId"]=> int(117872) ["salutation"]=> string(0) "" ["firstname"]=> string(9) "Jei-Zheng" ["middlename"]=> string(0) "" ["surname"]=> string(2) "Wu" ["gender"]=> NULL ["email"]=> string(15) "[email protected]" ["bio"]=> string(195) "Jei-Zheng Wu is a Distinguished Professor of Department of Business Administration of School of Business and Director of School of Extension Education, Soochow University (SCU), Taipei, Taiwan. " ["affiliation"]=> string(18) "Soochow University" ["username"]=> string(4) "jzwu" ["url"]=> string(0) "" ["country"]=> string(5) "China" ["lastNameFirstname"]=> string(12) "Wu Jei-Zheng" ["fullname"]=> string(12) "Jei-Zheng Wu" ["authorSummary"]=> string(58) "Jei-Zheng Wu ([email protected] - jzwu) 'Soochow University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [3]=> array(4) { ["id"]=> int(5121) ["user"]=> array(15) { ["userId"]=> int(117873) ["salutation"]=> string(0) "" ["firstname"]=> string(8) "Marzieh " ["middlename"]=> string(0) "" ["surname"]=> string(11) "Khakifirooz" ["gender"]=> NULL ["email"]=> string(19) "[email protected]" ["bio"]=> string(104) "Marzieh Khakifirooz is Assistant Professor of Industrial Engineering, Tecnológico de Monterrey, Mexico " ["affiliation"]=> string(24) "Tecnologico de Monterrey" ["username"]=> string(12) "mkhakifirooz" ["url"]=> string(0) "" ["country"]=> string(6) "Mexico" ["lastNameFirstname"]=> string(20) "Khakifirooz Marzieh " ["fullname"]=> string(20) "Marzieh Khakifirooz" ["authorSummary"]=> string(84) "Marzieh Khakifirooz ([email protected] - mkhakifirooz) 'Tecnologico de Monterrey'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [4]=> array(4) { ["id"]=> int(5122) ["user"]=> array(15) { ["userId"]=> int(117874) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Mathew" ["middlename"]=> string(0) "" ["surname"]=> string(5) "Flynn" ["gender"]=> NULL ["email"]=> string(22) "[email protected]" ["bio"]=> string(689) "Mathew Flynn is a lecturer in music industry. 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" ["affiliation"]=> string(23) "University of Liverpool" ["username"]=> string(6) "mflynn" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(12) "Flynn Mathew" ["fullname"]=> string(12) "Mathew Flynn" ["authorSummary"]=> string(72) "Mathew Flynn ([email protected] - mflynn) 'University of Liverpool'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [5]=> array(4) { ["id"]=> int(5123) ["user"]=> array(15) { ["userId"]=> int(117875) ["salutation"]=> string(0) "" ["firstname"]=> string(4) "Kirk" ["middlename"]=> string(0) "" ["surname"]=> string(7) "McNally" ["gender"]=> NULL ["email"]=> string(16) "[email protected]" ["bio"]=> string(598) "Kirk McNally is a sound engineer specializing in the recording of popular and classical music, as well as in the performances of new musical works using electronics. Kirk is the associate professor of Music Technology at the University of Victoria, Canada. 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" ["affiliation"]=> string(22) "University of Victoria" ["username"]=> string(8) "kmcnally" ["url"]=> string(0) "" ["country"]=> string(2) "CA" ["lastNameFirstname"]=> string(12) "McNally Kirk" ["fullname"]=> string(12) "Kirk McNally" ["authorSummary"]=> string(67) "Kirk McNally ([email protected] - kmcnally) 'University of Victoria'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [6]=> array(4) { ["id"]=> int(5124) ["user"]=> array(15) { ["userId"]=> int(117876) ["salutation"]=> string(0) "" ["firstname"]=> string(4) "Alex" ["middlename"]=> string(0) "" ["surname"]=> string(8) "Timewell" ["gender"]=> NULL ["email"]=> string(18) "[email protected]" ["bio"]=> string(61) "Alex Timewell is a Programme Leader at Leeds College of Music" ["affiliation"]=> string(22) "Leeds College of Music" ["username"]=> string(9) "atimewell" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(13) "Timewell Alex" ["fullname"]=> string(13) "Alex Timewell" ["authorSummary"]=> string(71) "Alex Timewell ([email protected] - atimewell) 'Leeds College of Music'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [7]=> array(4) { ["id"]=> int(5125) ["user"]=> array(15) { ["userId"]=> int(117878) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Jeremy" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Peters" ["gender"]=> NULL ["email"]=> string(23) "[email protected]" ["bio"]=> string(652) "Jeremy Peters is an Assistant Professor of Music at Wayne State University, a faculty affiliate of Labor@Wayne, and is the is the 2023 recipient of the American Musicological Society Career Development Grant in American Music. 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["affiliation"]=> string(22) "Wayne State University" ["username"]=> string(7) "jpeters" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(13) "Peters Jeremy" ["fullname"]=> string(13) "Jeremy Peters" ["authorSummary"]=> string(74) "Jeremy Peters ([email protected] - jpeters) 'Wayne State University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [8]=> array(4) { ["id"]=> int(5126) ["user"]=> array(15) { ["userId"]=> int(117879) ["salutation"]=> string(0) "" ["firstname"]=> string(8) "Taneshia" ["middlename"]=> string(0) "" ["surname"]=> string(10) "Nash Laird" ["gender"]=> NULL ["email"]=> string(18) "[email protected]" ["bio"]=> string(174) "Taneshia Nash Laird is President & CEO of Newark Symphony Hall in Newark NJ and an adjunct at Drexel University in the B.S. in Entertainment and Arts Management program, USA " ["affiliation"]=> string(17) "Drexel University" ["username"]=> string(7) "tnlaird" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(19) "Nash Laird Taneshia" ["fullname"]=> string(19) "Taneshia Nash Laird" ["authorSummary"]=> string(70) "Taneshia Nash Laird ([email protected] - tnlaird) 'Drexel University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [9]=> array(4) { ["id"]=> int(5127) ["user"]=> array(15) { ["userId"]=> int(117880) ["salutation"]=> string(0) "" ["firstname"]=> string(5) "Sekou" ["middlename"]=> string(0) "" ["surname"]=> string(8) "Campbell" ["gender"]=> NULL ["email"]=> string(16) "[email protected]" ["bio"]=> string(199) "Sekou Campbell, Esq. is a partner at the firm Culhane Meadows. A graduate of Vanderbilt and Columbia Universities, Mr. Campbell attended Yeshiva University’s Benjamin N. Cardozo School of Law, USA " ["affiliation"]=> string(15) "Culhane Meadows" ["username"]=> string(9) "scampbell" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(14) "Campbell Sekou" ["fullname"]=> string(14) "Sekou Campbell" ["authorSummary"]=> string(63) "Sekou Campbell ([email protected] - scampbell) 'Culhane Meadows'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [10]=> array(4) { ["id"]=> int(5128) ["user"]=> array(15) { ["userId"]=> int(117881) ["salutation"]=> string(0) "" ["firstname"]=> string(5) "Simon" ["middlename"]=> string(0) "" ["surname"]=> string(7) "Strange" ["gender"]=> NULL ["email"]=> string(29) "[email protected]" ["bio"]=> string(888) "Simon Strange is a multidimensional creative, spanning the academic and creative industries, a trombone player, music producer, photographer and socio-cultural academic. 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["affiliation"]=> string(19) "Bath Spa University" ["username"]=> string(8) "sstrange" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(13) "Strange Simon" ["fullname"]=> string(13) "Simon Strange" ["authorSummary"]=> string(78) "Simon Strange ([email protected] - sstrange) 'Bath Spa University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [11]=> array(4) { ["id"]=> int(5129) ["user"]=> array(15) { ["userId"]=> int(117882) ["salutation"]=> string(0) "" ["firstname"]=> string(7) "Hussein" ["middlename"]=> string(0) "" ["surname"]=> string(4) "Boon" ["gender"]=> NULL ["email"]=> string(24) "[email protected]" ["bio"]=> string(685) "Hussein Boon is a principal lecturer at the University of Westminster. His teaching and areas of interest are music production, performance technologies, songwriting, modular synthesis, live coding, music business and enterprise. 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["affiliation"]=> string(25) "University of Westminster" ["username"]=> string(5) "hboon" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(12) "Boon Hussein" ["fullname"]=> string(12) "Hussein Boon" ["authorSummary"]=> string(75) "Hussein Boon ([email protected] - hboon) 'University of Westminster'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [12]=> array(4) { ["id"]=> int(5130) ["user"]=> array(15) { ["userId"]=> int(117883) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Nicole" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Canham" ["gender"]=> NULL ["email"]=> string(24) "[email protected]" ["bio"]=> string(0) "" ["affiliation"]=> string(17) "Monash University" ["username"]=> string(7) "ncanham" ["url"]=> string(0) "" ["country"]=> string(9) "Australia" ["lastNameFirstname"]=> string(13) "Canham Nicole" ["fullname"]=> string(13) "Nicole Canham" ["authorSummary"]=> string(70) "Nicole Canham ([email protected] - ncanham) 'Monash University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [13]=> array(4) { ["id"]=> int(5131) ["user"]=> array(15) { ["userId"]=> int(91050) ["salutation"]=> string(2) "Mr" ["firstname"]=> string(3) "Rod" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Davies" ["gender"]=> NULL ["email"]=> string(21) "[email protected]" ["bio"]=> string(35991) "

Rod Davies is a lecturer at the Sir Zelman Cowen School of Music, Monash University. He is the co-ordinator of popular voice, lectures in songwriting and is a currently researching vocal performance as part of PhD candidature (Monash University).

" ["affiliation"]=> string(51) "Monash University Sir Zelman Cowen School of Music" ["username"]=> string(9) "roddavies" ["url"]=> string(46) "http://profiles.arts.monash.edu.au/rod-davies/" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(10) "Davies Rod" ["fullname"]=> string(10) "Rod Davies" ["authorSummary"]=> string(100) "Rod Davies ([email protected] - roddavies) 'Monash University Sir Zelman Cowen School of Music'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [14]=> array(4) { ["id"]=> int(5132) ["user"]=> array(15) { ["userId"]=> int(117884) ["salutation"]=> string(0) "" ["firstname"]=> string(5) "Vicky" ["middlename"]=> string(0) "" ["surname"]=> string(9) "Armstrong" ["gender"]=> NULL ["email"]=> string(33) "[email protected]" ["bio"]=> string(76) "Vicky Armstrong is Senior Lecturer in Sociology at the University of Surrey." ["affiliation"]=> string(20) "University of Surrey" ["username"]=> string(10) "varmstrong" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(15) "Armstrong Vicky" ["fullname"]=> string(15) "Vicky Armstrong" ["authorSummary"]=> string(87) "Vicky Armstrong ([email protected] - varmstrong) 'University of Surrey'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [15]=> array(4) { ["id"]=> int(5133) ["user"]=> array(15) { ["userId"]=> int(117885) ["salutation"]=> string(0) "" ["firstname"]=> string(15) "Helen Elizabeth" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Davies" ["gender"]=> NULL ["email"]=> string(19) "[email protected]" ["bio"]=> string(664) "Helen Elizabeth Davies is Subject Leader of Popular Music Studies at the Liverpool Institute for Performing Arts, UK. 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["affiliation"]=> string(43) "The Liverpool Institute for Performing Arts" ["username"]=> string(8) "hedavies" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(22) "Davies Helen Elizabeth" ["fullname"]=> string(22) "Helen Elizabeth Davies" ["authorSummary"]=> string(101) "Helen Elizabeth Davies ([email protected] - hedavies) 'The Liverpool Institute for Performing Arts'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [16]=> array(4) { ["id"]=> int(5134) ["user"]=> array(15) { ["userId"]=> int(117886) ["salutation"]=> string(0) "" ["firstname"]=> string(3) "Joe" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Sferra" ["gender"]=> NULL ["email"]=> string(18) "[email protected]" ["bio"]=> string(703) "Joe Sferra is a composer, performer, and theorist who advocates for a broad musical curiosity as an essential trait of a modern musician, and he embodies this in his teaching and creative work. 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["affiliation"]=> string(22) "composer and performer" ["username"]=> string(7) "jsferra" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(10) "Sferra Joe" ["fullname"]=> string(10) "Joe Sferra" ["authorSummary"]=> string(66) "Joe Sferra ([email protected] - jsferra) 'composer and performer'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [17]=> array(4) { ["id"]=> int(5135) ["user"]=> array(15) { ["userId"]=> int(117887) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Taylor" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Ackley" ["gender"]=> NULL ["email"]=> string(27) "[email protected]" ["bio"]=> string(720) "Taylor Ackley: A scholar, composer and performer of American Roots music, Taylor Ackley’s work explores and understands American folk and popular music through historical research, composition, analysis, performance, and ethnography. His integrated intellectual and creative practice builds upon lived experiences of poverty among the rural working-class to provide a foundational knowledge for studying, creating, and teaching music. He holds a master’s degree and a PhD in Composition as well as a master’s degree in Ethnomusicology from Stony Brook University and is currently an Assistant Professor of Music at Brandeis University. He directs the Deep Roots Ensemble and has three commercially released albums." ["affiliation"]=> string(19) "Brandeis University" ["username"]=> string(7) "tackley" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(13) "Ackley Taylor" ["fullname"]=> string(13) "Taylor Ackley" ["authorSummary"]=> string(75) "Taylor Ackley ([email protected] - tackley) 'Brandeis University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [18]=> array(4) { ["id"]=> int(5136) ["user"]=> array(15) { ["userId"]=> int(117888) ["salutation"]=> string(0) "" ["firstname"]=> string(3) "Ian" ["middlename"]=> string(0) "" ["surname"]=> string(9) "Stevenson" ["gender"]=> NULL ["email"]=> string(24) "[email protected]" ["bio"]=> string(369) "Ian Stevenson is a specialist in the field of audible design with over thirty years of experience as an audio engineer, producer, artist, and educator. He is currently senior lecturer in music and sound design at the University of Technology Sydney. His current research is in the areas of sound design, sound studies, soundscape analysis, and music and sound pedagogy." ["affiliation"]=> string(31) "University of Technology Sydney" ["username"]=> string(10) "istevenson" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(13) "Stevenson Ian" ["fullname"]=> string(13) "Ian Stevenson" ["authorSummary"]=> string(87) "Ian Stevenson ([email protected] - istevenson) 'University of Technology Sydney'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [19]=> array(4) { ["id"]=> int(5137) ["user"]=> array(15) { ["userId"]=> int(117889) ["salutation"]=> string(0) "" ["firstname"]=> string(7) "Gerhard" ["middlename"]=> string(0) "" ["surname"]=> string(4) "Roux" ["gender"]=> NULL ["email"]=> string(20) "[email protected]" ["bio"]=> string(0) "" ["affiliation"]=> string(23) "Stellenbosch University" ["username"]=> string(5) "groux" ["url"]=> string(0) "" ["country"]=> string(12) "South Africa" ["lastNameFirstname"]=> string(12) "Roux Gerhard" ["fullname"]=> string(12) "Gerhard Roux" ["authorSummary"]=> string(69) "Gerhard Roux ([email protected] - groux) 'Stellenbosch University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [20]=> array(4) { ["id"]=> int(5138) ["user"]=> array(15) { ["userId"]=> int(117890) ["salutation"]=> string(0) "" ["firstname"]=> string(3) "Ben" ["middlename"]=> string(0) "" ["surname"]=> string(7) "Toscher" ["gender"]=> NULL ["email"]=> string(24) "[email protected]" ["bio"]=> string(0) "" ["affiliation"]=> string(46) "Norwegian University of Science and Technology" ["username"]=> string(8) "btoscher" ["url"]=> string(0) "" ["country"]=> string(2) "NO" ["lastNameFirstname"]=> string(11) "Toscher Ben" ["fullname"]=> string(11) "Ben Toscher" ["authorSummary"]=> string(98) "Ben Toscher ([email protected] - btoscher) 'Norwegian University of Science and Technology'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [21]=> array(4) { ["id"]=> int(5139) ["user"]=> array(15) { ["userId"]=> int(117891) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Martin" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Lücke" ["gender"]=> NULL ["email"]=> string(22) "[email protected]" ["bio"]=> string(543) "Martin Lücke is Professor of Music Management at the Macromedia University of Applied Sciences in Berlin. He is the Local Head of the Faculty of Culture, Media, and Psychology there. Lücke studied musicology, history and political science at Ruhr University Bochum and initially worked in the cultural sector. His current research focusses on topics such as popular music, progressive rock, crowdfunding, and educational research. His most recent publication in German is the "Dictionary of Music Professions (Lexikon der Musikberufe)”." ["affiliation"]=> string(49) "Macromedia University of Applied Sciences, Berlin" ["username"]=> string(6) "mlucke" ["url"]=> string(0) "" ["country"]=> string(2) "DE" ["lastNameFirstname"]=> string(13) "Lücke Martin" ["fullname"]=> string(13) "Martin Lücke" ["authorSummary"]=> string(99) "Martin Lücke ([email protected] - mlucke) 'Macromedia University of Applied Sciences, Berlin'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [22]=> array(4) { ["id"]=> int(5140) ["user"]=> array(15) { ["userId"]=> int(92871) ["salutation"]=> string(0) "" ["firstname"]=> string(4) "Mark" ["middlename"]=> string(0) "" ["surname"]=> string(7) "Thorley" ["gender"]=> NULL ["email"]=> string(21) "[email protected]" ["bio"]=> string(340) "Dr Mark Thorley’s research centres on the creative industries, with particular emphasis on the role of technology. This work draws upon his background as a classically-trained musician, technologist and entrepreneur. His is a past Director of the Music Producers’ Guild in the UK, and a Senior Fellow of the Higher Education Academy." 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" ["publishedDate"]=> int(1722470400000) ["issueVolume"]=> NULL ["issueNumber"]=> NULL ["pages"]=> NULL ["startPage"]=> NULL ["endPage"]=> NULL ["doi"]=> string(21) "10.1558/equinox.45325" ["price"]=> NULL ["accessStatus"]=> string(28) "ARTICLE_ACCESS_ISSUE_DEFAULT" ["allAuthors"]=> array(2) { [0]=> array(14) { ["authorId"]=> int(57060) ["fullname"]=> string(13) "Taylor Ackley" ["firstname"]=> string(6) "Taylor" ["middlename"]=> NULL ["surname"]=> string(6) "Ackley" ["bio"]=> string(720) "Taylor Ackley: A scholar, composer and performer of American Roots music, Taylor Ackley’s work explores and understands American folk and popular music through historical research, composition, analysis, performance, and ethnography. His integrated intellectual and creative practice builds upon lived experiences of poverty among the rural working-class to provide a foundational knowledge for studying, creating, and teaching music. 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As the music industry and related fields adapt to changing business models, student interest in training for a career in the entertainment sector continues to rise. Though the expansion of global degree offerings in the creative industries expands each year, a “state of the field” on educational and pedagogical issues in the music business and the creative industries has yet to be created.

Creative arts research encompasses a broad range of sectors in the music and entertainment industries; among these subfields include performance, technology, entrepreneurship, marketing, and social justice. Globally, formal training for such pathways happens most often in higher education. The Handbook provides a practical and engaging resource for faculty, staff, administrators, graduate students, and industry members working on the “front lines” in teaching and learning. It presents a wide range of global perspectives from academics, BIPOC voices, and ECRs from the United States, the UK, Europe, Australia, and Canada.

Another factor that affects HE stakeholders is the absence of a versatile resource on the teaching and learning issues in music business and related fields. While The Handbook avoids overly prescriptive models of teaching and learning, the volume includes topical research through case studies, ethnographies, and a thorough cross-section of qualitative and quantitative methods. Such a resource may be germane particularly to educators transitioning from industry to faculty appointments in HE. Authors are encouraged to draw from their expertise and use narrative analysis to support their perspectives.

" ["relatedBooks"]=> array(0) { } ["subtitle"]=> string(0) "" ["contents"]=> string(0) "" ["reviews"]=> string(0) "" ["bookWebLink"]=> NULL ["hbPrice"]=> float(0) ["hbPriceUsd"]=> float(0) ["pbPrice"]=> float(26.95) ["pbPriceUsd"]=> float(34) ["olPrice"]=> float(26.95) ["olInstitutionalPrice"]=> float(26.95) ["olPriceUsd"]=> float(34) ["olInstitutionalPriceUsd"]=> float(34) ["olBookId"]=> NULL ["olProvider"]=> string(12) "cloudpublish" ["bookDoi"]=> string(0) "" ["hbIsbn13"]=> string(0) "" ["hbIsbn10"]=> NULL ["pbIsbn13"]=> string(13) "9781800505223" ["pbIsbn10"]=> NULL ["pdfIsbn"]=> string(13) "9781800505230" ["epubIsbn"]=> string(0) "" ["defaultIsbn"]=> string(13) "9781800505223" ["summaryTitle"]=> string(83) "The Handbook on Music Business and Creative Industries in Education - Daniel Walzer" ["primaryContributor"]=> string(13) "Daniel Walzer" ["series"]=> array(7) { ["seriesId"]=> int(51) ["name"]=> string(22) "Music Industry Studies" ["description"]=> string(791) "In recent years, there has been a rapid growth of interest in the music industry, from policy makers, educationalists, the media and others. This new series aims to satisfy the demand for in-depth knowledge and analysis of all facets of the industry, from recording to live music and the publishing sector. It will include both historical and contemporary approaches and draw on contributions from economics, geography, sociology, legal studies, cultural studies and other disciplines. The founding series editor is Dave Laing† , Honorary Research Fellow at the University of Liverpool and Senior Research Associate at the University of East Anglia.
Proposals for single-authored or edited volumes are invited. Please contact the series editor Sarah Raine at [email protected] " ["url"]=> string(54) "http://www.equinoxpub.com/home/music-industry-studies/" ["editors"]=> array(1) { [0]=> array(14) { ["authorId"]=> int(144) ["fullname"]=> string(11) "Sarah Raine" ["firstname"]=> string(5) "Sarah" ["middlename"]=> string(0) "" ["surname"]=> string(5) "Raine" ["bio"]=> string(513) "Sarah Raine is SFI-IRC Pathway Fellow at University College Dublin. She is Co-Managing Editor of the journal Riffs, Editor of Jazz Research Journal, Book Series Editor of Icons of Pop Music and Music Industry Studies, Equinox Publishing and author of Authenticity and Belonging in the Northern Soul Scene (Palgrave Macmillan, 2020), Towards Gender Equality in the Music Industry (Bloomsbury Academic, 2019) and The Northern Soul Scene (Equinox Publishing, 2019). 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A graduate of Vanderbilt and Columbia Universities, Mr. Campbell attended Yeshiva University’s Benjamin N. Cardozo School of Law, USA " ["affiliation"]=> string(15) "Culhane Meadows" ["username"]=> string(9) "scampbell" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(14) "Campbell Sekou" ["fullname"]=> string(14) "Sekou Campbell" ["authorSummary"]=> string(63) "Sekou Campbell ([email protected] - scampbell) 'Culhane Meadows'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [10]=> array(4) { ["id"]=> int(5128) ["user"]=> array(15) { ["userId"]=> int(117881) ["salutation"]=> string(0) "" ["firstname"]=> string(5) "Simon" ["middlename"]=> string(0) "" ["surname"]=> string(7) "Strange" ["gender"]=> NULL ["email"]=> string(29) "[email protected]" ["bio"]=> string(888) "Simon Strange is a multidimensional creative, spanning the academic and creative industries, a trombone player, music producer, photographer and socio-cultural academic. 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Rod Davies is a lecturer at the Sir Zelman Cowen School of Music, Monash University. He is the co-ordinator of popular voice, lectures in songwriting and is a currently researching vocal performance as part of PhD candidature (Monash University).

" ["affiliation"]=> string(51) "Monash University Sir Zelman Cowen School of Music" ["username"]=> string(9) "roddavies" ["url"]=> string(46) "http://profiles.arts.monash.edu.au/rod-davies/" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(10) "Davies Rod" ["fullname"]=> string(10) "Rod Davies" ["authorSummary"]=> string(100) "Rod Davies ([email protected] - roddavies) 'Monash University Sir Zelman Cowen School of Music'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [14]=> array(4) { ["id"]=> int(5132) ["user"]=> array(15) { ["userId"]=> int(117884) ["salutation"]=> string(0) "" ["firstname"]=> string(5) "Vicky" ["middlename"]=> string(0) "" ["surname"]=> string(9) "Armstrong" ["gender"]=> NULL ["email"]=> string(33) "[email protected]" ["bio"]=> string(76) "Vicky Armstrong is Senior Lecturer in Sociology at the University of Surrey." ["affiliation"]=> string(20) "University of Surrey" ["username"]=> string(10) "varmstrong" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(15) "Armstrong Vicky" ["fullname"]=> string(15) "Vicky Armstrong" ["authorSummary"]=> string(87) "Vicky Armstrong ([email protected] - varmstrong) 'University of Surrey'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [15]=> array(4) { ["id"]=> int(5133) ["user"]=> array(15) { ["userId"]=> int(117885) ["salutation"]=> string(0) "" ["firstname"]=> string(15) "Helen Elizabeth" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Davies" ["gender"]=> NULL ["email"]=> string(19) "[email protected]" ["bio"]=> string(664) "Helen Elizabeth Davies is Subject Leader of Popular Music Studies at the Liverpool Institute for Performing Arts, UK. 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His integrated intellectual and creative practice builds upon lived experiences of poverty among the rural working-class to provide a foundational knowledge for studying, creating, and teaching music. He holds a master’s degree and a PhD in Composition as well as a master’s degree in Ethnomusicology from Stony Brook University and is currently an Assistant Professor of Music at Brandeis University. He directs the Deep Roots Ensemble and has three commercially released albums." ["affiliation"]=> string(19) "Brandeis University" ["username"]=> string(7) "tackley" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(13) "Ackley Taylor" ["fullname"]=> string(13) "Taylor Ackley" ["authorSummary"]=> string(75) "Taylor Ackley ([email protected] - tackley) 'Brandeis University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [18]=> array(4) { ["id"]=> int(5136) ["user"]=> array(15) { ["userId"]=> int(117888) ["salutation"]=> string(0) "" ["firstname"]=> string(3) "Ian" ["middlename"]=> string(0) "" ["surname"]=> string(9) "Stevenson" ["gender"]=> NULL ["email"]=> string(24) "[email protected]" ["bio"]=> string(369) "Ian Stevenson is a specialist in the field of audible design with over thirty years of experience as an audio engineer, producer, artist, and educator. He is currently senior lecturer in music and sound design at the University of Technology Sydney. 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He has published over 60 peer reviewed book chapters and journal articles, in tier one journals such as Creative Industries, International Journal of Cultural Policy, Studies in Higher Education, and the British Journal of Music Education. Professor Daniel has been twice winner of the JCU Vice Chancellor’s citation for teaching excellence (2004, 2006), as well as an Australian Learning and Teaching Council citation (2006). In 2018 and 2020 he was awarded the Graduate Research School "Supervisory Panel of the Year" award with his colleagues." 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Limited in its scope, Daniel argues that the traditional model of teaching and learning embraced by conservatory-style education is no longer sufficient to prepare students for sustainable employment. In its place, Daniel advocates for a new conceptual model of self-guided pedagogy, where students acquire knowledge across several domains, including agency, practice, industry engagement, well-being, critical thinking, and peer learning." 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Professor Daniel has been twice winner of the JCU Vice Chancellor’s citation for teaching excellence (2004, 2006), as well as an Australian Learning and Teaching Council citation (2006). In 2018 and 2020 he was awarded the Graduate Research School "Supervisory Panel of the Year" award with his colleagues." ["primaryContact"]=> bool(true) ["email"]=> string(22) "[email protected]" ["affiliation"]=> string(23) "James Cook University " ["mailingAddress"]=> string(142) "" ["url"]=> string(50) "https://research.jcu.edu.au/portfolio/ryan.daniel/" ["linkedToUser"]=> array(15) { ["userId"]=> int(121031) ["salutation"]=> string(9) "Professor" ["firstname"]=> string(4) "Ryan" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Daniel" ["gender"]=> NULL ["email"]=> string(22) "[email protected]" ["bio"]=> string(665) "Ryan Daniel is a professor and senior researcher in creative arts at James Cook University, Australia. He has published over 60 peer reviewed book chapters and journal articles, in tier one journals such as Creative Industries, International Journal of Cultural Policy, Studies in Higher Education, and the British Journal of Music Education. Professor Daniel has been twice winner of the JCU Vice Chancellor’s citation for teaching excellence (2004, 2006), as well as an Australian Learning and Teaching Council citation (2006). In 2018 and 2020 he was awarded the Graduate Research School "Supervisory Panel of the Year" award with his colleagues." 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He has published over 60 peer reviewed book chapters and journal articles, in tier one journals such as Creative Industries, International Journal of Cultural Policy, Studies in Higher Education, and the British Journal of Music Education. Professor Daniel has been twice winner of the JCU Vice Chancellor’s citation for teaching excellence (2004, 2006), as well as an Australian Learning and Teaching Council citation (2006). In 2018 and 2020 he was awarded the Graduate Research School "Supervisory Panel of the Year" award with his colleagues." ["primaryContact"]=> bool(true) ["email"]=> string(22) "[email protected]" ["affiliation"]=> string(23) "James Cook University " ["mailingAddress"]=> string(142) "" ["url"]=> string(50) "https://research.jcu.edu.au/portfolio/ryan.daniel/" ["linkedToUser"]=> array(15) { ["userId"]=> int(121031) ["salutation"]=> string(9) "Professor" ["firstname"]=> string(4) "Ryan" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Daniel" ["gender"]=> NULL ["email"]=> string(22) "[email protected]" ["bio"]=> string(665) "Ryan Daniel is a professor and senior researcher in creative arts at James Cook University, Australia. He has published over 60 peer reviewed book chapters and journal articles, in tier one journals such as Creative Industries, International Journal of Cultural Policy, Studies in Higher Education, and the British Journal of Music Education. Professor Daniel has been twice winner of the JCU Vice Chancellor’s citation for teaching excellence (2004, 2006), as well as an Australian Learning and Teaching Council citation (2006). In 2018 and 2020 he was awarded the Graduate Research School "Supervisory Panel of the Year" award with his colleagues." 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As the music industry and related fields adapt to changing business models, student interest in training for a career in the entertainment sector continues to rise. Though the expansion of global degree offerings in the creative industries expands each year, a “state of the field” on educational and pedagogical issues in the music business and the creative industries has yet to be created.

Creative arts research encompasses a broad range of sectors in the music and entertainment industries; among these subfields include performance, technology, entrepreneurship, marketing, and social justice. Globally, formal training for such pathways happens most often in higher education. The Handbook provides a practical and engaging resource for faculty, staff, administrators, graduate students, and industry members working on the “front lines” in teaching and learning. It presents a wide range of global perspectives from academics, BIPOC voices, and ECRs from the United States, the UK, Europe, Australia, and Canada.

Another factor that affects HE stakeholders is the absence of a versatile resource on the teaching and learning issues in music business and related fields. While The Handbook avoids overly prescriptive models of teaching and learning, the volume includes topical research through case studies, ethnographies, and a thorough cross-section of qualitative and quantitative methods. Such a resource may be germane particularly to educators transitioning from industry to faculty appointments in HE. Authors are encouraged to draw from their expertise and use narrative analysis to support their perspectives.

" ["relatedBooks"]=> array(0) { } ["subtitle"]=> string(0) "" ["contents"]=> string(0) "" ["reviews"]=> string(0) "" ["bookWebLink"]=> NULL ["hbPrice"]=> float(0) ["hbPriceUsd"]=> float(0) ["pbPrice"]=> float(26.95) ["pbPriceUsd"]=> float(34) ["olPrice"]=> float(26.95) ["olInstitutionalPrice"]=> float(26.95) ["olPriceUsd"]=> float(34) ["olInstitutionalPriceUsd"]=> float(34) ["olBookId"]=> NULL ["olProvider"]=> string(12) "cloudpublish" ["bookDoi"]=> string(0) "" ["hbIsbn13"]=> string(0) "" ["hbIsbn10"]=> NULL ["pbIsbn13"]=> string(13) "9781800505223" ["pbIsbn10"]=> NULL ["pdfIsbn"]=> string(13) "9781800505230" ["epubIsbn"]=> string(0) "" ["defaultIsbn"]=> string(13) "9781800505223" ["summaryTitle"]=> string(83) "The Handbook on Music Business and Creative Industries in Education - Daniel Walzer" ["primaryContributor"]=> string(13) "Daniel Walzer" ["series"]=> array(7) { ["seriesId"]=> int(51) ["name"]=> string(22) "Music Industry Studies" ["description"]=> string(791) "In recent years, there has been a rapid growth of interest in the music industry, from policy makers, educationalists, the media and others. This new series aims to satisfy the demand for in-depth knowledge and analysis of all facets of the industry, from recording to live music and the publishing sector. It will include both historical and contemporary approaches and draw on contributions from economics, geography, sociology, legal studies, cultural studies and other disciplines. The founding series editor is Dave Laing† , Honorary Research Fellow at the University of Liverpool and Senior Research Associate at the University of East Anglia.
Proposals for single-authored or edited volumes are invited. Please contact the series editor Sarah Raine at [email protected] " ["url"]=> string(54) "http://www.equinoxpub.com/home/music-industry-studies/" ["editors"]=> array(1) { [0]=> array(14) { ["authorId"]=> int(144) ["fullname"]=> string(11) "Sarah Raine" ["firstname"]=> string(5) "Sarah" ["middlename"]=> string(0) "" ["surname"]=> string(5) "Raine" ["bio"]=> string(513) "Sarah Raine is SFI-IRC Pathway Fellow at University College Dublin. She is Co-Managing Editor of the journal Riffs, Editor of Jazz Research Journal, Book Series Editor of Icons of Pop Music and Music Industry Studies, Equinox Publishing and author of Authenticity and Belonging in the Northern Soul Scene (Palgrave Macmillan, 2020), Towards Gender Equality in the Music Industry (Bloomsbury Academic, 2019) and The Northern Soul Scene (Equinox Publishing, 2019). 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A graduate of Vanderbilt and Columbia Universities, Mr. Campbell attended Yeshiva University’s Benjamin N. Cardozo School of Law, USA " ["affiliation"]=> string(15) "Culhane Meadows" ["username"]=> string(9) "scampbell" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(14) "Campbell Sekou" ["fullname"]=> string(14) "Sekou Campbell" ["authorSummary"]=> string(63) "Sekou Campbell ([email protected] - scampbell) 'Culhane Meadows'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [10]=> array(4) { ["id"]=> int(5128) ["user"]=> array(15) { ["userId"]=> int(117881) ["salutation"]=> string(0) "" ["firstname"]=> string(5) "Simon" ["middlename"]=> string(0) "" ["surname"]=> string(7) "Strange" ["gender"]=> NULL ["email"]=> string(29) "[email protected]" ["bio"]=> string(888) "Simon Strange is a multidimensional creative, spanning the academic and creative industries, a trombone player, music producer, photographer and socio-cultural academic. 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Rod Davies is a lecturer at the Sir Zelman Cowen School of Music, Monash University. He is the co-ordinator of popular voice, lectures in songwriting and is a currently researching vocal performance as part of PhD candidature (Monash University).

" ["affiliation"]=> string(51) "Monash University Sir Zelman Cowen School of Music" ["username"]=> string(9) "roddavies" ["url"]=> string(46) "http://profiles.arts.monash.edu.au/rod-davies/" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(10) "Davies Rod" ["fullname"]=> string(10) "Rod Davies" ["authorSummary"]=> string(100) "Rod Davies ([email protected] - roddavies) 'Monash University Sir Zelman Cowen School of Music'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [14]=> array(4) { ["id"]=> int(5132) ["user"]=> array(15) { ["userId"]=> int(117884) ["salutation"]=> string(0) "" ["firstname"]=> string(5) "Vicky" ["middlename"]=> string(0) "" ["surname"]=> string(9) "Armstrong" ["gender"]=> NULL ["email"]=> string(33) "[email protected]" ["bio"]=> string(76) "Vicky Armstrong is Senior Lecturer in Sociology at the University of Surrey." ["affiliation"]=> string(20) "University of Surrey" ["username"]=> string(10) "varmstrong" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(15) "Armstrong Vicky" ["fullname"]=> string(15) "Vicky Armstrong" ["authorSummary"]=> string(87) "Vicky Armstrong ([email protected] - varmstrong) 'University of Surrey'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [15]=> array(4) { ["id"]=> int(5133) ["user"]=> array(15) { ["userId"]=> int(117885) ["salutation"]=> string(0) "" ["firstname"]=> string(15) "Helen Elizabeth" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Davies" ["gender"]=> NULL ["email"]=> string(19) "[email protected]" ["bio"]=> string(664) "Helen Elizabeth Davies is Subject Leader of Popular Music Studies at the Liverpool Institute for Performing Arts, UK. 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His integrated intellectual and creative practice builds upon lived experiences of poverty among the rural working-class to provide a foundational knowledge for studying, creating, and teaching music. He holds a master’s degree and a PhD in Composition as well as a master’s degree in Ethnomusicology from Stony Brook University and is currently an Assistant Professor of Music at Brandeis University. He directs the Deep Roots Ensemble and has three commercially released albums." ["affiliation"]=> string(19) "Brandeis University" ["username"]=> string(7) "tackley" ["url"]=> string(0) "" ["country"]=> string(3) "USA" ["lastNameFirstname"]=> string(13) "Ackley Taylor" ["fullname"]=> string(13) "Taylor Ackley" ["authorSummary"]=> string(75) "Taylor Ackley ([email protected] - tackley) 'Brandeis University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [18]=> array(4) { ["id"]=> int(5136) ["user"]=> array(15) { ["userId"]=> int(117888) ["salutation"]=> string(0) "" ["firstname"]=> string(3) "Ian" ["middlename"]=> string(0) "" ["surname"]=> string(9) "Stevenson" ["gender"]=> NULL ["email"]=> string(24) "[email protected]" ["bio"]=> string(369) "Ian Stevenson is a specialist in the field of audible design with over thirty years of experience as an audio engineer, producer, artist, and educator. He is currently senior lecturer in music and sound design at the University of Technology Sydney. His current research is in the areas of sound design, sound studies, soundscape analysis, and music and sound pedagogy." ["affiliation"]=> string(31) "University of Technology Sydney" ["username"]=> string(10) "istevenson" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(13) "Stevenson Ian" ["fullname"]=> string(13) "Ian Stevenson" ["authorSummary"]=> string(87) "Ian Stevenson ([email protected] - istevenson) 'University of Technology Sydney'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [19]=> array(4) { ["id"]=> int(5137) ["user"]=> array(15) { ["userId"]=> int(117889) ["salutation"]=> string(0) "" ["firstname"]=> string(7) "Gerhard" ["middlename"]=> string(0) "" ["surname"]=> string(4) "Roux" ["gender"]=> NULL ["email"]=> string(20) "[email protected]" ["bio"]=> string(0) "" ["affiliation"]=> string(23) "Stellenbosch University" ["username"]=> string(5) "groux" ["url"]=> string(0) "" ["country"]=> string(12) "South Africa" ["lastNameFirstname"]=> string(12) "Roux Gerhard" ["fullname"]=> string(12) "Gerhard Roux" ["authorSummary"]=> string(69) "Gerhard Roux ([email protected] - groux) 'Stellenbosch University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [20]=> array(4) { ["id"]=> int(5138) ["user"]=> array(15) { ["userId"]=> int(117890) ["salutation"]=> string(0) "" ["firstname"]=> string(3) "Ben" ["middlename"]=> string(0) "" ["surname"]=> string(7) "Toscher" ["gender"]=> NULL ["email"]=> string(24) "[email protected]" ["bio"]=> string(0) "" ["affiliation"]=> string(46) "Norwegian University of Science and Technology" ["username"]=> string(8) "btoscher" ["url"]=> string(0) "" ["country"]=> string(2) "NO" ["lastNameFirstname"]=> string(11) "Toscher Ben" ["fullname"]=> string(11) "Ben Toscher" ["authorSummary"]=> string(98) "Ben Toscher ([email protected] - btoscher) 'Norwegian University of Science and Technology'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [21]=> array(4) { ["id"]=> int(5139) ["user"]=> array(15) { ["userId"]=> int(117891) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Martin" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Lücke" ["gender"]=> NULL ["email"]=> string(22) "[email protected]" ["bio"]=> string(543) "Martin Lücke is Professor of Music Management at the Macromedia University of Applied Sciences in Berlin. He is the Local Head of the Faculty of Culture, Media, and Psychology there. Lücke studied musicology, history and political science at Ruhr University Bochum and initially worked in the cultural sector. His current research focusses on topics such as popular music, progressive rock, crowdfunding, and educational research. His most recent publication in German is the "Dictionary of Music Professions (Lexikon der Musikberufe)”." ["affiliation"]=> string(49) "Macromedia University of Applied Sciences, Berlin" ["username"]=> string(6) "mlucke" ["url"]=> string(0) "" ["country"]=> string(2) "DE" ["lastNameFirstname"]=> string(13) "Lücke Martin" ["fullname"]=> string(13) "Martin Lücke" ["authorSummary"]=> string(99) "Martin Lücke ([email protected] - mlucke) 'Macromedia University of Applied Sciences, Berlin'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [22]=> array(4) { ["id"]=> int(5140) ["user"]=> array(15) { ["userId"]=> int(92871) ["salutation"]=> string(0) "" ["firstname"]=> string(4) "Mark" ["middlename"]=> string(0) "" ["surname"]=> string(7) "Thorley" ["gender"]=> NULL ["email"]=> string(21) "[email protected]" ["bio"]=> string(340) "Dr Mark Thorley’s research centres on the creative industries, with particular emphasis on the role of technology. This work draws upon his background as a classically-trained musician, technologist and entrepreneur. His is a past Director of the Music Producers’ Guild in the UK, and a Senior Fellow of the Higher Education Academy." ["affiliation"]=> string(19) "Coventry University" ["username"]=> string(8) "mthorley" ["url"]=> string(0) "" ["country"]=> string(2) "UK" ["lastNameFirstname"]=> string(12) "Thorley Mark" ["fullname"]=> string(12) "Mark Thorley" ["authorSummary"]=> string(69) "Mark Thorley ([email protected] - mthorley) 'Coventry University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [23]=> array(4) { ["id"]=> int(5141) ["user"]=> array(15) { ["userId"]=> int(117893) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Louise" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Godwin" ["gender"]=> NULL ["email"]=> string(25) "[email protected]" ["bio"]=> string(125) "Louise Godwin is currently working as coordinator/researcher with emerging charity Agrigento, Cellist/Researcher, Australia " ["affiliation"]=> string(18) "Cellist/Researcher" ["username"]=> string(7) "lgodwin" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(13) "Godwin Louise" ["fullname"]=> string(13) "Louise Godwin" ["authorSummary"]=> string(72) "Louise Godwin ([email protected] - lgodwin) 'Cellist/Researcher'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [24]=> array(4) { ["id"]=> int(5155) ["user"]=> array(15) { ["userId"]=> int(116755) ["salutation"]=> string(2) "Mr" ["firstname"]=> string(4) "Sean" ["middlename"]=> string(0) "" ["surname"]=> string(5) "Foran" ["gender"]=> NULL ["email"]=> string(17) "[email protected]" ["bio"]=> string(707) "Sean Foran is a Brisbane based composer, pianist, and improvising musician. 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" ["affiliation"]=> string(21) "composer and musician" ["username"]=> string(4) "sean" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(10) "Foran Sean" ["fullname"]=> string(10) "Sean Foran" ["authorSummary"]=> string(61) "Sean Foran ([email protected] - sean) 'composer and musician'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [25]=> array(4) { ["id"]=> int(5156) ["user"]=> array(15) { ["userId"]=> int(119055) ["salutation"]=> string(0) "" ["firstname"]=> string(7) "Vincent" ["middlename"]=> string(0) "" ["surname"]=> string(5) "Perry" ["gender"]=> NULL ["email"]=> string(18) "[email protected]" ["bio"]=> string(492) "Vincent Perry is a Darwin-based drummer, record producer and avid collector of vintage instruments and recording gear. Vincent draws his musical inspiration from the house bands of the 1960s recording industry, especially Phil Spector’s Wrecking Crew and Motown’s Funk Brothers. He is currently a percussionist for the Darwin Symphony Orchestra, drummer for the Hot and Cold Big Band, and a lecturer at Charles Darwin University, where he delivers higher education and VET music units. " ["affiliation"]=> string(25) "Charles Darwin University" ["username"]=> string(6) "vperry" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(13) "Perry Vincent" ["fullname"]=> string(13) "Vincent Perry" ["authorSummary"]=> string(71) "Vincent Perry ([email protected] - vperry) 'Charles Darwin University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [26]=> array(4) { ["id"]=> int(5157) ["user"]=> array(15) { ["userId"]=> int(119056) ["salutation"]=> string(0) "" ["firstname"]=> string(4) "Jade" ["middlename"]=> string(0) "" ["surname"]=> string(7) "O'Regan" ["gender"]=> NULL ["email"]=> string(25) "[email protected]" ["bio"]=> string(589) "Jade O’Regan is a Lecturer in Contemporary Music Practice at the Sydney Conservatorium of Music (University of Sydney). She is the co-author of "Hooks in Popular Music" (2022) with Dr Tim Byron, which combines pop musicology and music psychology to understand pop music in an interdisciplinary way. Her research interests include the musical analysis of pop music, genres, songwriting, and creativity. She is an experienced music communicator who has been featured as a speaker at SxSW, Splendour in the Grass, on ABC News, and Triple J. She is also a performing musician and songwriter." ["affiliation"]=> string(20) "University of Sydney" ["username"]=> string(10) "jadeoregan" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(12) "O'Regan Jade" ["fullname"]=> string(12) "Jade O'Regan" ["authorSummary"]=> string(76) "Jade O'Regan ([email protected] - jadeoregan) 'University of Sydney'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [27]=> array(4) { ["id"]=> int(5158) ["user"]=> array(15) { ["userId"]=> int(119057) ["salutation"]=> string(0) "" ["firstname"]=> string(3) "Tom" ["middlename"]=> string(0) "" ["surname"]=> string(10) "O'Halloran" ["gender"]=> NULL ["email"]=> string(22) "[email protected]" ["bio"]=> string(706) "Tom O’Halloran is a Senior Lecturer at the Western Australian Academy of Performing Arts (WAAPA) at Edith Cowan University, where he is the academic coordinator of the jazz performance major within the Bachelor of Music degree. In 2017 he won the APRA Art Music Award for Jazz work of the Year, and he is a regularly commissioned composer, pianist and improvisor. He gained a Master of Music (composition) from the Sydney Conservatorium of Music and holds a Bachelor of Music (Jazz Performance) from WAAPA, and is currently completing the Ph.D. His Future research interests are hybridity and multi-disciplined approaches, technology within jazz, and assimilating techniques of Modernism within jazz." ["affiliation"]=> string(22) "Edith Cowan University" ["username"]=> string(10) "tohalloran" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(14) "O'Halloran Tom" ["fullname"]=> string(14) "Tom O'Halloran" ["authorSummary"]=> string(77) "Tom O'Halloran ([email protected] - tohalloran) 'Edith Cowan University'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [28]=> array(4) { ["id"]=> int(6533) ["user"]=> array(15) { ["userId"]=> int(148939) ["salutation"]=> string(0) "" ["firstname"]=> string(6) "Monica" ["middlename"]=> string(0) "" ["surname"]=> string(9) "Rouvellas" ["gender"]=> NULL ["email"]=> string(25) "[email protected]" ["bio"]=> string(486) "Monica Rouvellas is a solicitor, composer, music producer, and educator. Monica is currently a sessional academic at the University of Technology, Sydney, Macquarie University, and the University of Sydney, teaching in the fields of music, business, and law. She is also the founder of Muzikboxx, a music education app for both music teachers and students. Her current research is in the areas of gamified learning, self-regulated learning, immersive sound, and technology and the law. 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He co-authored Living with a Creative Mind, a handbook for nurturing creativity and well-being. He is the founder and director of Zebra Collective, a microlearning platform. Jeff is currently a sessional academic at the University of Technology, Sydney and JMC Academy. His doctoral research revealed the extent of workplace and sexual harassment in the music industry." ["affiliation"]=> string(48) "University of Technology, Sydney and JMC Academy" ["username"]=> string(9) "jcrabtree" ["url"]=> string(0) "" ["country"]=> string(2) "AU" ["lastNameFirstname"]=> string(13) "Crabtree Jeff" ["fullname"]=> string(13) "Jeff Crabtree" ["authorSummary"]=> string(106) "Jeff Crabtree ([email protected] - jcrabtree) 'University of Technology, Sydney and JMC Academy'" } ["type"]=> string(4) "AUTH" ["hide"]=> bool(true) } [30]=> array(4) { ["id"]=> int(6535) ["user"]=> array(15) { ["userId"]=> int(121031) ["salutation"]=> string(9) "Professor" ["firstname"]=> string(4) "Ryan" ["middlename"]=> string(0) "" ["surname"]=> string(6) "Daniel" ["gender"]=> NULL ["email"]=> string(22) "[email protected]" ["bio"]=> string(665) "Ryan Daniel is a professor and senior researcher in creative arts at James Cook University, Australia. He has published over 60 peer reviewed book chapters and journal articles, in tier one journals such as Creative Industries, International Journal of Cultural Policy, Studies in Higher Education, and the British Journal of Music Education. Professor Daniel has been twice winner of the JCU Vice Chancellor’s citation for teaching excellence (2004, 2006), as well as an Australian Learning and Teaching Council citation (2006). In 2018 and 2020 he was awarded the Graduate Research School "Supervisory Panel of the Year" award with his colleagues." 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